Publicações Seleccionadas

“Hyperspectral Imaging Database of Human Facial Skin” Applied Spectroscopy, 0(0), (September 2024) >>

“How many surfaces can you distinguish by color? Real environmental lighting increases discriminability of surface colors ” Opt. Express 32, 34246-34253 (September 2024) >>

“Little information loss with red-green color deficient vision in natural environments” iScience, Volume 26, Issue 8, 107421, (August 2023) >>

“Misidentifying illuminant changes in natural scenes due to failures in relational colour constancy” Proc. R. Soc. B. 290:20231676, (November 2023) >>

“Coloured filters can simulate colour deficiency in normal vision but cannot compensate for congenital colour vision deficiency.” Scientific Reports, Vol. 12, no. 11140 (July 2022) >>

“Information gains from commercial spectral filters in anomalous trichromacy” Optics Express, Vol. 30, no. 10 (May 2022) >>

“Universality and superiority in preference for chromatic composition of art paintings” Scientific Reports, Vol. 12, no. 4294 (March 2022) >>

“Naturalness and aesthetics of colors – Preference for color compositions perceived as natural” Vision Research, Vol. 187, (August 2021) >>

“How Good Are RGB Cameras Retrieving Colors of Natural Scenes and Paintings?—A Study Based on Hyperspectral Imaging.” Sensors 2020, Vol. 20, no. 21 (November 2020) >>

“Art through the Colors of Graffiti: From the Perspective of the Chromatic Structure.” Sensors 20, no. 9 (April 29, 2020): 2531 >>

“The Best CCT for Appreciation of Paintings under Daylight Illuminants Is Different for Occidental and Oriental Viewers.” LEUKOS, June 8, 2020 >>

“Hyperspectral Environmental Illumination Maps: Characterizing Directional Spectral Variation in Natural Environments.” Optics Express 27, no. 22 (October 28, 2019): 32277 >>

“The Colors of Natural Scenes Benefit Dichromats.” Vision Research 158 (May 2019) >>

“The Colors of Paintings and Viewers’ Preferences.” Vision Research 130 (January 2017) >>

“Robust Colour Constancy in Red-Green Dichromats.” Edited by Daniel Osorio. PLOS ONE 12, no. 6 (June 29, 2017): e0180310 >>

“Statistics of Colors in Paintings and Natural Scenes.” Journal of the Optical Society of America A 33, no. 3 (March 1, 2016) >>

“Best Lighting for Naturalness and Preference.” Journal of Vision 13, no. 7 (June 7, 2013) >>

“Lighting Spectrum to Maximize Colorfulness.” Optics Letters 37, no. 3 (February 1, 2012): 407 >>

“Number of Discernible Colors for Color-Deficient Observers Estimated from the MacAdam Limits.” Journal of the Optical Society of America A 27, no. 10 (October 1, 2010) >>

“The Number of Discernible Colors in Natural Scenes.” Journal of the Optical Society of America A 25, no. 12 (December 1, 2008) >>

“Correlated Color Temperature Preferred by Observers for Illumination of Artistic Paintings.” Journal of the Optical Society of America A 25, no. 3 (March 1, 2008) >>

“Visual Sensitivity to Color Errors in Images of Natural Scenes.” Visual Neuroscience 23, no. 3–4 (May 2006) >>

“Psychophysical Estimates of the Number of Spectral-Reflectance Basis Functions Needed to Reproduce Natural Scenes.” Journal of the Optical Society of America A 22, no. 6 (June 1, 2005) >>

“Statistics of Spatial Cone-Excitation Ratios in Natural Scenes.” Journal of the Optical Society of America A 19, no. 8 (August 1, 2002) >>

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