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We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-09-30 · 8 min read · Independent comparison
• CONVELIFE ATH-M70X — biggest strength: a direct-fit replacement earpad set for the Audio-Technica ATH-M70X, built from protein leather over high-elasticity memory foam, sold as a 1-pair pack with a 1-year warranty.
• CONVELIFE ATH-M70X — biggest trade-off: it is not a headphone at all. It only helps if you already own ATH-M70X closed-back monitor headphones that need new cushions.
• PROAR P2 — biggest strength: a portable analog in-ear monitor amplifier with XLR/TRS input, mono/stereo switching, a 3.5 mm output, a volume knob and a metal belt clip, running about 10 hours on two AAA batteries.
• PROAR P2 — biggest trade-off: no batteries are included, so it will not work out of the box, and it does nothing for a broken or worn headphone.
• Who each is for: the CONVELIFE ATH-M70X is for ATH-M70X owners doing a comfort and seal refresh; the PROAR P2 is for drummers, guitarists and other performers who need to hear a monitor mix on stage or in the rehearsal room.
This is a maintenance product, and I mean that as a compliment. Pads are the first thing to go on any closed-back monitor headphone. They flatten, the coating cracks, the foam loses its rebound, and suddenly your headphones feel loose and leak more than they used to. The CONVELIFE ATH-M70X set exists to fix exactly that, for exactly one model: the Audio-Technica ATH-M70X closed-back dynamic professional studio monitor headphone. Protein leather on the outside, memory foam on the inside, black, one pair per pack.
The memory foam is the part I care about most here. The sheet describes it as high-elastic, with the goal of blocking outside noise and letting more of the music through. That is the honest job of a pad in a closed-back design: it forms the seal that keeps your low end from escaping and keeps room noise from getting in. When the seal degrades, everything downstream sounds thinner and less defined. So if your M70X has gone soft and sloppy on your head, a fresh set is the cheapest way to get that closed, controlled feel back.
Who should buy it: ATH-M70X owners with pads that are old, dirty, cracked or compressed. Anyone who wants a spare pair on hand before a session. Anyone who finds their current pads uncomfortable over long listening blocks and wants a softer cushion against the ear. Who should skip it: anyone who does not own ATH-M70X headphones. It is built for that model and that model only, so do not buy it hoping it fits something else. Also skip it if your actual problem is a broken driver or a snapped headband, because new pads will not fix those.
Two practical notes from the data. Installation is described as easy, which matters because you are doing this yourself, and the brand backs it with a 1-year warranty plus a return-or-replace policy if you are not satisfied. That is a reasonable safety net for a part this small.
The PROAR P2 solves a totally different problem. In a live or rehearsal setting, the person who struggles most to hear is usually the drummer or the guitarist standing next to a loud amp or a loud kit. The P2 is a personal monitor amplifier for that situation: you feed it a monitor signal through an XLR or TRS input, plug your in-ears into the 3.5 mm output, clip it to your belt, and control your own level with the knob instead of shouting at the monitor engineer.
The spec sheet leans hard into practical stage details. Low distortion and low latency analog sound, so what you hear lines up with what you play. A mono/stereo switch, so you can take a single mono monitor send or a full stereo feed depending on what the desk gives you. Two output channels. A metal enclosure, which is the right call for something that lives clipped to a belt and gets knocked around. And a 10-hour runtime on two AAA batteries — the design deliberately bypasses internal lithium battery decay, which means when the charge dies you swap cells in seconds rather than waiting on a cable.
There is also a 7-color RGB breathing light that cycles randomly. I will be straight with you: it is a cosmetic touch, not a monitoring feature. Some players will enjoy the look on a dark stage; others will find it a distraction. Neither reaction is wrong.
Who should buy it: drummers, guitarists, keyboardists and other performers who want their own in-ear monitor feed with independent volume. Anyone who prefers replaceable AAA batteries over built-in rechargeable cells. Anyone who wants a metal-bodied bodypack that can take aggressive movement. Who should skip it: anyone who wants to listen at a desk with no monitor source to feed it, and anyone who expects batteries in the box. The data sheet lists them as not included, so budget for two AAA cells before your first show. And if your actual need is replacing worn earpads, this does nothing for you.
Side-by-Side: Which Should You Choose?
• Best for reviving an existing ATH-M70X → CONVELIFE ATH-M70X. It is the only one of the two that touches the headphone itself.
• Best for stage and rehearsal monitoring → PROAR P2. XLR/TRS input, 3.5 mm output, belt clip, independent volume.
• Best for battery flexibility → PROAR P2. Two AAA cells, roughly 10 hours, instant swaps, no waiting on a charge.
• Best for durability under movement → PROAR P2. Metal bodypack built for live use.
• Best for a simple, low-risk fix → CONVELIFE ATH-M70X. One pair, easy install, 1-year warranty.
• Best if you want stereo control over your monitor mix → PROAR P2. The mono/stereo switch lets you match the feed you are actually given.
• Best for someone who owns no studio monitor headphones → PROAR P2. The CONVELIFE pads are useless without an ATH-M70X to put them on.
In my opinion, these two products should not really be competing for the same slot in your cart, because they fix different failures. If your ATH-M70X sounds flat, feels loose, or the cushions have cracked and gone shiny, I would buy the CONVELIFE ATH-M70X — nothing else on this page will restore that closed-back seal. If you play live and you are tired of guessing at your monitor mix, I would buy the PROAR P2 and grab two AAA batteries on the way. If you can only justify one purchase and you are not sure which camp you are in, ask yourself whether the problem is your headphone or your monitor feed. That answer decides it.
what is studio monitor headphones
Studio monitor headphones are closed-back or open-back headphones designed for accurate, neutral playback rather than boosted, consumer-style bass — the idea being that what you hear reflects the actual recording. The Audio-Technica ATH-M70X is described as a closed-back dynamic professional studio monitor headphone, and the CONVELIFE ATH-M70X pads are made specifically to fit it.
what are the best studio monitor headphones
I will not hand you a ranking, because the right monitor depends on your setup, your ears and how you work — and the data sheets here do not compare headphone models at all. What I can tell you is that a monitor is only as good as its seal: worn pads on a closed-back design hurt isolation and low-end control, which is exactly the gap the CONVELIFE ATH-M70X replacement set is built to close.
do i need studio monitors if i have headphones
Not necessarily. Headphones give you isolation and let you work late without disturbing anyone, while speakers let you check how a mix translates in a room. The PROAR P2 sits in a third category: it is not a monitor itself, but a portable in-ear monitor amplifier that lets a performer hear a monitor feed through their own in-ears on stage or in rehearsal.
what are studio monitor headphones
They are headphones built for monitoring — hearing vocals, instruments and backing tracks as accurately as possible during recording, rehearsal or live performance. In that context, the two products here play supporting roles: the CONVELIFE ATH-M70X keeps a closed-back monitor headphone sealed and comfortable, and the PROAR P2 delivers a clean, low-latency analog monitor feed to in-ears on stage.
Whichever way you go, check the current price on Amazon before you commit, since that is the one number that shifts and the one thing I will not guess at.
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