The inspiration for Badminton was the tree portion of the wonderful old paper hanging in the Leicester Bedroom at Chatsworth. Tree peonies and tulip trees stretch across the paper creating an open feel with space between the branches and foliage to better show off the pretty birds and butterflies. Combined with the relatively plain style of the ground these attributes lead to Badminton having an uncomplicated style that works well everywhere.
Ordering: Most of our products are made to order; lead times are typically 16-20 weeks. However, we do have a selection of products in stock that are available to purchase immediately. To view our stock products click here. See more on how to order here.
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Designs are often tailored in order to perfectly fit within your interior by adapting the pattern to work around furniture, fixtures and fittings.
Colours within the design can be adjusted to match any palette.
Different backgrounds can be chosen from our extensive selection of silks, textured papers, and gilded grounds which come in a range of colours, see the full selection here.
Fine silk embroidery can be added to all our silk wallpapers, adding an extra level of depth and intricacy. Beading can be applied alongside the embroidery or as a standalone technique. View our embroidered finishes here.
de Gournay helps realise your dreams of a perfect interior. Whether creating a Chinoiserie room, a 19th century French Scenic, an Art Nouveau or Art Deco interior, a gold-leaf ceiling or a complete Chinese Export dinner service, each person who plays a part in bringing this dream to life is trained by and works full-time for de Gournay. No other firm will interpret your dreams with the same painstaking attention to detail and artistic skill over such a broad range of products as de Gournay. Our signature is exceptional quality in all aspects of our work. We hope that you enjoy it. The de Gournay family will certainly enjoy creating it for you.
Four years in the making, Hannah Cecil Gurney's London home is a love letter to the hand painted wallpapers made by de Gournay - the business founded by her father Claud - and is testament to her continued transformation of the company from cult niche to industry leader.
Dimensions: de Gournay wallpapers are produced as panels in any height up to 4.3m. Total panel length is 0.60 more than the chosen design height when ordering via the straight run method and 0.30m more than your wall height when ordering via the tailored method. These wallpapers are 0.915m wide after trimming except where marked. Customisation of design elements, colourways and panel heights are fully available though subject to additional charge.
The inspiration for Badminton was the tree portion of the wonderful old paper hanging in the Leicester Bedroom at Chatsworth which combines peony trees with tall bamboo. The Chinese wallpaper here was installed in 1830 after the house had been remodelled by architect Wyatville for the 6th Duke of Devonshire. However, the name of the room survived both this and the earlier remodelling by Talman for the 1st Duke of Devonshire between 1693 and 1695 and commemorates the stay by Robert Dudley, the 1st Earl of Leicester in 1577 in the original Elizabethan manor house.
Installation 1: Photography by Dan Marshall
Installation 2: KG Photography. Carlton Chandelier by Christopher Hyde
Installation 3: Photography by Simon Brown. Styling by Tara Craig
Installation 4: Henrietta Spencer-Churchill of Woodstock Designs
Installation 5: Interior design by Collins & Sweezey
Installation 6: Interior design by Paloma Contreras. Photography by Brittany Ambridge
Luxury wallcovering firm de Gournay owes its development to founder Claud Cecil Gurney's love of chinoiserie and eastern art forms. Chinoiserie has a long history in Britain, going back to the craze for oriental art which swept onto these shores in the eighteenth century, providing a sumptuous backdrop in the homes of the rich and powerful. Three centuries later, de Gournay's wallpapers, originally inspired by patterns found in English stately homes, are the last word in opulence, hand-painted by specialist artists in studios in China, and costing up to 12,000 for a full room. Whether you've got your sights firmly set on an entire L'Eden living room, or you just want to dream, scroll down for our favourite de Gournay wallpapers from the House & Garden archive.
The drawing room of this Chelsea home illustrates designer Stephen Eicker's 'layered' style, with a varied mix of colour, pattern and texture, backed by a hand-painted chinoiserie wallpaper by de Gournay. The lampshades are from Robert Kime; the mirrors are from Hilary Batstone.
Hannah Cecil Gurney's west London flat is a feast of luxurious colour, texture and pattern - little surprise given that her father founded the handmade wallpaper company de Gournay. Cushions from Beaumont & Fletcher are among the golden accents in the spare room. Despite the small floorspace of the flat, the ceilings were restored by Hannah to their original double-height, meaning every space in the flat has been made larger without losing its cosiness.
A glass shower cubicle in the bathroom allows the de Gournay 'Fishes' wallpaper to become the main decorative feature of the room. Though neutral in colour, the paper's gilded lucky fish add heaps of personality to the space.
De Gournay's hand-painted wallcoverings are exceptional in their beauty and quality. Here, interior designer Sarah Delaney proves that their intricate chinoiserie pattern - based on seventeenth-century Chinese designs - can look light and modern when used with a pearlescent silver background.
Now I wrote last week about decorating in a lockdown and how what we want now might turn out to be quite different to what we want in a few months time. So I advised a little bit of caution and planning as your mood might very well change. You might, I said, be looking towards calm and safe and relaxing at the moment and then find your erupt in a rainbow of energising brights after this is all over.
But what about this bedroom designed by Em Gurner which uses exactly the same colours in blocks of plain rather than patterned. This is a paint job and the floral elements have been brought in with, well, real florals/plants. So again, use the things you are drawn to but which feel a little too much for you and work out how to pare them back a little until you find a scheme that works for you.
loved the images and how you showed us how to take the colors to a more livable level. As you said what we may want now, may not apply in a few months. I would love to see something where the removable wallpaper is used.
The first Chinese wallpapers appeared for sale in London in the late 17th century. These hand-painted papers, and the chinoiserie (use of Chinese motifs and techniques) decorative styles they inspired, sparked a fashion that lasted more than a century. Most of the great houses of Europe had at least one room decorated with a Chinese paper, original or imitation. By the end of the 18th century they were to be found in most modest sized houses too.
The enthusiasm for Chinese styles was reflected in their widespread use in 18th-century decoration. There was a playfulness and informality in the style that made them popular decorations for bedrooms and apartments, especially those used by women.
By continuing to pay close attention to the tastes of the European market, by modifying designs and introducing new patterns, motifs and colours as required, Chinese wallpaper manufcaturers prevented the trade from stagnating.
The earliest papers to arrive in Europe depicted scenes of daily life and industry in China in a variety of landscape settings. Another main class of Chinese paper was the so-called 'bird and flower' type, characterised by sinuous flowering trees, with birds and insects among the branches, all silhouetted against a coloured ground. Later modifications of this design introduced figures in the foreground, flowering shrubs in pots, and birdcages suspended from the branches above.
Chinese papers were relatively expensive and orders for specific designs or colourways could take up to 18 months to be delivered. It was not surprising then that English and French manufacturers sought to capitalise on this new fashion by producing imitations. The earliest examples demonstrate a poor understanding of the conventions of the Chinese designs. One early attempt from our collections dates from about 1700 and was found in Ord House, Berwick-on-Tweed, Northumberland. Unlike the Chinese originals, it is a repeating pattern with Chinese figures dwarfed by parrots and red squirrels, all set haphazardly amongst crudely drawn branches. 152ee80cbc
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