delicate emissions
poetry zine
volume V, issue 1, #17
march 2026
poetry zine
volume V, issue 1, #17
march 2026
Photo by Tuân Nguyễn Minh on Unsplash
a note from dusti
I don't usually start with a theme (I did once, and it was fine, but the quality of work coming in without a theme is definitely better and more organic). Part of the selection process for each issue is carefully reading each piece and finding connections between all the poems people send me. As a person with one of those brains, it's probably my favorite part of creating delicate emissions poetry zine every quarter.
Well, the poets have been thinking about war, surveillance, identity, and mortality again, in all its forms.
In Volume V, Issue 1, depz #17, rob mclennan, Anya Johanna DeNiro, Anders Crawford, Julio Cesar Villegas, Vesper, R James Sennett Jr, Sarah Lee, Audrey Kim, Ryan Farrell, and Zebo Zukhriddinova tell about love, about survival in lean times of tyranny, about how our bodies betray us, about how the world tells us we're too much, about how no good deed goes unpunished.
I put out a physical product -- an actual hand-made zine -- for every issue, and it's quite lovely. You can order one here. You can also donate to help delicate emissions become a paying market for our poets.
Keep taking care of yourselves and each other. And now...the poetry.
Your friend,
dusti rw levy
founder & editor
Photo by malwina nogaj on Unsplash
from Fair bodies of unseen prose,
by rob mclennan
Inside doubt as you might burnish a shove.
To reframe, most modest scaffolding. Blood slows the feet. The green was not green was
not red. Was not yellow. See, looking. This cool shadow of trees. Confessed, prehistoric.
Hope is a thing. As time passes. Challenged. Breath held, long enough. Chords, scorched.
Earth. Featherless, sapling. To reside is not probable. Best, into openness. Grammar, uncut.
This restricted, compliance. You too could be occupied.
, though your thoughts will not recline.
Nascent. The same opposite, seen. How slowly, divine. Do I draw water. Out loud, like
tennis. Trellis. The whole of poetry. So that what follows, precedes. A perspective, pantone.
After a while. To lead, to perplexity. Follow. Newtonian laws. No greater complaint. What
colour, is this. Is this year. This symptom of skin. Unravels. A boatload, of speech. The good
night of my chill.
mud, regardless.
To watch the slow fuse. Stove display, flash. Interrupted. A kind of moon. We yield empty
buckets. Mottled, sensory. The tides narrow, rise. Smoke floats, grey. In the English manner.
This tightrope, unfolds. This side of panic. Interlaced, underlined. Underscored. A
torchlight, halved. In a curious manner. Recalcitrant, divine. To mend. Settling into, refusal.
Unstructured. The sky furrowed, distant.
Minnesota, January
by Anya Johanna DeNiro
Build an altar
Burn it
Watch Anaconda
death squads
Photo by Tosin James on Unsplash
Photo by Mackenzie Criswell on Unsplash
21
by Anders Crawford
When I was twenty-one, I lived in a run-down trailer
in a trashy park on the wrong side of town.
It was a constant juggle of the power bill
or water
or cheap takeout.
The job paid minimum wage
when the boss paid at all.
Friends came over anyway.
We played board games by candlelight.
The wax pooled on the table.
Someone kept score on the back of a receipt.
No one asked about the television.
No one left early.
Gethsemane
by Julio César Villegas
storming cemeteries
halfway acid tripping
how did you do this
I beg each headstone
wildflowers bed you
wild boys wild elders
pretend they’re forever
out there but not here
doorbells are eyes now
camps scream in tongues
they return why not you
concentrate concentrate
please this isn’t a world
to live or leave yet leaves
rage as my only response
Palantir
by Julio César Villegas
choose your oak maple evergreen
etcetera as long as it’s sturdy strong
enough for snipers spies squadrons
etcetera
Youit’s a game people are kids
nation’s a playground members only
yeah you gathered wood drafted plans
found the highest most strategic one
scenery’s nice nicer without you here
thank you gracias obrigado etcetera
or however else you say it play nice
look at all the treehouses above you
look at the neighborhood cats run
chasing lasers on concrete and flesh
I love the color red I love impunity
our handshake’s written in fine print
IS THERE EVIDENCE OF GOD?
by Vesper
Hazy azul, rouge and tangerine show
blood flow of my dysphoria, it’s alive
and bleeding. There’s this salmon shade
and I am flipping over, fried, thinking
about how my mouth does not open but
my mind shouts and I am with God if they
are out there; not your God, but my God.
This affirming, connective, pleasurable
endless energy; is this too contemplative?
I am here with you, cooling on the grill.
Collage from Anne Wagner's Book of Friendship. Image sourced from the Public Domain Image Archive / New York Public Library
Spirit Photographs by Georgiana Houghton. Image sourced from the Public Domain Image Archive / Bryn Mawr College Library / Internet Archive .
You
by R James Sennett Jr
rose above the metal table,
didn’t you?
Bright light sucked you up,
didn’t it?
You floated
but not too high
because you could still see
us.
It felt good,
but you decided
to come home,
didn’t you?
Self-Portrait as a Shadow in a Landlocked Town
by Sarah Lee
Shadows on dry ground don’t bend
like those on water, rippling through its many blisses,
but snap to an angle harsh to the body,
jagged at the edges lonely for an existence
that's soft to the touch, as if the only sound
it could make is the whispered assurance
of a bird that can necklace the crown of any tree.
