As these are two of Mahatma Gandhi's favourite bhajans, it is not surprising that the power of music to stir emotion should be harnessed through these songs to bolster this tokenism. This notwithstanding the periodic chest beating, and violent, communal, and inhuman streaks that are otherwise demonstrated by sections of civil society.

The words of the song-texts cannot escape the attention of singers, but for instrumentalists, the bhajans have acted as refrains to launch into melodic explorations of different raags and present them as a raagmala or string of raags. The import of the song-texts does not seem to matter in such cases. Their popularity among the masses and the recall value is perhaps all that matters to the performers.

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