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Bad Company enjoyed great success throughout the 1970s. Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), reached the top five in the album charts in both the UK and the US.[4][5] Many of their singles and songs, such as "Bad Company", "Can't Get Enough" (1974), "Feel Like Makin' Love" (1975), "Shooting Star" (1975), "Burnin' Sky" (1977) and "Rock 'n' Roll Fantasy" (1979), remain staples of classic rock radio. They have sold 20 million RIAA-certified albums in the US and 40 million worldwide.[6] Though they initially disbanded in 1982, Bad Company reunited on many occasions to record and tour until 2019. In 2023, Kirke revealed that they would not continue as a band following the development of Rodgers' recent health issues.[7]

Contrary to speculation that singer Paul Rodgers named the band after the Jeff Bridges film Bad Company, Rodgers stated in an interview with Spinner.com that the idea came from a book of Victorian morals that showed a picture of an innocent child looking up at an unsavoury character leaning against a lamp post. The caption read "beware of bad company".[9]

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A three-year hiatus from the studio ended with the release of Rough Diamonds in August 1982. This would be the sixth and final LP in the group's original incarnation until four new songs were recorded in 1998. The album was the worst-selling Bad Company album of those featuring Paul Rodgers as the front man. The album peaked at No. 15 in the UK and No. 26 in the US.[4]

In 1985 Mick Ralphs and Simon Kirke, having just worked together the previous year on Ralphs' solo album Take This, decided to reteam for a new project. But in 1986, their label, Atlantic Records, insisted they resume the Bad Company name. Unfortunately, Paul Rodgers was already engaged with a new supergroup called The Firm. With Rodgers gone, the remaining two members partnered with new managers Bud Prager and Phil Carson and teamed up with ex-Ted Nugent vocalist Brian Howe (who was introduced to them by Foreigner's Mick Jones) as the new lead singer. In addition, Steve Price joined the band as the new bass player and Greg Dechert (ex-Uriah Heep) joined on keyboards. Howe's vocal style brought more of a pop-rock sound to the band, which Atlantic Records was looking for to bring the band back up to arena status after declining turnouts to previous live performances and the dismal sales of Rough Diamonds.

For the next Howe-era album, 1988's Dangerous Age, the band replaced Olsen with producer Terry Thomas, who got rid of most of the keyboards and returned the band to a guitar-driven sound. Thomas also added small amounts of keyboards as well as rhythm guitars and backing vocals and wrote most of the songs with the band. Dangerous Age fared better than its predecessor, spawning several MTV videos and the AOR hits "No Smoke Without a Fire" (#4), "One Night" (#9) and "Shake It Up" (#9, also No. 89 on the Billboard Hot 100 Singles chart). The album went gold and hit the Top 60. For the Dangerous Age tour, the band was augmented by Larry Oakes (keyboards, guitar), who had also played with Foreigner. Price and Oakes both left at the conclusion of the tour.

The band's next album, Holy Water, written mostly by Brian Howe and Terry Thomas, was released in June 1990. The album, also produced by Thomas, was enormously successful both critically and commercially, attaining Top 40 and platinum status by selling more than one million copies. Holy Water was the band's first album on the Atlantic subsidiary Atco. The album spun off the singles: "If You Needed Somebody" (#16), the title track "Holy Water" (#89) and "Walk Through Fire" (#28). "Holy Water" also hit No. 1 for 2 weeks on the AOR charts with "If You Needed Somebody" reaching No. 2. The album received significant radio airplay (five songs made the AOR charts in all) and spawned several video hits. Felix Krish played bass on the CD while Paul Cullen was recruited for live shows.

Howe left the band in 1994. Regarding his departure from the band, Howe stated: "Leaving Bad Company was not a difficult decision. It had got to the point where nobody was contributing anything to songwriting and quite frankly, the band was getting very very sloppy live. I quite simply, along with Terry Thomas, got tired of doing all the work and then getting nothing but resentment for it from Mick and Simon."[17]

In 1994, ex-Distance frontman Robert Hart was approached by Mick Ralphs and Simon Kirke and asked if he would like to join them as the third lead vocalist for Bad Company, following Paul Rodgers and Brian Howe. Hart performed with Bad Company, including in the USA and Canada. In July 1994 a contract was drawn up by Alliance Artists and Legend Management and signed by the then Bad Company line-up, Mick Ralphs, Simon Kirke, Hart, Dave Colwell, and Rick Wills giving Hart the right to perform, write and record songs and albums and receive royalty payments as a full Bad Company member.