I could lean myself into an I on every building,
arrow my legs to a target only I can see, briefly, temporarily,
tower over the road signs with limits I must pay to break, even
turn my dirt-packed nails into the teeth of rabbits
on the walls of any room. But none of that matters
when I will fall and only follow and never outrun the sun.
SKINFOLD
by Audrey Kim
i practiced folding my reflection
until it stayed
one two three four
that’s how many times
i folded my face
pressed my eyelids like origami
until the skin held new creases
fingers trembling, counting in silence
the tape sticking to nothing as i stared
into the glass and prayed
for my face to fold
but the mirror learned before i did
and by morning
my mirror has learned the new shape
THE PASSENGER
by Audrey Kim
the other woman
wears my skin better than i ever did.
she fits my body, muscle by muscle–
as if it were hers.
i try to blink but her eyes open first
i try to talk but her mouth moves first
shaping words i didn’t know
‘it wasn’t me,’ i try to say.
but the other woman answers for me
my hands obey directions i did not give
the floor tilts beneath mine, or is it her?
weight, they won’t stop moving
my reflection moves with her and not me
i count the seconds, but they unravel
under the hands that were once mine.
Image sourced from the Public Domain Image Archive / The Getty
Thy Wee Bit Housie
by Ryan Farrell
Evicting the first one was out of the question.
It was the coldest winter in over a decade—
the mouse would not survive out there.
With infinite indiscriminate compassion
I let the little thing share my home.
There was a second, a mousewife, and she bore him
sleek timorous sons and daughters like oats on a
bowing storehouse floor. The winter waned, mouse
begat mouse, and with every step I feel
one of them burst underfoot.
By Zebo Zukhriddinova
Behind a quiet shop on a cobbled lane,
An old clockmaker keeps a secret space,
Where gears lie sleeping after years of strain
And ivy climbs the walls with patient grace.
He plants bright hours in neat and silver rows,
Minute hands glint softly in the sun,
Pendulums sway where wild thyme grows,
And rusted springs lie dreaming one by one.
He waters time with copper cans at dawn,
Polishing each second till it gleams,
While pocket watches bloom upon the lawn
Like tiny moons escaped from careful dreams.
At dusk he winds the stars with steady art,
And night begins to tick within his heart.
From Sargent's Travels in the Air. Image sourced from the Public Domain Image Archive / Internet Archive / Harold B. Lee Library at Brigham Young University
this issue's poets
Julio César Villegas: Born in San Juan, Puerto Rico — raised in Essex County, New Jersey. Puerto Rico Se Levanta. Read more at https://linktr.ee/jcvillegas.
Anders Crawford is an Arkansan. His work is shaped by queer experience, rural life, and the quiet pressures of place.Find him on BlueSky at anderscrawford.bsky.social.
Anya Johanna DeNiro is a trans woman and writer in St. Paul, Minnesota. Her chapbook From the Yew came out from Ethel last year. She is on BlueSky at adeniro.bsky.social.
Ryan Farrell is a middle school English teacher in Ohio. He enjoys writing poetry in his spare time. He likes animals.
Audrey Kim is a student in Connecticut. She is editing her first manuscript, and has been recently accepted for publication with the Academy of Heart and Mind. Follow her on Instagram at @axdreykim.
Sarah Lee is a writer and winner of the Academy of American Poets’ Madeline DeGaetano Memorial Poetry Prize. You can find her on Bluesky and Instagram @saraheldot.
rob mclennan was born and lives in Ottawa, Canada’s glorious capital city. His latest title is edgeless (Caitlin Press, 2026). Find him on BlueSky at robmclennan.bsky.social.
R James Sennett Jr lives, works, breathes, and chases his muse in Louisville, Kentucky. His poetry has appeared in numerous publications for which he is grateful.
Vesper is a cripple punk, trans, queer poet from Pittsburgh, Pennsylvania. His work is available to read at https://officialvesperpoetry.carrd.co/. Follow him on Instagram @official__vesper.
Zebo Zukhriddinova was born in Uzbekistan, drawing poetic inspiration from her homeland’s colors, traditions, and enduring spirit. Follow her on Instagram at @Z.z.zebo.
about the editor
Dusti RW Levy is a queer disabled poet, essayist, performer, dramaturg, and playwright. They received the the 2026 Literary Managers and Dramaturgs of the Americas Early Career Dramaturg Grant as well as the 2025 National Dramaturgy Fellow at the American College Theatre Festival. Dusti is on staff at McNeese Review and Thirteen Bridges Review. They founded delicate emissions poetry zine in Seattle, Washington in 2021. You can read their work in Blood + Honey Lit; Granules (at Mouthful of Salt); Boudin; FUCKUS Literary Journal; Eunoia Review; boats against the current; the tide rises, the tide falls; and Windmill: The Art & Literature Journal of Hofstra University. Dusti is also an artist panel reader for the Jewish Plays Project, and a judge for Scholastic Art and Writing Awards. An alum of Theatre AUM at Auburn University at Montgomery, Dusti is an MFA/MA student in creative writing and literature at McNeese State University. Raised mostly in the desert Southwest and having spent many years on the High Plains and in Cascadia, Dusti now splits their time between the Louisiana Prairie and Alabama's coastal plain. Follow them on BlueSky and Instagram.
Find us online at our LinkTree