Basic Color Mechanics

Current Research: Time Itself and the Earth = 1 (one) Temporal Reference

Definitions:

Aether is a medium that is (or permeates) all space and holds everything together. This includes the space around all matter from the atomic level to the cosmic level. From the perspective of ancient philosophers and scientists there are five elements, as represented by the five regular solids. Ancient philosophers and scientists identified Aether as the 5th element or the hidden element. Aether is represented by the dodecahedron.  

A fundamental force is that which cannot be reduced to a more basic level and accounts for every observable manifestation of the force within the universe. Each fundamental force is represented by a mediating (representative) particle, real or imagined.  

Sacred Geometry, per this research, is regarding the Earth and/or Cosmos. From the perspective of ancient philosophers and scientists, the five regular solids relate to fire (radiation, tetrahedron), earth (solids, hexahedron), air (gasses, octahedron), water (liquids, icosahedron), and Aether (cosmos, dodecahedron) as the 5th regular solid. The circle, hexagram, Seed of Life, Flower of Life, and Metatron’s Cube are ancient symbols for the Cosmos.

The five “regular solids” are also known as the Platonic Solids due to Plato’s obsession with them. One or more of these geometries are found in every molecule known to mankind. 

Aether has cosmic connections. As long as the cosmos is viewed as a 3-dimensional vacuum with 1-dimension of time, we are destined to never find the hidden 5th element. Aether is a medium. The crystalline, balanced, system of systems MD Fabric of Space is a reactive medium with Aether like characteristics.  

The Color Theory of this research is a search to define color in regard to numbers and geometry (patterns). Color has been approached as a mechanical device consisting of a “system of systems” to be optimized. The systems to be optimized are the Red, Green, Blue (RGB) and Cyan, Magenta, Yellow (CMY). RGB, CMY, or RGB&CMY patterns that can be demonstrated as an equilateral triangle, hexagram, tetrahedron, or star tetrahedron. The color pattern is expressed as 1-2-3 (linear) or phi-1-PHI (curved). The golden ratio pattern is phi: 1: PHI.

This research introduced the 10(x) circular constant. The “x” is a variable that is not equal to zero and goes to ± ∞. The color pattern expressed as circular constants is 10(±1), 10(±2), 10(±3) or 10(±phi), 10(±1), 10(±PHI). This research is based on the use of 10(x) circular constants instead of 2π as a circular constant to describe cyclic functions. All 10(x) circular constants have a period of 2π/[10(phi)], the “long second”. If a 10(x) circular constant is used, then all of the associated time-based components of the equation or expression must be time based corrected to 2π/[10(phi)]. The period of 2π is 1-second.

Waveforms are helixes versus sinusoidal waves, according to this research. Helixes do not crash into each other at 0˚, 180˚, and 360˚ when they are on the same x-axis, unless they are of the same amplitude. Complementary colors as helixes (180˚ out-of-phase) can cancel each other at a point that is above the x-axis (power on zero). RGB versus CMY are complementary colors, respectively. In a system that supports 6 Primary Colors, the combination of RGB or CMY or RGB&CMY is White or a white light source. The Primary Colors can be separated from the white light source per Sir Isaac Newton’s prism experiments. 

Jacob’s Ladder is a harmonic distribution based on the golden ratio proportions (pattern) as defined by this research. A simple expression of the Jacob’s Ladder harmonic distribution is phix: 1: PHIx. The 1 (one) is the Baseline value. The Baseline value can be any non-zero value. The phix value is a sub-harmonic of the Baseline value. The PHIx value is a harmonic of the Baseline value. Multiple sub-harmonics of the Baseline value are undertones. Multiple harmonics of the Baseline value are overtones.  

Jacob’s Ladder identifies color harmonics within the entire electromagnetic (EM) spectrum. The frequencies at the lower end of the EM Spectrum are also found within the range of sound (20,000 Hz to 20 Hz). A correlation was looked for and found between Basic Color Theory and Basic Music Theory. Color harmonics and color sub-harmonics are the same as color rising octaves and color lowering octaves, respectively.  

There are 12 Primary Color References (6 Primary Colors and 6 Primary Color Interfaces). There are 12 Primary Tones per the Circle of Fifths. Therefore, color harmonics are color octaves and color octaves are color harmonics. Characteristics from the two systems are shared. The concept of color geometry can be shared with basic music theory. The concepts of music overtones and undertones can be shared with color geometry. Jacob’s Ladder is independent of what it is used to evaluate.

