I wouldn't recommend memorizing this list, and making them into flashcards or something is just about the worst thing you could do. Instead, do untimed 3BLD solves and try to come up with letter pairs of your own, and if you can't, refer to a list. (Like this one!)

For "dangling letters", when you have an odd number of targets and one letter left over, I use an image from my X list, but change "electric" to "bloody". But often I don't even need to memorize "bloody" because I just tend to remember I have parity.


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"Consonant followed by vowel" letter pairs are tricky, so if I could, I would try to use an image that was "consonant-vowel-same consonant" so I wouldn't forget, such as Cactus for CA. This doesn't work for every pair, so sometimes you just have to remember that that image corresponds to that letter pair.

The text of the letters sent to Pierce County Elections on Nov. 8, and to King County Elections during the primary election on July 31, both call for an end to elections. They also include threats and political symbols. Officials say the Nov. 8 letter sent to King County was also similar.

The King County letter has not been made public before now, even though it was received months before the current spate of mailings. It was laced with fentanyl, as were some, but not all, of the suspicious letters delivered to elections offices Nov. 8. A letter sent to Okanogan County during the election primary contained powder that was determined to be harmless.

Joshua Fisher-Birch, a research analyst with the Counter Extremism Project, said people should not be quick to blame far-left groups for the letters just because of the symbols included. In fact, he said the opposite could be true.

Halei Watkins, communications manager for King County Elections, said the office does not have an image of the latest letter or information on its postmark, but it appeared to have a similar appearance and messaging.

She said staff reacted quickly to the white powder and did not get a close look at the letter. Employees immediately covered the letter and substance with a hazmat bucket, and then pulled the fire alarm so we could immediately evacuate the building," Watkins said.

The letters are being investigated by the U.S. Postal Inspection Service as well as the FBI. In a statement Nov. 9 the agencies said suspicious letters are arriving in an ever-increasing list of states.

EDITOR'S NOTE: This article has been updated to include the perspective of Counter Extremism Project research analyst Joshua Fisher-Birch and to clarify details on the postmarks of the letters received.

Type in a page layout application like InDesign is always vector and has no resolution. If you are forced to use Photoshop for type setting, consider Saving a Copy as PDF/X-4, which will keep the text layers as vectors at output, and the document's resolution will only matter for raster images below the text layers. So a copy saved for the printer:

I tried your pdf settings & it gives a little less soft result.


The image on the left is your settings, (except I didn't have the bottom 2 check box opitions in the 2nd Adobe save box.

The image on the right is tho one I made from the resized down file last night.

This one on the left was from the original edited letter size.

I have to try that canvas resize technique on this original size.

I haven't heard from my friend how his print test turned out yet.

An open letter imploring publishers to restrict their use of A.I.-generated illustrations has been posted online by the activist, writer, and artist Molly Crabapple and the Center for Artistic Inquiry and Reporting.

At Cadence Bank, our Image Cash Letter (ICL) solution allows businesses to capture images of paper checks drawn on U.S. banks, along with associated payment data, and transmit to us for clearing and settlement. ICL service offers clients an opportunity to significantly lower operating costs by moving from a paper to image processing environment.

Airmen Alex Rodriguez and Brandon Hamdan, 920th Aircraft Maintenance Squadron rescue maintenance specialists, re-torque the main landing gear of an HC-130J Combat King II aircraft during a letter C check at Patrick Space Force Base, Florida on April 26, 2023. These routine inspection letter checks are broken down in categories A, B, C, and D. Each letter check is 270 days apart with an A check in-between each new letter grade. (U.S. Air Force photo by Staff Sgt. Darius Sostre-Miroir)

This is pretty interesting. I took a shot using 'Portrait' mode on my new iPhone XS. Selecting Copy and convert to DNG on import to Lightroom, I got two images, IMG_Ennnn.JPG and IMG_nnnn.DNG. The subject was a close-up of some fall maple leaves against a forest background. The DNG file had the leaves and background both in reasonable focus. The 'E' jpeg had the leaves in focus and the background nicely out of focus, the effect I was looking for as if the aperture was opened up. Looking at the photo in 'Photos' on my phone, it was the 'E' version with a 3-D cube symbol and 'PORTRAIT' showing at the top of the screen.

