Over the past five years of my literary journey, I have explored a diverse range of novels that delve into the complexities of social, political, and cultural realities. My literary preference is deeply rooted in works that offer critical perspectives on society, challenge hegemonic ideologies, and reflect the lived experiences of individuals. Literature, for me, is not just a form of storytelling but a powerful medium to bring forth meaning and provoke thought about the world we inhabit.
1984 – A powerful critique of totalitarianism, surveillance, and political oppression.
The Ministry of Utmost Happiness – A deep exploration of political and cultural conflicts in India.
Midnight’s Children – A blend of history, politics, and magical realism reflecting India’s postcolonial struggles.
Animal Farm – A political allegory about power and corruption.
Jude the Obscure – A critique of social class, education, and societal norms.
The God of Small Things – A poetic exploration of caste, family, and cultural identity.
An Artist of the Floating World – A reflection on political responsibility and post-war identity.
Gun Island – Explores climate change, migration, and cultural connections.
The Great Gatsby – A critique of the American Dream and social hierarchy.
Pride and Prejudice – Examines gender, class, and marriage in 19th-century England.
The Only Story – Focuses on personal and emotional realities rather than broader social critique.
Revolution 2020 – Though it discusses corruption in education, it is more of a commercial novel with limited literary depth.