Basic Color Theory, Basic Music Theory, and Jacob’s Ladder is being applied to a Basic Time (Temporal) Hypothesis regarding “time itself” as a temporal spectrum. And the Earth = 1 (one) temporal reference frequency (vibration) is just one frequency within the temporal spectrum. The time vector magnitudes of Einstein’s gravity manifold are repurposed as temporal wavelengths. Temporal slope values are used to identify temporal wavelengths.

A value for the Earth = 1 (one) temporal reference frequency was identified and detailed in the third research paper. The following Abstracts are from papers submitted to the 19th International Conference of IMBIC on MSAST 2025, December 21 – 23, 2025.

COLOR THEORY:
BASIC COLOR MODELS 13.0
Basic Music Theory 8.0 – Basic Temporal Mechanics

Carl Swopes / Swopes Inc., Color Research
Las Cruces, New Mexico 88005 USA
https://sites.google.com/view/color-theory-basic-mechanics/home

Abstract 

The primary focus of this paper is to identify some of the basic temporal mechanics of “time” as a frequency, per this research. Time is the curvature of the ±4D Temporal Space due to the presence of mass within the crystalline, balanced, system of systems, multidimensional (MD) Fabric of Space. As the crystalline MD Fabric of Space curves, ±4D Temporal Space curves and produces a temporal charge. The presence of a temporal charge within the crystalline and curved MD Fabric of Space, causes ±4D Temporal Space to vibrate. The greater the curvature, the higher the temporal charge and temporal vibration. The crystalline MD Fabric of Space is assumed to be a separate entity from the objects within it.

Earth = 1 (one) is the reference for Earth. Within the temporal spectrum, the “temporal frequency” where Earth experiences no time dilation is Earth = 1 (one). Per Jacob’s Ladder, Earth = 1 (one) is the Baseline value as represented by the golden ratio proportions phi: 1: PHI. ±4D Electromagnetic (EM) Space and ±4D Temporal Space are assumed to have similar orientations and characteristics. Color modeling of the visible light spectrum (white light) will be applied to a proposed temporal spectrum to identify some of the characteristics of basic temporal mechanics. Concepts based on clock time (t) [1-second] are contrasted with those based on time being a temporal frequency that accommodates time dilation. Temporal frequency provides a solution to Einstein’s twin paradox and time dilation as a black hole is approached. The universe is primarily defined by what we see per an Earth = 1 (one) white light reference. Therefore, the universe is defined by what we see temporally per an Earth = 1 (one) temporal white light reference.

Keywords: Jacob’s Ladder, color harmonics, color octaves, temporal density, velocity, clock time (t), time dilation, fabric of space, temporal wavelength, temporal frequency, Circle of Fifths, golden ratio, Spatial Space, Temporal Space, Electromagnetic (EM) Space, Fabric of Space, Orange Hypothesis, cosmic web.  

COLOR THEORY:
BASIC COLOR MODELS 14.0
Basic Music Theory 9.0 – Basic Spatial Space

Carl Swopes / Swopes Inc., Color Research
Las Cruces, New Mexico 88005 USA
https://sites.google.com/view/color-theory-basic-mechanics/home

Abstract 

Spatial Space is the “venue” where something or nothing happens in “space”. Per this research, the venue potential comes from the ±4D Spatial Space subspace within the crystalline, balanced, system of systems, multi-dimensional (MD) Fabric of Space. There are three sub-spaces within the crystalline MD Fabric of Space: ±4D Spatial Space, ±4D Temporal Space, and ±4D EM Space. The sub-spaces have unique potentials and characteristics that manifest in crystalline, curved MD Fabric of Space due to the presence of mass and/or energy (E = mc2). Sub-space components are curvature, charge, vibrations, and a sub-space specific Primary Tone. Primary Tones are the fourth dimension. Sub-spaces are modeled as the base of a Sierpinski tetrahedron with the MD Fabric of Space tetrahedron on top. In crystalline, flat MD Fabric of Space, potentials balance to relative zero. In crystalline curved MD Fabric of Space, potentials are realized and re-balanced to a relative zero that is above or below crystalline, flat MD Fabric of Space.

The concept of ±4D Spatial Space as a sub-space implies interactions between the other sub-spaces (±4D Temporal Space and ±4D EM Space) in the construction of the crystalline, balanced, system of systems, curved/flat MD Fabric of Space, plus its interfaces. The crystalline MD Fabric of Space is seen as a medium, having 23 degrees of freedom, plus its interfaces. Space-time has 3 degrees of freedom, plus its interfaces. The concept of sub-spaces allows the crystalline MD Fabric of Space to be a separate entity from the objects and/or events within the crystalline MD Fabric of Space. 