The "E" appears to stand for "Edit/Edited". If you take a picture using Portrait Mode, which will defocus the background and make it look soft and out-of-focus, you should end up with two nearly identical pictures when you download them from the iPhone. One will be the Original image with no digital softness or "bokeh" applied... and then there's a nearly identical named file of the same image, but with a letter "E" in the naming convention. This will be the one that has a digital blur added to the image.

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Two images taken last night - showing the automatic naming of each file. Original images captured by the iPhone (15 Pro Max) are on the left. The two images on the right show the background-defocus effect applied when using "Portrait Mode". These are edited inside the camera and you end up with two nearly identical pictures when downloading them. If you don't use Portrait Mode, you only get the standard (unedited) image, like the ones shown on the left.


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You will then have two images, one with the blur applied and one without. This can be quite handy if some important part of the image was accidentally blurred.... such as fine details that might have been blurred by mistake. You can later combine the two images in Photoshop to reveal the portions of the scene that were accidentally blurred. 

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The iPhone uses the LIDAR system on the front and rear of the camera to detect faces, even in the dark - but also to determine which parts of an image should be in focus... and it creates a "depth map" that is used for determining which parts of the scene should be in focus. All images that involve using Portrait Mode (and presumably other color settings) will produce a second, edited photograph with an "E" designation to indicate that this is the Edited version of the image you have taken. The unedited image will have no effects applied and therefore no letter "E" in the filename. In some cases, the two images will look very similar. If you're not using Portrait Mode (which also allows you to alter colors etc) or any other modified image capture method, then you should only get one picture from your iPhone, instead of two. This picture will not have an "E" in the filename.

Re: Aspect Ratio:

If I understand the process correctly, when you alter the aspect ratio from the native 4:3 to 16:9, you should then end up with TWO images on your phone that you can access when you download from your device. One will be the cropped image (with or without background blur) and the other will be the unaltered 4:3 image. Note that the cropped image will have an "E" in the header/title as it has been Edited from the original. This is pretty much what you described. 

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I changed my aspect ratio yesterday to 16:9 and took a picture in Portrait Mode. I then ended up with two images, one which had a beautiful background defocus effect that was cropped, plus the original which was 4:3 and had no defocus applied. Of course, the cropped image with defocus has an 'E' in the filename-title.

Images are provided as a visual aid for various events portrayed by biblical accounts.By no means are certain images meant to accurately portray the appearance of God or tolimit Him in any way. They merely stand as visual representations in order to describea biblical event in the same manner that an illustrated children's Bible seeks to obtainthat very goal. The images should not be worshipped or used in the practice of worship in any way.

Ike LaRue, famous correspondent (introduced in Dear Mrs. LaRue) known by readers as a four-legged letter writer with a flair for exaggeration now turns to solving the mysterious disappearance of neighborhood cats.

What happens when the well known three pigs try to plan a party? Readers will find out as they read a series of very funny illustrated letters between characters right off the pages of familiar tales.

In his 40-year career, from 1939 to 1980, Herb Lubalin (father son of Russian immigrants and mother daughter of German immigrants, 1918 - 1981) revolutionized the American editorial and advertising style. His ideas led designers to change their approach to typography, through what he called "graphic expressionism": "the use of typography or lettering as a creative means of expressing an idea, to elicit an emotional response from the viewer... and not just a mechanism for assembling letters on a page".

At the time, no one deigned to have fun with letter drawings, as had been done at the beginning of the 20th century. His way of considering words as images shook up the orderly and regulated vision of modern Swiss graphic design, which had been used until then and especially since after the First World War.

Upon graduation, he began his artistic career by designing, like many others, lettering for a sign company in New York for the 1939 World's Fair. Fired for asking for a $2 raise (about $40 today), Lubalin freelanced for magazines and agencies or did art direction for book covers for Samuel Adler, who did the illustrations. These covers (1943) are the earliest surviving works by Lubalin. His style, far from the one for which he would become known, was inspired by the book cover work of George Salter, a professor at the Cooper Union who taught Milton Glaser, among others. e24fc04721

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