The Empress orders former detective and rebel Di Renjie be released from prison after the Imperial Abbot states that he must solve the mystery of the fire. She sends her attendant Shangguan Jing'er to fetch Di from prison, and Jing'er arrives just as Di is being attacked by assassins. Wu reinstates Di as the royal detective and assigns Jing'er to be both an assistant and spy. Jing'er attempts to seduce Di, but is interrupted by assassins. Di meets Prince Li, who fails to recruit him into leading a rebel army. When Pei takes Di and Jing'er to inspect the charred corpses, Di deduces the assassins use a poison that ignites upon contact with sunlight.
A bizarre murder mystery brings together the most powerful woman in China, the soon-to-be-Empress Wu Zetian (Carina Lau, 2046 ), and a formerly exiled detective, Dee Renjie (Andy Lau, The Warlords ), at the infamous Imperial Palace. Hoping that he will solve the crime before her coronation, Wu appoints Dee Chief Judge of the Empire and implores him to combine his indisputable wisdom with his unparalleled martial arts skills to save the future of her dynasty. Director Tsui Hark (Once Upon A Time In China, Seven Swords ) teams with action choreographer Sammo Hung (Ip Man, Kung Fu Hustle ) in this heart-pounding, epic thriller inspired by the incredible true story of one of the Tang Dynasty's most celebrated officials.
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And, despite a much lighter tone than the movies cited above, I think Detective Dee fits that bill, as a murder mystery set in ancient China about officials who are spontaneously combusting in the days leading up to the Empress' (Carina Lau) coronation. Dee (Andy Lau) was a court official under the deceased Emperor, imprisoned for treason, but when people start bursting into flames for no good reason, the Empress does what any of us would and calls the smartest person she knows in to take the case. In this theory of mine, Dee is the man of virtue and Lau is the basic evil, but then that paints an incomplete picture of what this movie is about. Dee suspects that the Empress might be involved in the murders that she wants him to solve and he might be right, I'm not telling, but what's more, he homes in on the corruption around her that would make such a crime possible. By the midway point, we have almost too many suspects to count, attempted seduction, multiple attacks by midnight assassins, shape changers, and Dee in the middle of it all, determined to see it through.
Toronto marks another stop for some films traveling the festival circuit. Among these, I saw Alejandro Gonzlez Irritu's Biutiful, which features a tour de force performance by Javier Bardem in an otherwise sentimental narrative, and Cannes Palme d'Or winner Uncle Boonmee Who Can Recall His Past Lives by Apichatpong Weerasethakul, an ethereal film that mostly left me mystified. Blue Valentine, the heart-wrenching story of love gone sour, which stars Michelle Williams and Ryan Gosling, stopped in Toronto after presentations at Sundance and Cannes (it plays at AFF as well). Venice carryovers I saw include Detective Dee and the Mystery of the Phantom Flame, in which Tsui Hark directs an engaging period mystery tale that stars Andy Lau as a Sherlock Holmesian detective whose deductions are founded in scientific methods, and lex de la Iglesia's dual prizewinner at Venice, Balada Triste (also screening at Fantastic Fest), which uses outrageous visual touches to recount the Spanish conflicts among clowns, fascists, sadists, and other lovers. 2351a5e196
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