First published in 1963, Design with Climate was one of the most pioneering books in the field and remains an important reference for practitioners, teachers, and students, over fifty years later. In this book, Victor Olgyay explores the impact of climate on shelter design, identifying four distinct climatic regions and explaining the effect of each on orientation, air movement, site, and materials. He derives principles from biology, engineering, meteorology, and physics, and demonstrates how an analytical approach to climate management can merge into a harmonious and aesthetically sound design concept.

With their book, Design with Climate: An Approach to Bioclimatic Regionalism (1963), Hungarian-born architect Victor Olgyay and his twin brother, Aladar, produced a monumental work in climate-responsive architecture. The Olgyay brothers have been regarded as largely responsible for formalizing bioclimatic or passive solar design as a discipline within the field of architecture during the 1950s. As practicing architects, they designed residential, commercial, and exhibition structures for an international clientele. Victor Olgyay's academic affiliations during his career included the University of Notre Dame, Massachusetts Institute of Technology, Princeton University, and Harvard University.


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The collection contains many oversize drawings and textual records, such as correspondence, research files, reports, client files, lecture notes, and manuscripts. Photographs are also included. Oversize materials that primarily reflect Olgyay's design activities in New Jersey are organized by sets and are arranged by project client name. Important textual records include Victor Olgyay's climate and energy-conscious projects and research files.

Olgyay studied English at the Royal Hungarian Institute of Technology in Budapest, before undertaking an architectural degree at the Scuola Superiore Di Architettura in Rome.[2] In Hungary, he formed an architectural practice with Aladar, his identical twin. Victor moved to the United States in 1936, to undertake graduate study at Columbia University.[3] The pair designed architectural works in Austria, Hungary and Turkey, returning to the United States in 1947.[4] In addition to teaching at Notre Dame and MIT, they worked in their architectural practice Olgyay & Olgyay Architects until 1957, when Aladar died. Following Aladar's death, Victor designed approximately 20 buildings in Princeton, New Jersey.[5] Victor Olgyay worked at Princeton University between 1953-1963.[6]

Their first article was "The Temperate House" (1951), followed by other works on "Bioclimatic Approach to Architecture" and "To Pave to Bio-climatical Control and Orientation to Meet Requirements" (1954).[7] More articles arose like "Sun orientation" and finally,"Environment and building shape" (1954).[7] As of that moment the Olgyays became a huge reference to various new kind of architecture like solar Architecture, passive Architecture, bio-climatice Architecture. In 1963, with support from the National Science Foundation, the pair invented the thermoheliodon, a machine that enabled the testing of the effects of climate on buildings under laboratory conditions.[8]

Design with Climate is a book where Victor Olgyay writes about the relationship between buildings and nature surrounds it. The book is separated into three parts concerning the climate and their relationship to human being, the interpretation of the effect on climate architectonic key and to its application in Architecture and Urbanism.[7] Altogether "Architecture and Climate", develops into one complete theory of the architectonic design, supported by logical and theoretical justifications with coherent explanation of physical principles. Olgyay also relates methods and knowledge of other disciplines like Biology, Meteorology and Climatology, Engineering and Physics.[7] These basic principles are applicable to any present project or recycling of an old building to help them adapt to its site and thus help reduce the environmental impact that it generates.

Using integrated environmental design consulting activities, Victor aims to help transform the built environment into a sustainable built ecology. A registered architect, he has contributed to the design of hundreds of successful green building projects throughout the world that span diverse climates and building types. He has worked independently and with several private and state firms producing architectural design, programming, post-occupancy evaluations and design guidelines.

Victor Olgyay, born September 1, 1910, was a Hungarian architect, city planner and author. He was a pioneer in the field of bioclimatic design along with his twin brother Aladar Olgyay. He was an associate professor at the Princeton School of Architecture and Urban Planning. The Olgyays became the doorways to entirely new concepts in architecture such as solar architecture, passive architecture techniques and bioclimatic architecture. The 1970s energy crisis created a huge demand for energy-efficient buildings and structures and led to increased interest in the work of these brothers. As practising architects, they designed residential, commercial, and exhibition structures for an international clientele.