If ±4D Spatial Space within the crystalline, balanced, system of systems, MD Fabric of Space is a sustainable theory, then “space”, fabric of space, space-time, etc., has more characteristics than three dimensions of space and one dimension of time. What we see or experience is not all there is to ±4D Spatial Space, or the crystalline, balanced, system of systems, MD Fabric of Space, a medium (venue). 

Key Words: MD Fabric of Space, ±4D Spatial Space, ±4D Temporal Space, ±4D Electromagnetic (EM) Space, crystalline, sub-space, temporal frequency, temporal spectrum, blue-shifted, redshifted, temporal slope, temporal reference, Earth = 1 (one), speed of light, velocity, Jacob’s Ladder, color harmonics, color octaves,  basic temporal theory, basic music theory, basic color theory, Big Bang theory, dynamic mass, vanishing point, sonification, general relativity, special relativity, quantum mechanics, standard model, piezoelectric effect, Coulomb’s Law

COLOR THEORY:
BASIC COLOR MODELS 15.0
Basic Music Theory 10.0 – Earth = 1 (one)  

Carl Swopes / Swopes Inc., Color Research
Las Cruces, New Mexico 88005 USA
https://sites.google.com/view/color-theory-basic-mechanics/home

Abstract 

The Universe is defined by what we see, detect, infer and/or deduce per an Earth = 1 (one) white light reference. Therefore, the Universe is defined by what we see temporally per an Earth = 1 (one) temporal white light reference. Relativity explains the very large things in the Universe. Quantum mechanics explains the very small things in the Universe. This paper is a relativistic approach to the Universe.

The concept of an Earth = 1 (one) reference can be foreign to our way of thinking. This research addresses the concept of an Earth = 1 (one), “white light reference”, “gravitational reference”, “temporal reference”, etc. The Earth = 1 (one) reference is regarding the International Standard (SI) of 1-second for timekeeping. Per the International Standard, 9,192,631,770 vibrations of a Cesium atom = 1-second.  Therefore, a vibrational rate is 9,192,631,770 Hz equals 1-second. This vibrational rate is used in atomic clocks. As a vibrational rate, a Jacob’s Ladder correlation can be identified for time within the visible light spectrum. This is where a specific color harmonic or color octave is associated with the Earth = 1 (one) temporal reference for 1-second. Then the concept is expanded to time itself (temporal spectrum) and the crystalline, balanced, system of systems, MD Fabric of Space and it sub-spaces (±4D Temporal Space, ±4D Electromagnetic (EM) Space, and ±4d Spatial Space).   

 Key Words: MD Fabric of Space, ±4D Spatial Space, ±4D Temporal Space, ±4D Electromagnetic (EM) Space, crystalline, sub-space, temporal frequency, temporal spectrum, blue-shifted, redshifted, temporal slope, temporal reference, Earth = 1 (one), photoelectric effect, monochromatic, electromagnetic radiation, duality, speed of light, velocity, Jacob’s Ladder, color harmonics, color octaves, overtones, undertones, mechanical vibrations, basic temporal theory, basic music theory, basic color theory, Big Bang theory, relativistic speed, vanishing point, sonification

Impossible Color Research Objectives

The original impossible objective (motivation) of this research was to define color regarding electromagnetic radiation in terms of numbers and geometry. Now a Basic Color Theory exists that is based on numbers and geometry. So, new impossible objectives were needed to motivate future research. In the quest to define color in regard to numbers and geometry resulted in the collateral damage in List 1.0.1. The new impossible objectives of this research are:

1.     Magnetic levitation.

If enough is learned about the mechanics of the crystalline, balanced, system of systems, curved MD Fabric of Space, then it may be possible to construct a space elevator (space lift). A space elevator would be the same technology that could be used in flying cars or spacecrafts. The technology may have more to do with curved space than magnetism or electromagnetic radiation.

Magnetic levitation could turn out to be a technology that is something unrelated to electromagnetic radiation or something in combination with electromagnetic radiation. Until the questions are asked, there can be no answers.

If it is possible to cause something to levitate, it may be possible to cause something to fall. If technology could cause an object to fall towards a point or surface it could be seen as a duality of levitation and artificial gravity.      

2.     Teleportation.

Teleportation (portals) is usually seen as being the stuff of science fiction. Or is it? The concept of teleportation has been with mankind throughout its oral and written histories.

