I'm not entirely sure what is causing this effect in my render -- I'm using the most recent version. However, it seems that the higher the resolution I try to render this nighttime scene, the worse the particles get. The attached images start from morning, noon, and then midnight and you'll see the concern I'm talking about.
Helstern , do you have a couple of emmisive light sources place in the scene? If so, could you perhaps try to also place normal lights around the scene? Via our Enscape Objects -> the Lights you can see there that is. Also, especially if the lamp if the lamp is only using an emissive material, please add a Disk light in front of it for example and let that be the main light source (and turn the brightness up if necessary).
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Both would work in this case, although due to the lamp design Helstern , you may also want to use a Sphere or Spot light, since it seems to be the main lighting source in the scene. If possible, you can also add other light sources in the scene to brighten it up a bit, that usually helps with noise as well.
Furthermore, regarding the second case, please also make sure that your graphics card drivers are up to date. If possible, could you perhaps also send us that bed model? It seems to be of rather high polygon count which could cause this behavior as well - in the meantime, you may want to use one of our beds which you'll find in our Asset Library.
If possible, could you perhaps also send us that bed model? It seems to be of rather high polygon count which could cause this behavior as well - in the meantime, you may want to use one of our beds which you'll find in our Asset Library.
I had this issue a while back - the problem was I had accidentally placed some Enscape light objects into walls without realising it. I find the way Enscape handles adding light objects to be a little counter-intuitive and its easy to end up dragging lights around to wrong positions by mistake or locate them in geometry accidentally.
In early 2023, I was deep in the throes of my own not-super-great time. My husband and I decided to (lovingly! amicably! respectfully!) end our marriage. (Don\u2019t let the Gwyneth and Coldplay of it all fool you; consciously uncoupling is still pretty sad.) I didn\u2019t know if I wanted to stay in Los Angeles. My family was across the country, most of my friends were scattered across timezones and state lines and long drives. But also, I can work from anywhere, so then why did I just rent a house 6 minutes from where I had been living? (Because the house was great, it had room for the inflatable hot tub, and I wasn\u2019t ready to leave LA! being my answer.)
Packages kept arriving: things I bought myself thinking they\u2019d be the key to escaping my depression, only to become more depressed when I would inevitably realize that I would not be cured by retail therapy.
Then, a square box arrived on a day I wasn\u2019t expecting any deliveries. I read the note from Kathryn. I placed the disco ball on my table, and begrudgingly opened the blinds, which I kept closed 24/7 because it felt insulting to wake up to a Beautiful Sunny Day when all I wanted was weather to match my misery. My room immediately lit up. Kathryn was right. Zoloft works hard but light reflections also work hard, and I needed all hands on deck.
My bedroom is south-facing, so it gets a good amount of sunlight in the morning. Knowing this and armed with the desire to add an additional dose of whimsy to my eclectic space, I tied the disco ball (a small one, with a diameter of just seven or eight inches) to a string and tied the string to the tension rod that already held my semi-sheer white curtains, a pothos in a hanging plant holder, and a bundle of dried broom bloom.
Light beams dotted my walls, touching my gallery wall, piles of books, and the leaves of my many houseplants. The sun, around 9:30 a.m., was in just the right position to make my small Brooklyn abode feel just a little more special, and for the two hours or so that the light remained, I nestled deeper into my bed with a good book.
Let me first give some of a background as to where I got this problem. I had a math teacher ask me a few months ago: "How many 1 unit by 1 unit squares could one fit on a sphere with a radius of 32 units?" The only problem was that it was a high school math course, and that I, as a high school student, had no way of answering the question in its true sense, as the teacher simply wanted a division of surface area.
But the problem remains unanswered, and it has been bothering me for some time now. How many mirrors can you fit on a disco ball? This isn't a question for the construction of a disco ball simply the construction of a theoretical "perfect" disco ball given the parts. My teacher didn't realize that the problem answer she was expecting was for an entirely different problem relating to how many areas of 1 unit squared you could create from the surface. Given my severely limited math knowledge, I am simply unable to answer a problem as complex as this.
If you have a sphere of radius $r$ and squares of length $l$, then how many squares can you fit on it in tangent with the sphere with only the centers of each square touching the sphere, and with no square overlap?
In this given situation the square mirrors could be interchanged with spheres without any adverse effects to the problem. So where this problem might find a solution could be in the already well-defined field of sphere packing, the only caveat being the fact that it's packing with set radii ratios and where non-touching spheres are discarded.
There are two interpretations of "no overlap". One is suggested by the original problem, in that two mirror tiles do not physically intersect, while still having their centers attached to the sphere. For a sphere of radius 1/2 times 1/$\sqrt{3}$, there are at least two ways to glue three unit tiles for this definition of overlap: one where the tiles form a triangular prism, and one where one tile is given a 45 degree twist. Both of these do not overlap in the first sense, but the second one fails to not overlap in a second sense, where spherical projections of each tile are supposed to be disjoint. While both problems are of interest, it would be good to resolve this ambiguity and focus on just one version. This is one reason why I think the original version was not good for this forum: the problem is not clear enough. I encourage the poster to think more and revise the problem further toward greater clarity.
I took the trouble to make some computations for the first sense of overlap and small numbers of tiles. I suspect that the radii computed are the smallest that can accommodate the given number of unit square tiles, but the amount of effort to prove it for any number greater than two tiles is substantial. I invite readers to contribute a brief proof even for $t=3$, and remember to use overlap in the first sense.
For larger values of t the two senses of overlap seem to converge, and that the smallest radius having a disco ball of $t$ tiles in either sense approach each other fairly rapidly. However, as there is still work to do on packing unit squares into large squares of nonintegral side length, I hesitate to declare any results on this problem as other than temporary.
Greetings all. Im working on a project in which a disco ball will be located in the middle of the scene.. does anybody have suggestions on how to create the disco ball and the effect of light bouncing around the room? I'm not having very much luck...any comments or suggestions are appreciated.
then you could extrude or bevel all the faces and give a mirror material to it, all the other parts of the sphere should not be reflective, this will simulate the many flat pieces of glass that made a disco ball. You could add a small noise modifier too to create more variation between the angle of the faces.
In January, the garden will offer a special event for the new year, WonderLights Disco Nights, on Jan. 4-7, 2024. Disco Nights will allow visitors to experience the light show trail while grooving to disco hits. Ticket prices and entry times for Disco Nights will be the same as Winter WonderLights.
As we head into the holiday season and the hustle and bustle of this time of year, it's easy to feel overwhelmed. You may find yourself reflecting on the past year, thinking about what you've accomplished and what you still aspire to do. In the midst of all this, it's important to remember a powerful metaphor that can help us navigate these times and embrace understanding and compassion for ourselves and others (especially as we gather with family...)
The concept of the disco ball, as I've learned from following Jessa Reed on the Patreon, offers a fresh perspective on the diversity of human experiences. Imagine yourself standing inside a disco ball, looking out through one of its many mirrors. Each mirror represents a different person's viewpoint, a unique lens through which they see the world. Just like no two pieces of broken glass in a disco ball are reflecting back the same exact image, no two individuals have the exact same perspective.
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