The film was launched in 2006 and shot at several locations in India and Mauritius. Vidyasagar scored the music while lyrics were written by Vairamuthu. Mu. Kasivishwanathan handled the editing and K. V. Guhan worked as the cinematographer. The dialogues were written by Viji. The film was released on 23 February 2007 and emerged a critical and commercial success.

Reportedly, Jyothika reached the final round of National Film Award for Best Actress for her role, however she lost the award to Umashree for the Kannada film Gulabi Talkies.[3] The film was dubbed in Telugu as Maatarani Mounamidi in 2012 and released to positive reviews.[4]


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Mozhi was the first Tamil film receiving the fastest launch in the home video market. The producers tied up with optical disc maker Moser Baer for the release. The film was premiered in the Non prize section of 2007 Cannes Film Festival.[5][6]

Radhamohan revealed that idea of the film came from a little girl who stayed in his neighbourhood. He also told that he had Jyothika in his mind while writing down her character,[8] she initially refused to act but later agreed after hearing the script.[7]

Many actresses refused to play the character of Jyothika's friend,[7] finally Swarnamalya was selected to play the role, Swarnamalya agreed after hearing the script which gave equal importance to women characters.[9][10] Elango Kumaravel who earlier appeared in director's previous films did not act in this film instead he worked as a dubbing artist lending his voice for Brahmanandam.[7] Prithviraj was selected after director was impressed with his performance in Paarijatham.[7] Prasanna was originally selected for the role which was eventually portrayed by Prakashraj.[11]

The soundtrack was composed by Vidyasagar. Acclaimed poet Vairamuthu has penned the lyrics for all the songs. The song "Kannal Pesum" is a modification of the song "Elamankanniloode... I Am Thinking of You" ("Walking in the Moonlight") from the Malayalam film Satyam Sivam Sundaram (2000).[16] Vidyasagar gave the music for the Malayalam movie too. All the songs were well received especially "Kaatrin Mozhi" and "Sevvanam".[17]

Mozhi has been released in VCDs and DVDs by Moser Baer Home Video.[25] The satellite rights of the film were sold to Kalaignar TV and it was premiered on channel's launch date 15 September 2007.[26]

Released on 23 February 2007, Mozhi faced competition from Paruthiveeran, which was released on the same day. The film took a big opening at the Chennai box office,[36] The film continued to rank at first at the Chennai box office for five successive weeks,[37] being ousted only by the Hollywood production 300 during the Easter weekend.[38] The film was produced on a budget of $500,000 and it became a surprise hit grossing $2 million and declared one of the most commercially successful Tamil films of the year.[39][40][41] The positive response of the film has led to the generation of additional prints.[42] The film completed a theatrical run of 100 days. The film's 100-day function was held in the open air club house attached to Mayajaal multiplex on the ECR. Anjali Arora, a visually challenged lawyer, working as a legal advisor to the Ministry of Civil Aviation, Balu Mahendra, Ameer, Lingusamy and Sundar.C attended the function.[43]

Mozhi became an important film in the career of Prithviraj and Jyothika. The film proved that the people would accept stories based on disability if the film was presented in a new and innovative way.[44][45] The film continued the trend of films with different themes that focused on realism.[46] K. Jeshi of The Hindu placed the film in the category of films that propagate social issues along with other films like Sethu (1999), Kaadhal (2004), Veyil (2006), Imsai Arasan 23am Pulikesi (2006) and Paruthiveeran (2007).[47] Behindwoods stated that humour helped the film "to become one of the biggest money-spinners in Kollywood" and also added "Prakash Raj's witty dialogues ensured a merry go ride".[48]

Director Mahendran listed Mozhi as one of his favourite films.[49] Documentary filmmaker Swarnavel says films such as Kaadhal, Veyil, Mozhi and Paruthi Veeran have pushed the envelope of mainstream Tamil cinema.[50] Actress Revathi stated that: "young film makers in particular have come up with some wonderful, well-researched movies featuring disability, such as Mozhi, Black, Deiva Thirumagal, Beautiful, and many others. These films, with their accurate detailing and brilliant portrayals don't paint disability as a tragedy, but show it as a part of life".[51] In an interview to Times of India in 2008, Keerthi Chawla revealed that: "I'm looking for a role on the lines of the one played by Jyotika in Mozhi and Sridevi in Moondram Pirai".[52] P. B. Ramasamy, head of Big FM, Chennai told to Hindu that: "Mozhi was a wholesome entertainer and I never got bored even for a minute. The movie made me smile throughout and for the first time while watching a film, I felt the urge to watch it all over again".[53] Dancer Shweta Prachande who portrayed deaf and dumb character in a short film called Notes of Silence said she was inspired by Jothika's performance from the film to portray the character.[54]

