Communicating Culture: Tellings, Representations & Leisure

Suggested readings

Bradford Clark, “Putul Yatra: A Celebration of Indian Puppetry”, in Asian Theatre Journal, Vol. 22, No. 2 (Autumn, 2005), pp. 334-347.Frank J. Korom, “Introduction: locating the study of folklore in modern South Asian studies” in South Asian History and Culture, 2017, pp. 1-10.
Induja Awasthi, “Ramlila: Tradition and Styles”, pp. 23-36 accessed on 19 May 2019 from the Sahapedia An open online resource on the arts, cultures and heritage of India https://www.sahapedia.org/tag/dashavatara
Jim Masselos, “Audiences, Actors and Congress Dramas: Crowd Events in Bombay City in 1930”, South Asia: Journal of South Asian Studies, 8:1-2 (1985), pp. 71-86.
Kathy Foley & Dadi Pudumjee, “India” in World Encyclopedia of Puppetry Arts called “WEPA” or “EMAM” for Encyclopédie Mondiale des Arts de la Marionnette, a project of International Unima.
Komal Kothari, “Myths, Tales and Folklore: Exploring the Substratum of Cinema”, in India International Centre Quarterly, Vol. 8, No. 1, Indian Popular Cinema: Myth, Meaning and Metaphor (MARCH 1981), pp.
Susan S. Wadley, “Singing for the Audience: Aesthetic Demands and the Creation of Oral Epics”, in RESOUND, A Quarterly of the Archives of Traditional Music, Vol. VII, No. 2, April 1988.

Bradford Clark, “Putul Yatra: A Celebration of Indian Puppetry”, pdf Meenakshi Khanna, 8 Sept 2019, 2:42 AM
Induja Awasthi, “Ramlila: Tradition and Styles”, pdf Meenakshi Khanna, 8 Sept 2019, 2:43 AM
J. Masselos, “Audiences, Actors and Congress Dramas:Crowd Events in Bombay City in 1930” Meenakshi Khanna, 8 Sept 2019, 2:45 AM
K. Foley & D. Pudumjee, “India” in World Encyclopedia of Puppetry Arts called “WEPA” or “EMAM”

https://wepa.unima.org/en/india/ Meenakshi Khanna, 8 Sept 2019, 2:46 AM