In relativity, teleportation is addressed indirectly as the Einstein-Rosin bridge (wormhole). This theory proposes that two black holes are connected by Nature and provides a shortcut through space. The theory also suggests that the natural forces that are near and/or within the black hole would kill anything attempting to pass through the wormhole.

In quantum mechanics, teleportation is addressed indirectly as quantum entanglement. This theory proposes that two entangled particles react with each other regardless of the distance that separates them.

Generally, there are 4 types of teleportation:

1.     spatial teleportation (space)

2.     temporal teleportation (time)

3.     astral teleportation (out of body)  

4.     dreaming (dreaming, meditation, chemically assisted, etc.)

This research seeks to identify the mechanics of spatial teleportation. Inspiration comes from the UK television program called “Dr. Who”. The Doctor traveled through space and time in the T.A.R.D.I.S (Time And Relative Dimensions In Space).

The assumption is that time itself and space are physical mediums. If the assumption is valid, then it should be possible to define “time itself” and “space” as physical mediums. This research has proposed its concepts of a “±4D Temporal Space” and the “crystalline, balanced, system of systems MD Fabric of Space”. This contrasts with space being a 3-dimensional vacuum, and clock time (t) – space-time.       

If mankind is going to explore space and establish colonies in space, it will not be done with chemically powered rockets. Chemically powered rockets quickly reach a point of diminishing returns. To launch a payload into space, over 95% of the initial mass of the rocket is just the rocket and its fuel. The mass of the payload determines the size of the rocket needed to put the payload into space. This includes a Space Shuttle type vehicle.

Walter Cronkite Jr. – American broadcast journalist and anchorman for CBS Evening News from 1962 to 1981, covered many of the Apollo space mission launches. The Apollo space capsules were launched on top of a Saturn V rocket. Mr. Cronkite is noted for his observation and comment regarding “The majestic rise of the Saturn V”.

Nope! That monster was lumbering. It was so heavy that NASA had to hold the rocket down until it had enough thrust to lift off the launch pad. But once that boy finds its legs, it will eat your lunch.

During a trip to Huntsville, Alabama, I visited the US Space & Rocket Center Museum. A fully assembled Saturn V was on display. It was lying on its side, and visitors could walk along its length. It is a monster.

In contrast, the first 2-3 Space Shuttle launches were to be held down until the Shuttle had enough thrust to lift off the launch pad. The main engines were ignited and came up to thrust. Then the solid rocket boosters were ignited and ‘Elvis has left the building’. By the time the Shuttle cleared its launch tower, it was doing over 100 mph and accelerating. I imagine, riding the Shuttle had a high pucker factor.

With teleportation, you would go from a “here and now” to a “there and now” by crossing a theoretical two-dimensional threshold (portal, doorway, Earthgate, Moongate, Marsgate, Stargate, etc.). Teleportation from Point A to Point B is not traveling. It is displacement. Traveling at the speed of light is a contradiction of terms, regarding traveling. At the speed of light, the speed of light is zero because time is zero. When time is zero, then speed, distance, and kinetic energy are zero. This means that the current moment on Earth moves forward in time faster than the current moment of someone traveling at or close to the speed of light due to time dilation.   

For relatively long distances, it should be possible to teleport faster than light is able to propagate. Teleportation bypasses the intervening space between Point A and Point B. In a spacecraft with a propulsion system, the first half of the journey is spent accelerating, and the second half of the journey is spent decelerating. Plus, there are all the other challenges of traveling for long periods of time through space.

We do not know what “time itself” is, what “space itself” is, where matter comes from, and/or where cosmic and atomic information (patterns) come from. And at the atomic and cosmic levels, where does the power come from?

Space-time describes how space and time work, but it does not define/explain what they are. Therefore, we cannot know how to manipulate space itself and/or time itself until that knowledge has been acquired. We may be guilty of assuming that something is known because it has been given a label. This is a lesson learned from the early days of this color research. Everyone knows what color is, but no one was able to define color in terms of numbers and geometry. The labels “space” and “time” are abstract concepts. The labels describe one or more characteristics of space or time, but the labels do not define space itself or time itself.

Time, as we know it, is our method of timekeeping. It is based on the orbital period of the Earth. Space-time allocates 1-dimension to a time-axis [clock time (t), 1-second]. Clock time (t) does not address temporal time dilation.