Scenes from the film have been parodied in Thamizh Padam (2010). Shiva's love signals, Disha Pandey's introduction scene and her friend character has been based on the film.[55] The song "Kaatrin Mozhi" inspired a film of the same name, which was also directed by Radha Mohan.[56]

At the 55th National Film Awards according to Sibi Malayil, one of the jury member of feature film, Jyothika was one of the front runner for National Film Award for Best Actress, along with Meera Jasmine for the Malayalam film Ore Kadal and Umashree for the Kannada film Gulabi Talkies.[3] However, she lost the award to Umashree who was adjudged the Best Actress.[3]

Boney Kapoor has acquired the Hindi remake rights of the film in 2008. According to initial reports Abhishek Bachchan is considered to do the lead role that Prithviraj had done with considerable ease while Asin Thottumkal is earmarked to do the potential dumb and mute act of the female lead, which was done by Jyothika in the original. Radhamohan himself would direct the remake, however it failed to materialize.[57]

One fine day, Vijji wins a contest hosted by her favourite radio station. She receives a call from Anjali, the top RJ of the radio station. On the call, Anjali makes her sing. Vijji sings a retro song, which everyone at the radio station finds funny. Next day she goes to the Radio station to collect her prize. There she sees a poster of auditions for the position of a RJ. She is very excited and feels that this is the job she is waiting for. She insists on filling the form, which the receptionist refuses on some pretext or the other. Coincidentally, RJ Anjali walks in and feels that she must give her a shot.

The company provides Vijji pickup and drop facility. On her first day, Vijji faces an annoying caller who tries to change their chat into an obscene one. With her sharp mind, Vijji is able to tactfully handle it. Next, she gets a request from a caller to sing an out of the world kind of a song for him. Vijji, out of excitement, sings a song which she sings only for her husband. Balu is annoyed by all this, as well as frustrated with his new boss who treats him rudely. Because of these two situations, he becomes angry and, at times, insecure.

The film is now showing events that is happening 1 month later. We see Balu managing the tiffin business and Vijji going back to her job; managing both the household and her professional life in her own unique style.

The soundtracks and background music was composed by debutant A. H. Kaashif, nephew of A. R. Rahman. The music was programmed by Suryansh Jain, songs were mixed by Pradeep Menon and mastered by Suresh Permal at AM Studios, Chennai. The lyrics were written by Madhan Karky.[22]

The intangibility in the communication of love, implies a sort of dreamy state wherein love operates. Thus, it is extremely important that Vidyasagar establishes this same dreamy-ness from the very beginning of the song. Vidyasagar does exactly this by omitting the bass in the beginning of the song. For the first 25 seconds of the song, all of the instruments are playing mid-range, with no low notes at all. Now, how does this imply a dreamy state, you may ask? A dreamy state occurs when one is floating, without a firm grounding of reality. If we use that thinking and apply it to the music, well, by having the instruments all play in mid-range without low notes, the song essentially floats, without a firm grounding of reality. In the context of love, one could say that this dreamy state occurs when one falls in love with somebody else at first sight.

The second aspect is to do with the openness and liberation that loves results in. Vidyasagar brings this emotion to the listeners through the way in which he has panned the sounds in the song. This track, through its rather wide panning, is able to literally open up the listener in ways love does in reality.

Swarnachamaram is a film that was shelved as a result of creative differences over the topic of mercy killing. Many scenes were edited out of the film along with a song by Sivaji Ganeshan and Mohanlal. Producer V. B. K. Menon used the same dates and completed Oru Yathramozhi, starring Sivaji Ganesan and Mohanlal. The movie was not released until a year or so after completion.[1][2][3][4]

Mozhi, a musical romantic comedy, written and directed by Radha Mohan, hit screens on February 2007. The film had Jyotika, Prithviraj, Prakash Raj and Swarnamalya as the lead star cast along with Brahmanandam and MS Bhaskar playing pivotal roles. While Vidyasagar scored the music for the film, cinematography was by KV Guhan and editing by Kasi Viswanathan. be457b7860

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