Design with Climate: Bioclimatic Approach to Architectural Regionalism is a very necessary reading material for the architectural community. From first-year architecture students to professionals looking to integrate climate in their designs, this book helps identify the various climatic elements and examines them in detail. Victor Olgyay, the author shows and explains the influence of climate on various building principles with examples.

The book explores the relationship between humans, climate and shelters. It works around the climate and takes advantage of it instead of introducing artificial climatic conditions inside the building for comfort. The first step in this is defining the comfort requirements. The next is to review the pre-existing climatic conditions. The final step is to analyse the collected data and brainstorm and simulate able solutions. There is also a lot of relation between climatic solutions with other fields such as meteorology, biology, climatology, engineering and physics.

Planning buildings according to the climate is an urgent problem of the present. It is necessary, now more than ever, to take into consideration these passive design technologies and analysis of climatic data to implement climate-responsive features into the structures right from the planning stage. This book is a wonderful reference for any climatic data and puts information forth in such an easy and friendly manner that the reader cannot help but feel responsible for the designing for efficient structures. Sustainable buildings are the future of architecture and this book acts as a guide for architects to create more environmentally friendly designs.

Sustainability and eco design are now common place in todays built environment, yet how appropriate is our level of understanding and relationship with natural and bioclimatic conditions necessary to address climate change?

Design for Climate, Bioclimatic Approach to Architecture Regionalism by Victor Olgyay originally published in 1962/3 has been recently updated with new essays and insights on climate change and design.

For example there is a resonance with the Living Building Challenge philosophy, and of the flower metaphor for buildings rooted in place, harvesting all energy and water whilst being adapted to climate and site. Words which would not have been out of place within Olgyays text and charts.

1962 also saw the publication of Silent Spring, in an era of environmental awakening, of pollution awareness and of the impact or relationship of buildings with the climate, which ushered in the modern environmental protest movement.

Primary data was collected in the places where both artifacts were created, and where related archival materials are currently held. The method of analysis compared the models against each other, against contemporary computer simulations of climate for architects, and against their early theoretical foundations. The dissertation reflected on the universality of science in architecture and the role of the places and the technology involved to produce knowledge about climate, while challenged the concept of climate in architecture. It endeavored to find more holistic scientific approaches to design-with-climate that consider hard data alongside art.

Although the following statement is a harsher iteration of this idea, efficiency of both production and consumption are key interests expressed in the AIA reports and House Beautiful articles. This statement is reflective of some of the fears which encouraged an awareness and sensitivity toward the climate. In 1954, Harrison Brown wrote his book, The Challenge of Man's Future: An Inquiry Concerning the Condition of Man During the Years that Lie Ahead. A renowned American geochemist, he once worked on the Manhattan Project (supervising the production of plutonium) and taught at the California Institute of Technology. Later renouncing the production of weapons of mass destruction, he was also the author of a number of books dealing with the complicated topics of controlling population and allotment of natural resources. In this 1954 book, he writes;

However, these publications became the foundation for further textbooks which became the bibles for 'designing with climate.' These include Aronin's Climate and Architecture and Olgyay's Design with Climate.

In 1953, a book by Jeffrey Ellis Aronin called Climate and Architecture was published by Progressive Architecture and Reinhold Publishing, specifically to detail to architects how climate could be used to better inform design. I would like to use this book as an example of comparative literature available at the time when the AIA climatology reports were being released to architects. The book looks at four categories of climate; sun, temperature, wind, and precipitation and its organization consists of some scientific diagrams (mostly sun charts) and equations for calculating the altitude of the sun, etc., combined with architectural photographs of buildings and drawings of more comprehensive sites. Regional climate specificities are discussed but not elaborated upon with design specifics provided for varying regions. Scientific means of studying climate are outlined and the projects of famous architects such as Frank Lloyd Wright are analyzed for their climate-appropriateness, however, there are no specific guidelines for designing for specific climates provided. In fact, in the few instances where detailed data charts are provided are excerpts from the House Beautiful Climate Control Guide which indicates that the House Beautiful project probably inspired subsequent texts such as these. 17dc91bb1f

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