Space, as we know it, is based on the 3-dimensional grid (xyz-axis) of space-time. This “space” curves due to the presence of mass (E = mc2) but it is otherwise unreactive. Gravity manifests due to the curvature of crystalline MD Fabric of Space. This attractive phenomenon was given the label “gravity”. There are equations that describe and predict its characteristics. Yet, we only have theories of what it is. The same could be said for time itself, space, electricity, energy, light, radiation, black holes, or stars. And the same could be said for processed food and drinking water. We know what it is while not knowing what it is.

Changes in Temporal and Spatial Perspective

Many of the equations used to describe our reality and the universe are based on clock time (t). The Timekeeping [clock time (t)] International Standard (SI) basic unit of measurement is 1-second. Typically, the 1-second standard is applied universally. This research proposes that “time itself” is a function of crystalline, curved MD Fabric of Space. In other words, “time” is relative to the curvature of space. Our curvature of crystalline MD Fabric of Space defines the Earth = 1 (one) temporal reference frequency that equates to 1-second and possibly 1-gravity. It is the same crystalline, curved MD Fabric of Space.

Temporal vibrations (frequencies) above or below the Earth = 1 (one) temporal reference frequency is time dilation. Temporal vibrations above Earth = 1 (one) are in the relative future, spatially and temporally. Temporal vibrations below Earth = 1 (one) are in the relative past, spatially and temporally. If this concept is valid, then temporal vibrations represent a temporal spectrum similar to the electromagnetic spectrum.

Per this research, the electromagnetic spectrum is in the Key of “F”, and the temporal spectrum is in the Key of "Db”. The difference between these spectrums is the difference between the orientation of ±4D Electromagnetic (EM) Space to that of ±4D Temporal Space within the color octave. Color octaves = color harmonics as defined by the Circle of Fifths and evaluated by Jacob’s Ladder. The configurations seem to make a spiral staircase. Using vectors, ±4D Spatial Space is in the Key of “A”.  

If only part of this research is valid, it could lead to the development of levitation and teleportation technologies. Magnetic levitation is but one concept of levitation. The specific issue is that of manipulating the curvature of the crystalline MD Fabric of Space. One aspect of levitation is to cause an object to float (fly). Another aspect of levitation is to cause an object to sink (gravity). Serendipitously, teleportation seems to be associated with the manipulation of crystalline curved MD Fabric of Space. The assumption is that time is a function of crystalline, curved MD Fabric of Space. If time goes to zero above the temporal x-axis, then the crystalline, MD Fabric of Space is relatively flat – time is zero. When time is zero, then speed, distance, and kinetic energy are zero. If time goes to zero between two spatially separated locations, then the two spatially separated locations are adjacent to each other. The intervening space is bypassed – teleportation.  

Could “time itself” be a fundamental force of nature? This is not regarding the timekeeping of clock time (t). Per this research, time itself is a function of crystalline, curved MD Fabric of Space and its sub-space ±4D Temporal Space.

A fundamental force is that which cannot be reduced to a more basic level and accounts for every observable manifestation of the force within the universe. Each fundamental force is represented by a mediating (representative) particle, real or imagined. If there is more than one correct answer to a function, then the function fails. A quadratic equation has two correct answers, but only one correct answer provides a valid mathematical solution to the question being asked. If more than one mathematically correct answer is possible for a fundamental force, then a better question needs to be asked. Duality is not an answer. A theoretical particle is not an answer. A particle that is made from sub-atomic particles is not an answer. A fundamental force is that which cannot be reduced to a more basic level.

When time itself is zero or at zero, none of the fundamental forces of nature can function or manifest. When “time itself” is zero, then speed, distance, and kinetic energy are zero. When a kinetic system is at zero, it is at rest. This would include an exploding singularity. Think, Big Bang and where a singularity is found. Per relativity, a singularity is at the heart of a black hole where time goes to zero at the event horizon. Or, if the crystalline, balanced, system of systems, MD Fabric of Space does not exist, then none of the fundamental forces of nature can manifest.

Neither time itself nor ±4D Spatial Space has a scientifically recognized mediating (representative) particle, real or imagined. Unless a particle of time itself is 1-second and a particle of ±4D Spatial Space is ±4D Spatial Space. A graviton is associated with crystalline curved MD Fabric of Space. ±4D Spatial Space is a sub-space potential of crystalline MD Fabric of Space. That which is ±4D Spatial Space is one of three sub-space potentials of the crystalline MD Fabric of Space. As a component of the crystalline MD Fabric of Space (Aether), the particle should have the characteristic that tends to hold everything together.

