A lightweight choice for bold accents, the range encourages creativity with its colorful and cosmopolitan styles. Pronounced contours and a wide temple design combine with enchanting two-tone finishes to offer a sense of the extraordinary.

The font used for the Cosmopolitan logo is Franklin Gothic Extra Condensed. Franklin Gothic is one of the most popular sans serif types ever produced. It was designed by Morris Fuller Benton in 1902 for American Type Founders.


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I think the fonts are always a core part of any magazine. We usually use a couple of families but for Cosmo we used four. The spirit needed to be young and lively so for text we used Parry which has chunky serifs, almost typewriter like. The sans we used is Helsinki which like Parry has a bold character across a lot of weights. We deliberately stayed away from overly-refined, pretty and elegant fonts.

Instead, it is imperative to complete a full brand audit before selecting a sans serif, or any font. Weinzierl urges brands to get specific about their identity and find a sans serif that supports it. There are many options that allow brands to communicate who they are, so they should resist the temptation to choose the trendiest look. Brands should also consider custom fonts, as the design process and ownership can be more valuable than finding and using the right font.

Sanchez isn't the greatest font ever (most notably it only has 2 variations: regular/italic. no bold.) but it's a bit lighter/softer and more modern than Rockwell. It's also entirely free, which is nice.

Stag is a complex font packed with distinctive details, the perfect complementary font to the original Stag. A sans that is interesting enough for headlines but yet not distracting at text sizes. Publications that focus on fashion, style, and culture for men are a perfect match for this font.

Replica is a geometric and contemporary sans-serif typeface designed by Dimitri Bruni and Manuel Krebs. It could be the perfect font for a modern architectural magazine with a classic, grotesque feel. Or when branding a small, hip architecture business or design studio located in Berlin, Vienna, or New York. Like one of the biggest design studios in the world, SAGMEISTER & WALSH.

This font can be used both for headlines and logos with a bold yet modern layout, giving them a unique personality. Moreover, the bold letterform makes it a versatile font, suitable for more magazines such as beauty, gossip, or celebrity news.

Marianina FY is a really big sans-serif family of 24 fonts. With its very particular inktrapes, subtle in light versions and more visible in the black ones, each roman (condensed and normal) has 6 weights and also exists in italic. Inspired by 20th century fonts, Marianina FY is a perfect contemporary font family for small and big text sizes.

In the same vein, Boho logos express a free spirit and unconventional living through a personal and natural lens using thinner font weights of serif and sans serif fonts, blended with romantic layering in earthy tones and cosmopolitan pattern-like logo symbols, alternatively to individualized wordmark styles.

Chic and minimal: Earthy tones in lighter hues contrasted with darker accents, a more graphic appearance, thin and medium-weight font styles in both sans serif and serif fonts, skillful personalization of wordmark logo, wordmark logo in all caps with generous spacing.

Established and polished: decorative or strong font choice with serif in medium and bolder weights, contrast fonts in all caps, no logo symbol or detailed, stamp-like mark. Darker color palettes in ochre, brown, and green hues. Patterns, layers, bold choices. No need for perfection.

In simple words, neon fonts are what you get for adding a pleasant bold exterior to the bare bone of a retro style. Then comes tuning things up with additional colorful details to get the final work to stick out realistically with the least effort. It gets even trickier when these captivating fonts manage to conjure stunning contemporary vibes, too, despite their supposedly old-school design concept.

This monoline font is created by Fenotype. Cosmopolitan comes with both script and sans versions which will be great together or alone. This font has five weights and also printed versions. For both upper and lower characters, there are different Swash Alternates available. OpenType alternates are packed with this font.

In case you are looking to have a bold and attractive title and you want it to be followed by small text then Robinson is the font for you. This font was inspired by vintage newspaper titles and does a great job in neon colors. Robinson is one of the cool neon fonts that contain oblique versions. This classic condensed display is free for your personal use and comes with 18 different styles; mix them to create our favorite styles. This font is designed by Tugcu Design Co.

