Visme gives you all the capabilities you need to create a free online book cover. You can make an impact on your audience with our book cover design software. Start the process by adding text, visuals and a beautiful font to your book cover.
Select one of the ready-to-use templates to make book covers online. Change the text in the placeholders to reflect your award topic or event title. Add all your relevant information, and customize the fonts to match your vision.
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Your book is a work of time, effort, and passion. You want to see it impact as many people as possible. The Adobe Express book cover maker helps you design a book cover that captures the essence of your words and displays them to your audience. Best of all, Adobe Express is completely free to use and easy to learn. Unleash the potential of your written word with a book cover that exudes creativity.
Once you have the perfect book cover design ready, take the next step and promote it to all your readers. Instantly download your book cover right to your device in various formats. Share it on all your social media channels or export it as a PDF to print for your published copies. Adobe Express makes the entire process from conceptualizing your book cover to promoting it quick and easy.
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The built-in background remover allows you to flawlessly extract subjects from any image quickly and easily. Simply trace around the object, mark what to keep, what to remove and our clever little tool will magically remove the background for you. It can't get any easier than this.
And what a cover. Authors are supposed to say this sort of thing, I know, but I have loved it without reservation from the moment I first saw it. Back in June, when my editor sent me an early JPEG version, my response was less eloquent than I might have hoped.
I was thrilled, then, when the design team agreed to be interviewed, to discuss not just this particular book but their approach to cover design in general; the extent to which it is constrained by conventions or shaped by trends, and the balancing of creative and commercial impulses.
Steve Marking is Art Director at Orion Books. He is a graduate of Central Saint Martins, and in his role at Orion, he oversees the design of covers for its W&N imprint. He has worked on covers for authors including Gillian Flynn, Laura Barnett and Henry Marsh.
Sinem Erkas is a multidisciplinary designer and illustrator. Like Steve, she was trained at Central Saint Martins, and her portfolio includes book covers for Orion Books, Profile Books and Bloomsbury. You can see more of her work at
SM: Give the reader enough information about the subject matter and style of the book, but leave some ambiguity to make the reader intrigued. Obviously, the amount of clear information versus intrigue depends on the type of book.
Non-fiction covers tend to be more literal and programmatic than those for fiction, though there are many honourable exceptions. Are fiction and non-fiction covers very different disciplines? Do you find one more liberating than the other?
In the case of The Maker of Swans, Orion indulged me by allowing me to provide an additional design brief, which was basically four pages of handwaving by an over-invested back seat designer. Do you dread when authors do that? Is it ever useful?
SM: In this case, it was very useful to get more detail about the book from you, and to hear your ideas and vision for the cover. It gave Sinem and me more to work with, and certainly helped us develop our ideas.
The process of design often involves trying out over-complicated and unnecessary ideas, before scrapping them and going back to something much more simple. Sinem and I sat down and discussed ideas and scribbled rough sketches together, which is much more productive and creative than the usual process of emailing JPEGs back and forth.
SE: Sometimes to produce something so simple, you have to go through a complex process and keep eliminating the unnecessary detail. Before you sent over your text, Steve had done a preliminary sketch, and asked me to illustrate a very graceful swan. It looked good, but a bit one-dimensional. It needed a twist.
Another strength of this design is that it scales very well, and makes for an immediately recognisable thumbnail. How important a consideration are thumbnail images in the design process, given how much book buying now takes place not just online but on mobile devices?
One last question. When you walk into a bookshop, is it difficult for you to suppress your critical instincts as designers, and to respond to the covers you see as a reader and a book buyer?
I got the new Cricut Maker machine! Woop woop! Naturally I had to make something for it. So I designed a special Cricut Maker Mat tool organizer that doubles as a dust cover. It is SO COOL. I used my new Cricut Maker cutting machine to cut out all the pieces for it, but you, of course, can cut it out by hand and use it as an organizer under another Cricut or a sewing machine, too. The free SVG, DXF, and PDF pattern files are provided for you to make this awesome accessory for your machine.
Ungroup everything, then change the two sets of lines (indicated by the red diagonal line icon) to Write (choose washable fabric marking pen). You also need to attach these two fabric marking pen lines to their respective fabric pieces so they stay together. Refer to the graphic below or the assembly video to see which layers get set to Write, and which layers get set to Attach.
Tip #2: Place your mint cotton material on the FabricGrip mat face down so that the fabric marking pen appears on the back, where you want to see it. The other layers of mint fabric and the white fabric can go on the mat face up.
Now, follow the directions on your fusible interfacing package to fuse them to the back side your front, top, and back panels. The directions for Craft-Fuse say to place shiny adhesive side of interfacing against wrong side of fabric, then cover with a damp press cloth. Using a hot, dry iron, apply slight pressure with a gliding action to fuse, allowing iron to stay on fabric for 8-10 seconds.
Sew along in the spots marked with a yellow dotted line in the graphic below. Sew from the bottom all the way to the top of the bias tape on the front pocket, but do not sew beyond that first row of bias tape.
Subscribe (free!) to my newsletter with updates and tips PLUS get instant access to my resource library with this file and all of my other free files, printables, and patterns! Once subscribed, I will send you a newsletter with details about my new free files each week.
Jennifer Marx is a designer, an enthusiastic crafter, a lifelong teacher, and a proud overcomer of a variety of life's challenges. In her spare time she loves to play D&D and video games, garden, sew costumes, and go to Disney. She lives a full, happy life in beautiful Ann Arbor, Michigan with her partner Greg, her daughter Alexa, their two dogs, Hunter and Chloe, and their sassy orange cat, Butterscotch.
I am have been looking for this pattern in the resource library as you indicated above but have not seen it. I am subscribed and have the password to the resource library but this pattern is not in there. Please help.
Hi Valerie! Thank you for taking the time to make my organizer and dust cover in one! Yes, that is exactly why I did it with the additional interfacing, so you have those nice bends to go around your machine.
Subscribe (free!) to my newsletter with updates and tips PLUS get instant access to my resource library with ALL of my other free files, printables, and patterns! Once subscribed, I will send you a newsletter with details about my new free files each week.
You're welcome and encouraged to link to JenniferMaker.com or use a single image with a brief description to link back to any post. Republishing posts in their entirety is prohibited. Feel free to pin on Pinterest!
Book covers possess a remarkable power to captivate readers and significantly impact book sales. This topic delves into the influential role book covers play in attracting readers and shaping their purchasing decisions.
The psychology of visual appeal is a key aspect to explore. Humans are visually-oriented beings, and an eye-catching cover can immediately draw attention and pique curiosity. Colors, typography, and imagery all contribute to creating a cover that stands out on bookstore shelves or online platforms.
Cover design goes beyond aesthetics. It serves as a visual language that conveys the genre, theme, and tone of a book. Well-designed covers effectively communicate the essence of a story, helping readers quickly identify whether a book aligns with their interests.
Furthermore, the correlation between well-designed covers and book sales is notable. A compelling cover can entice readers to explore further, leading to increased engagement and potential purchases. It can create brand recognition and establish an emotional connection with readers.
Effective book cover design requires careful consideration of key elements that contribute to creating impactful covers. This topic explores these essential elements and provides insights on how to create covers that stand out in a crowded market.
Typography choices play a crucial role in conveying the tone and genre of a book. Selecting appropriate fonts, considering legibility, and exploring creative typography treatments can help capture the essence of the story and attract the target audience. 152ee80cbc
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