Some of our most popular sounds are here in this category and include large crowds, protests, walla, atmospheres, studio audience reactions and our range of free applause sound effects (some of the most downloaded sounds from our library). Recorded around the world by professional field recordists, or created with actors in studios, you can use these sounds royalty free in your films, animations, cartoons, games, podcasts, school projects and whatever else you might be working on.
A 40 second clip of a crowd at a sports center or sporting event. This sound effect is perfect because it doesnt have any announcer or music in the background and this makes it totally legit. football crowd requested by football allen
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Football crowd at a sports center or sporting event. This sound effect is perfect because it doesnt have any announcer or music in the background and this makes it totally legit. football crowd requested by football allen
This collection presents a wide range of crowd sounds. There is applause, shouting, cheers, rhythmic clapping, disappointment, whistling and more. Audiences also differ in the number of people and, accordingly, the saturation of the atmosphere.
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A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
Taking a cue from two European soccer leagues, Major League Baseball will play crowd noise from its official video game through ballpark sound systems during games. Stadium sound engineers will have access to around 75 different effects and reactions, according to MLB, which has provided teams with crowd sounds captured from MLB The Show.
"There was some reticence when you first talk about crowd noise in an empty ballpark because you don't want to do something that is distracting," said Chris Marinak, who is MLB's executive vice president for strategy, technology, and innovation. "It is heard in a way that is natural with the play of the game and on field. The sounds do match what is happening."
England's Premier League and Spain's La Liga were the first to return to action with crowd sound from video games. The leagues enlisted EA Sports to provide crowd effects they engineered for the FIFA video game franchise. Marinak said MLB talked to multiple companies before deciding to go with Sony.
Baseball is hoping the crowd noises, along with stadium announcers, walk-up music and in-stadium video, will replicate the in-game experience as closely as possible without real fans in the stadium. Some ballparks are also offering fans the chance to buy photo cutouts that will be placed in the stands.
"You're still focused on the game, but that noise is very helpful. I could tell the first few scrimmages with pure silence was tough for some guys," he said. "You could hear the other dugout talking, and it was kind of awkward."
The sounds will also be audible on radio and television. The Korean baseball league pipes in crowd noise at stadiums so they are not completely silent, but it is barely audible during games aired on ESPN.
Some fans and broadcasters are leery of artificial crowd noise because it takes away a unique opportunity to hear players' conversations during games this season. Alex Rodriguez noted during an ESPN conference call that the only time fans can hear that type of interaction is if they go to spring training workouts.
"I think it still allows us to capture some of that and still make the viewing experience feel right at home," he said. "I can't wait to hear what we hear. Nobody involved in broadcasting baseball wants to compromise strategy. We're not looking to pry into the playbook, but we do want to hear things that maybe we wouldn't hear ordinarily."
So the short version of my problem is that whenever I play a match in manager career mode, I cannot hear anything from the crowd. The commentators, sound effects, and everything else plays but for some reason the crowd is completely silent.
@EzramessiI don't hear crowd and commentary for Kick off, but it seems to work on tournaments. I might need to adjust volume in settings. I am on Xbox Series. I am still figuring out how the settings work since it is slightly different than FIFA 23.
So, just want to know everyone's opinion on this. On one hand, it seems about the same as cleaning up things via computers after a studio recording session, but on the other hand it seems deceitful. I'm on the fence on this one. I have software that would allow me to do this seemlessly.
I am assuming you mean crowd noise not actually recorded to a seperate track from an ambience mic at the time of recording. I have no problem with setting an ambience (crowd) mic and mixing it in later - ie, as against only using what got into stage mics.
Seems like it would be an attempt to persuade the listener that the performance was met with a level of enthusiasm that was not in fact present. If in fact the performance was met with enthusiasm, and the recordist wanted to portray that, then they should record it.
You can hear some applause and hoots and hollers in the background, but just what was picked up from our stage mics. For the most part, you can't tell there was an audience there, let alone the enthusiastic one that was there. We had no idea the sound guy was recording this for us, so really I have no complaints. I know other bands add stuff like this all the time to live recordings, but of course that doesn't make it right.
Anyway, I put together a band at my radio station to perform the morning show's popular song parodies. We wound up selling out several shows over the years and recorded some for on-air use. Now we're talking about 2,500 rabid, drunken fans laughing, yelling, screaming, and singing along with every song. The recordings should have come out like "Frampton Comes Alive"! Unfortunately, even with an audience mike we just didn't capture the madness. So we "sweetened" the recordings using a variety of methods. We never felt we were deceiving anyone because the finished product approximated reality.
I would think if you're approximating reality like Big sez, then it'd be okay. If you're making it sound like you played Wembley and you're in your basement, then not. OTOH, if it was clearly a joke, that's a different thing ("Stepay Plays Wembley" with appropriate joke cover for instance).
There are lots of famous live albums that had studio "clean up" done later. I'm not crazy about the idea myself, but if it was a technical issue (the guitar player got unplugged) then maybe that's okay.
I like to pick out instruments that I hear, but don't see anyone playing them on stage. Could they have musicians off-stage or behind the curtain playing? Or, more likely, did they sweeten the tracks in post?
I've made live recordings of my band to use as demos to get us jobs. I've taken the 2-track audio and added other instruments to fill out the recording. For instance I've added an organ part when I was playing only Rhodes in performance. Is this unethical? Did it sound better? Did we get more jobs because of it?
Well, I'm going to take 4-5 live clips and put them on a CD with our 4 studio recordings for a total of 8-9 songs. The plan then is to use them to get new gigs with (venues we haven't played in). I could JUST use the studio recordings, but a couple of the live recordings came out so well that I'd like to use them too, and I would identify them as live recordings, but to be able to hear cheers from the audience and whistles and so on makes it easier for the listener to determine which songs are live and which are not (though I will clearly identify them).
To me, it depends on how tastefully and musically it is done. To my knowledge, most "live" recordings are doctored up in a way or another, even to the extent of fixing performance mistakes; other times, two or more performances are glued together... what the listener is hearing is almost always a different experience from actually being at the concert - and that's fine with me, since the media and the environment are different anyway.
There's a Tribal Tech track called "Nite Club", that's full of crowd noise, clapping, whistling etc.. I believe they were added later, but they don't bother me, and I don't feel cheated; to me, it's a fun way to convey the spirit of that tune.
On a few Weather Report albums, there is a 'fake' crowd applauding and screaming... on the other hand, most of the "Night Passage" album and half of "Domino Theory" are recorded live; there's no mention of this in the liner notes, and all the crowd noises have been edited *out*... I think nobody could tell they're live recordings just by listening.
In the post-Milli Vanilli age, though, the line has already been crossed. You can pay a lot of money to see a "live" concert and see "parts of the show have been prerecorded" on your ticket stub. It's like what "Quiz Show" (or maybe "War of the Worlds") did to broadcast media; we've lost our innocence and won't blindly assume everything we hear is the truth, just because it is broadcast.
When I think "ethics", I think "can I sleep at night if I do this?". If you think your conscience would be troubled by adding applause, then don't do it. Even if someone else is telling you it's ok, it may not be ok for you.
From the consumer's point of view, what does the recording "as is" sound like? Is it distracting or laughable to hear the weak bleed-through signal from the applause, or not? Does it detract from the music, or not? If you were listening to a live recording of your favorite band and it sounded like what you have, would you have wished that they would have added applause so you could better enjoy the recording? 152ee80cbc
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