an oral history
This musical expression has its roots in the Mexican revolution and it was used to communicate epic oral stories from one town to another. The lyrics are based on heroic acts from specific people. They mention their physical aspects, they talk about their personality and the place of origin within the northern region of Mexico.
The narrative is told through a first or third person as a form of witness of historical or everyday events.
This genre was originally a mestizo way of storytelling. They began as stories of the underdogs.
Today the most common arc of the corridos is commonly from rags to riches and focused in the drug cartels.
This is a generic explanation of the structure, the order and information may vary depending on the subject being narrated.
José Guadalupe Posadas™
The singer asks for permission to begin singing or their intention of telling the story.
José Guadalupe Posadas™
To add veracity to the acts the singer states the exact date and location of the story.
Manuel Manilla™
A description of the physical aspects, personality and wardrobe of the main character is delivered.
Manuel Manilla™
The final verses either state a moral sentence or they repeat the first verse. Others say goodbye to the listeners.
This clasiffication of corrido types is based on the paper El Corrido Mexicano by Profesor A. Eduardo Ramírez Ramírez
Revolutionary corrido
Historic corrido
The Cristero war corrido
The agricultural movement corrido
Political corrido
Lyrical corrido
Execution corrido
Revolutionary corrido
Bandit corrido
Kidnapping, persecution, murders corrido
Fatality corrido
Personal tragedy corrido
Accidents and disasters corrido
Revolutionary women corrido
Horses corrido
Odes to cities corrido
Tumbado corrido
After this quick masterclass of corridos now it's time to become a composer. If you've never written an epic story about yourself now is the time. Click the botton bellow and follow the instructions to create a corrido of your own.
A orillas del Río Bravo en una hacienda escondida / Laurita mató a su novio porque él ya no la quería / Y con otra iba a casarse / Nomás porque las podía