In November 1998, Rodgers and Kirke were discussing the release of an extensive compilation album with a biography and picture. Rodgers decided the album should include four new songs. He finally reunited with the other three original members in the studio to record these four new tracks. The reunion was short-lived, but it produced a Top 20 AOR hit with "Hey Hey" (No. 15). The second new song "Hammer of Love" peaked at No. 23. The new tracks appeared on the compilation album, The 'Original' Bad Co. Anthology, released in March 1999, which charted at No. 189.

Paul Rodgers again rejoined Kirke in 2001 for a tour that kicked off in the US and included co-headlining dates with Styx and Billy Squier as special guests. Dave Colwell and Rick Wills took over for the departed Ralphs and Burrell. The tour did decent business then moved to the UK. The band secured some dates on the West Coast of the US in January 2002 to record a new live album and DVD, Merchants of Cool, recorded by Chris Mickle, Bud Martin & Justin Peacock and which featured the song "Joe Fabulous", which hit No. 1 on radio. The Merchants of Cool tour in 2002 once again featured Kirke and Rodgers as the only original members left. Colwell again took lead guitar and Jaz Lochrie, who had played live and recorded with Paul Rodgers from 1995 on, was on bass. Guest performers at the shows included former Guns N' Roses guitarist Slash and Neal Schon of Journey fame. After the 2002 tour, Bad Company went inactive once again as Rodgers returned to his solo career.

In 2006, a limited edition CD of 24 carat gold was released of the first Bad Company album (Bad Company). After taking over a year to find the original master tapes, the analogue masters were put through a proprietary analogue-to-digital converter that remastered the songs for the best possible sound.

On 6 May 2007, Robert Hart, Dave "Bucket" Colwell and Jaz Lochrie performed in a small pub in Surbiton for The Macmillan Cancer Trust. Performing as Rock and Roll Fantasy, they offered a show of Bad Company songs for an audience of a few hundred. They were joined by Mick Ralphs. Chris Grainger was the drummer.

Bad Company's first two studio albums, Bad Company (1974) and Straight Shooter (1975), were re-released on CD, digital and vinyl on 7 April and 1 July 2015 respectively.[needs update] The release encompassed the original albums newly remastered in 2015, alongside single b-sides, studio demos, interviews, and previously unreleased songs from vault.[26]

Around this time, Charlton began developing its own heroes, including Captain Atom, Peacemaker, and Judomaster. The company acquired Flash Gordon, Popeye, Beetle Bailey, and other titles from King Comics in the late 1960s and produced comic book spinoffs from famous Hanna-Barbera television animation series including Yogi Bear, The Flintstones, and Rocky & Bullwinkle.

Ed Levy retired in the mid-1960s and sold his half of the company to the Santangelos. At various points, other members of the Santangelo family got involved in the business, including their sons John and Charles. Santangelo Sr. died in 1979 and Charlton Comics went out of business in the mid-1980s, but DC Comics had already acquired most of their superhero characters. The full Charlton business closed in 1991 and officials razed the Charlton plant within the decade.

ASCAP does not license "dramatic" or "grand" rights, or dramatic performances. ASCAP members who write musical plays, operas, or ballet scores deal directly with those who want to perform our members' works "dramatically." While ASCAP does not license "dramatic" or "grand" rights, or dramatic performances of its members' music, an ASCAP license does authorize nondramatic performances of songs from dramatic productions. For more information on "dramatic" or "grand" rights and the distinction between dramatic and nondramatic performances, click here.

ASCAP does not license rights for recording artists, musicians, singers or record labels. However, artists/musicians who are songwriters can become ASCAP members. ASCAP licenses the performance rights for the music of its members.

If you want to make copies of, or re-record an existing record, tape or CD, you will probably need the permission of both the music publisher and the record label. A music publisher owns the song (that is, the words and music) and a record company owns the "sound recording" (that is, what you hear... the artist singing, the musicians playing, the entire production).

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Licenses for jukeboxes are available through the Jukebox License Office. The JLO makes it convenient and economical for you to obtain the permission you need for your jukebox by serving as a "clearinghouse" that provides authorization to perform virtually every copyrighted song in the United States and much of the world. 2351a5e196