The film's English title was changed from The Snow Queen to Frozen, a decision that was compared to Tangled. Peter Del Vecho said that "the title Frozen came up independently of the title Tangled. It's because, to us, it represents the movie. Frozen plays on the level of ice and snow but also the frozen relationship, the frozen heart that has to be thawed. We don't think of comparisons between Tangled and Frozen, though." He also mentioned that the film will still retain its original title, The Snow Queen, in some countries: "because that just resonated stronger in some countries than Frozen. Maybe there's a richness to The Snow Queen in the country's heritage and they just wanted to emphasize that."[43]
To obtain certain snow and ice sound effects, sound designer Odin Benitez traveled to Mammoth Mountain, California, to record them at a frozen lake.[87] The Foley work for the film was recorded on the Foley stage on the Warner Bros. Pictures lot by a Warner Bros. crew.[78][134] The Foley artists received daily deliveries of 50 pounds (22.6 kg) of snow and ice to help them record all the necessary snow and ice sounds.[78] Because the film's visuals were finalized so late, five separate versions of nearly every footstep on snow were recorded (corresponding to five different types of snow); one was selected during mixing to match the snow as rendered in the final version of each scene.[78] One issue the production team was "particular" about was the sound of Elsa's footsteps in the ice palace, which required eight attempts (including wine glasses and metal knives on ice); they ended up using a mix of three sounds.[78] Although the vocals, music, sound effects, and almost all the dialogue were all recorded elsewhere, the final re-recording mix in Dolby Atmos format was performed at the Disney lot by Casey E. Fluhr of Disney Digital Studio Services.[78][134]
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