This font with 5 different styles such as italic, light, regular, medium and bold is free for personal use. Neon Club music is designed by Manuel Viergutz. This Sans Serif circular font is from various groovy category.

Quick is an elegant, thin-line sans serif. Used for oversized and display, this font can be quite impactful. This font includes multilingual support and includes a full character set. Download it from GraphicFresh.

Mosk is a powerful sans serif font with nine styles and plenty of weights so that it can be an all-in-one font solution. The angled letterforms and clean lines make It great for stacking, body text and display. Download it from the designer on Behance.

Burgess is a highly readable serif with plenty of options in the full font family. The bold and semibold variations look great in display while regular is ideal for smaller text elements. The premium font is available from the Colophon Foundry.

Peace Sans is bold and easy on the eyes. The free font is quite versatile and has a design that looks like a much more premium option. It comes with glyphs support as well. Download it free on Behance.

Tikal Sans is created for text and display size. This ambitious sans serif font is marked by a large X-height. It is also surrounded by Mayan aura, yet it looks friendly and even a bit formal. It consists of twenty weights and 415 glyphs, in which you can find contextual alternate letters, basic symbols, punctuation and traditional numerals. Two versions are available free of charge: Medium and Medium Italic.

Jockey by TypeTogether is a Google web font that was greatly inspired by posters for horse race tracks of the 30s. It is a refreshing take on a classic sans-serif typeface. There is a ton of glyphs that are designed to write in different Roman languages.

Exo by Natanael Gama is a modern take on standard geometric sans serif fonts. Thanks to its unique yet generic letterforms it works great for businesslike projects, corporate websites, and original prints. It can be used to add either techno or futuristic vibe to designs. You will find nine weights, several styles and a whole slew of glyphs.

Tetra by Alexey Frolov is an original take on plain sans serif typefaces. The font is a pretty decorative and possesses a charisma. Due to its hybrid nature it fits very well to modern and vintage designs. It is equipped with just one style, Regular, and letters of Roman and Cyrillic writing systems in uppercase.

Stiff Staff by Borislav Petrov is a fancy and figured font for dressing up headlines. It is bolstered by well-thought-out spacing and optimal kerning. Its sharp asymmetrical zigzag forms in tandem with bold lines produce a powerful impression. It is designed to deliver messages in Roman and Cyrillic languages in small caps.

Brandon Grotesque is a famous sans serif type family of six weights and six corresponding italics. The font is inspired by geometric forms optically corrected for better legibility. Brandon Grotesque is a functional and elegant font. The thin and the black weights are great for showcases, the light, regular and medium weights are suited for longer texts. Brandon Grotesque is an excellent choice for sophisticated, professional-grade typography. It also has an extended character set to support Central and Eastern European as well as Western European languages.

Trade Gothic is a sans serif font with a twist. It breaks the typical strictness of sans-serif fonts. Used in combination with roman text in advertising and multimedia, Trade Gothic is a popular font with designers looking to deliver a message that stands on its own. Trade Gothic is one of the key elements of the visual identity of Amnesty International, an organization focused on human rights.

Hurme Geometric Sans 4 is a seven-weight, geometric sans-serif typeface which features ornate swash capitals and lowercase characters with curvy tails. Alternate characters and other OpenType features recommend this font family for the designer looking for a versatile option that can be adjusted for specific needs.

Akzidenz-Grotesk is a sans-serif typeface intended for general purpose commercial use such as publicity materials, advertisements or tickets and branding. Notably, Akzidenz-Grotesk is the official font of the American Red Cross.

Malva is a fresh font designed to perform as a branding element. It provides a clean and sleek look for visual identities and publications. Malva is a legible typeface with proportional letterforms. Besides that, carefully a very legible text typeface. The lighter and bolder weights works great at large sizes. On the other hand, the whole family shines on mobile devices. 2351a5e196

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