Gravity (graviton) is at the crystalline MD Fabric of Space level, not the sub-space potential level. Quantum mechanics continue to search for a sub-atomic mediating particle for gravity. Then quantum mechanics and relativity can be unified into a Theory of Everything. Per this research, gravity does not seem to have a fundamental state below the crystalline MD Fabric of Space. ±4D Spatial Space is the sub-space potential responsible for venue. This is the stage where objects and events happen or do not happen. Gravity happens within this venue at the crystalline MD Fabric of Space level due to the presence of mass (E = mc2), curved space. From this perspective, the graviton would be a particle of crystalline, curved MD Fabric of Space, which is a composite crystalline structure. If valid, then the graviton would fail as a mediating (representative) particle for gravity per the definition of being a fundamental force of nature.

List 1.0.1 identifies some of the discoveries made by this color research. The list shows how earlier discoveries developed into Assumptions, Hypotheses, and Theories regarding basic color theory, color harmonics (Jacob’s Ladder), basic music theory, color octaves, and basic temporal theory. Regarding Earth = 1 (one), concepts for temporal time dilation and basic cosmology were identified per the crystalline, balanced, system of systems MD Fabric of Space and its sub-spaces.     

          List 1.0.1  Discoveries made by Swopes Inc., Color Research:

1. A2 + B2 = C2 → phi2 + PHI2 = 3, (Pythagorean Theorem)

2. phi2 + PHI2 = √32, (converted to the standard form)

3.     (⅓)phi2 + (⅓)PHI2 = (⅓)√32 = 1, (Unit Circle)

4. Golden Ratio Pattern, is phi: 1: PHI

5. The Color Pattern is expressed as 1-2-3 (linear) or phi-1-PHI (curved).

6. 10(±x) circular constants, [or 10(x) opposing circular constants] in the color pattern, 10(±1), 10(±2), 10(±3) or 10(±phi), 10(±1), 10(±PHI).

7. Long Second time base, 2π/[10(phi)] or ≈ “61/60”, time base correction is required for all 10(x) circular constants and associated components in an equation or expression, where 2π = 10(π/5), all circles have a circumference to radius ratio of 2π]

8. Color Math, [Ex. Red (1) + Green (2) = Blue (3)] or [Cyan (-1) + Magenta (-2) = Yellow (-3)]. From these balanced equations, combining any two Primary Colors within their group produces the value of the third. Using the balanced equations, combining RGB = 0, or White, Range: 0 – 3. Combining CMY = 0 or Black, Range: 0 – -3.

9. Composite Color Wave, [Red, Green, Blue (RGB) and Cyan, Magenta, Yellow (CMY) as helixes around the x-axis, demonstrates a white light source, and frequencies cancelling to zero above the x-axis]

10.  Color Theory: Basic Color Models (color defined as numbers and geometry)

11.  Jacob’s Ladder, (harmonic distribution based on the golden ratio, phi: 1: PHI or phix: 1: PHIx or phix: Baseline: PHIx). Since Jacob’s Ladder uses exponential notation, it accommodates cycles (vibrations, frequencies) that take longer than one second to cycle. A larger time base is possible (minute, day, year, decade, solar cycle, lunar cycles, astrological alignments, etc.). Often, it is used by this research to define the x-axis. Jacob’s Ladder is curved due to the use of exponentials, golden ratio proportions, and 12√PHIy or 12√phiy to define the 12 Primary Color References of a color harmonic and the 12 semitones of color octave per the Circle of Fifths. PHIx identifies color harmonics, color rising octaves, and overtones. And phix identifies color sub-harmonics, color lowering octaves, and undertones. Jacob’s Ladder identifies color harmonics and color octaves for the entire electromagnetic spectrum, temporal spectrum, and spatial spectrum. Color octaves do not overlap.  

12.  Color Theory Correlation to the Range of Sound, (ultrasound, audible sound, infrasound, color harmonics and color sub-harmonics, radiation to mechanical vibrations via Jacob’s Ladder)

13.  Color Theory Correlation to Basic Music Theory and Circle of Fifths, (color rising octaves, color lowering octave, overtones, and undertones via Jacob’s Ladder)

14.  12 Primary Color References [6 Primary Colors (at the peaks) + 6 Primary Color Interfaces (in the valleys) of a hexagram.]

15.  Color Harmonics = Color Octaves and Color Octaves = Color Harmonics (12 Primary Color References or 12 Primary Tones).

16.  Sierpinski Tetrahedron and Sierpinski Star Tetrahedron (Snowflake) a tetrahedron made of three tetrahedrons for the base and one tetrahedron on top of the base tetrahedrons with the characteristics of the Sierpinski triangle. A Sierpinski Star Tetrahedron are two Sierpinski Tetrahedrons that are inverted to each other to form a cube (Metatron’s Cube). The geometry represents the crystalline, balanced, system of systems, MD Fabric of Space. When mass (E = mc2) is present it displaces (curves) the crystalline, balanced, system of systems MD Fabric of Space. Because it is balanced and we are at the same potential, we do not detect it. It is or it is similar to the ancient concept of Aether, the hidden 5th element.

17.  Crystalline, balanced, system of systems, multi-dimensional (MD) Fabric of Space, a medium, (a reactive medium, venue).

18.  ±4D Spatial Space, ±4D Temporal Space, ±4D Electromagnetic (EM) Space, (sub-space potentials of the crystalline MD Fabric of Space).

19.  ±4D Sub-space = curvature, charge, vibrations, and a unique Primary Tone.

20.  ±7D Sub-space = ±4D Sub-space plus ±xyz-axis (41 degrees of freedom + the interfaces and more dimensions are possible, Ex. magnetic field, electric field, torque, density, time dilation, color, speed, orientation, etc.)

21.  Color Theory: Basic Time Hypothesis, [temporal slope – correlation to the time vector magnitudes of Einstein’s gravity manifold (general relativity) = temporal wavelengths, time itself, temporal time dilation]

22.  Temporal spectrum, (temporal harmonics, temporal sub-harmonics, temporal rising octaves, temporal lowering octaves, temporal overtones, and temporal undertones, temporal time dilation, temporal redshift, temporal blue-shift, temporal color, temporal white light, current moment, common current moment, being in the past, temporally and spatially, relative to Earth = 1(one), being in the future, temporally and spatially, relative to Earth = 1 (one), etc.)

23.  Earth = 1 (one) temporal references, (temporal slope, temporal spectrum, time dilation reference, Earth’s relative position in the temporal spectrum, 1-gravity, etc., per the temporal slope value of curved space) Frequencies above or below Earth = 1 (one) temporal reference is time dilation. Frequencies above Earth = 1 (one) are blue-shifted and in the relative future, temporally and spatially. Time itself cycles relatively faster. Frequencies below Earth = 1 (one) are redshifted and in the relative past, temporally and spatially. Time itself cycles relatively slower. One-second is always 1-second. Time itself is a function of crystalline curved MD Fabric of Space.

24.  Earth = 1 (one) temporal reference frequency → A Cesium atom vibrates: 9,192,631,770 cycles = 1-second, therefore 9,192,631,770 Hz × PHI22 = 3.640557958×1014 is at the 1-o-clock position or Orange within the visible light color spectrum [color octave, color harmonic, ±4D Temporal Space is in the Key of “Db” and the 1-o-clock position is (Primary Tone) Note “G”].

25.  ±4D Sub-space geometries are 120˚ out-of-phase with each other [±4D Spatial Space, ±4D Temporal Space, ±4D Electromagnetic (EM) Space].

26.  ±4D Sub-space geometry is a spiral staircase (torsion) that correlates with the Red, Green, Blue (RGB) color pattern and the Circle of Fifths. Per Color Math, it implies that the combining of any two results in the third.

27.  ±4D Temporal Space – is in the Key “Db” at the 7-o-clock position.

28.  ±4D Electromagnetic (EM) Space – is in the Key “F” at the 11-o-clock position.

29.  ±4D Spatial Space – is in the Key “A” at the 3-o-clock position.

30.  Time itself is a vibrational rate (frequency) per the calibrated International Standard (SI) used for atomic clocks. Earth = 1 (one) is a single vibrational rate (frequency) within the temporal spectrum as defined by the upper and lower limits of temporal slope. The upper limit = undefined, vertical, the condition Black. The lower limit = zero, horizontal, the condition White.

31.  Time itself, correlates to Orange (1-o-clock position), or as a Primary Tone – the Note “G” (1-o-clock position) in the Key of “Db” (7-o-clock position) as referenced (clocked) from ±4D Temporal Space.

32.  Teleportation conceptualization, time itself going to zero above the temporal x-axis per the color pattern (RGB/CMY) as helixes that cancel each other to produce a temporal white light source. A “white light source" has no frequency. If time is zero, then speed, distance, and kinetic energy are zero. If time is zero between Point A and Point B, then any intervening space is bypassed. Point A and Point B are adjacent to each other.

33.  Levitation vs. Gravitation conceptualization, is the manipulation of the Earth = 1 (one) reference values at 1-gravity for a greater or lesser effect. The assumption being levitation and gravitation are relative to crystalline, curved MD Fabric of Space via its sub-space values at 1-gravity per Color Math and the color harmonics of Jacob’s Ladder.    

34.  Etc.

Reference:

Theory: Basic Color Models 12.0 – Basic Music Theory 7.0, Basic Time Hypothesis  

Proceedings of MSAST 2023 – December 21-23, 2024, Kolkata, India, 34-page paper (ISBN 978-81-981948-0-0) 

https://drive.google.com/file/d/18m_zHt9hQF7xqLXtjxH2fkJ5NG-7X7gD/view

Day 1, 18th International Virtual Conference MSAST 2024
YouTube Link: https://youtu.be/0NRERPWxbHU?t=14278

Time: 03:58:50 – 04:36:40, ≈ 37:50 mins. 

(The YouTube link will take you to the beginning of the “Basic Time Hypothesis” presentation.)

Technology Transfer - Theoretical and Thinking Outside the Box

Technology is how we do things. Technology transfer is finding new ways of doing things per an old or a new technology. Innovation is the discovery of a new way to use an existing technology that was not a normal/expected/logical application of the technology. Invention is the discovery or possibly the re-discovery of something that is not part of the existing technology. An innovation or invention may be useful or useless per the perspective of the society and/or technology user. 

Note 1: Sound/Music as a Color Model Theory 

Jacob's Ladder (Temporal Space). The "exponential equation formula" was used to identify color harmonics and color sub-harmonics of the visible light color model (EM Space) using a "Primary Red Anchor" (reference) value of 450 THz and its associated Total Range value of approx. 267.1832554 THz [12(√PHI)X]. Jacob's Ladder is applicable to the entire electromagnetic (EM) spectrum (EM Space). This harmonic distribution was nicknamed "Jacob's Ladder" because its descriptive title is excessively long. Jacob's Ladder is independent of what it is used to evaluate. Jacob's Ladder is in Primary Tone "F" of the Circle of Fifths.

The frequencies of sound (Spatial Space) are also identified within the lower range of the electromagnetic spectrum (EM Space).  There are approximately 14 sub-harmonics of Jacob's Ladder that are within the range of audible sound (Spatial Space). Each sub-harmonic represents a defined color model. The total range of audible sound is 20 Hz - 20,000 Hz, an International Standard (SI). Thirteen (13) of the approximately 14 sub-harmonics of Jacob's Ladder are solidly within the range of audible sound and are identified as "color octaves" (Spatial Space as influenced by a Temporal Space interface). Color octave solutions can be found for ultrasound, infrasound, and the entire electromagnetic spectrum. Sunlight is in Primary Tone "F". 

The "frequencies" (Temporal Space) of electromagnetic radiation (EM Space) are the same "frequencies" used to define the longitudinal waves of audible sound (Spatial Space). Frequencies is the number of cycles per one-second or Hertz (Hz). The value of a frequency as electromagnetic radiation is the same frequency value for a longitudinal wave in sound. Frequency is frequency. Therefore, a correlation to basic music theory was possible. The color hexagram geometry correlates with the geometry of the Circle of Fifths of basic music theory. The color harmonic and color sub-harmonics of Jacob's Ladder identifies rising color octaves and lowering color octaves within the Circle of Fifths. The Jacob's Ladder (Temporal Space) correlation to basic music theory introduces basic music theory characteristics (Spatial Space) to electromagnetic radiation and time (EM Space and Temporal Space) such as clocking, the perfect fifth, equal temperament, sharps, flats, primary tones, secondary tones, overtones, chords, rhythm, etc. Every frequency value can be shown as a unique 10(x) circular constant times the " 1 long second" [(10phi)/(2π)] time base (period) correction if the original frequency was defined per the 1-second time base (period).   

Figures and Table within the unsubmitted MSAST 2024 paper provides preliminary definitions of MD Fabric of Space, Spatial Space, Temporal Space, EM Space, and their sub-components. The associated geometries are versions of the Sierpinski Triangle and Sierpinski Tetrahedron.  

Re-baselining Jacob's Ladder. Dividing a frequency by its associated harmonic or sub-harmonic value identifies a comparable value within the original visible light Baseline. Jacob's Ladder can be re-baselined to any Primary Red [Anchor] value. Selecting a different Primary Red [Anchor] value as the Baseline requires the re-numbering of the exponential values of the color harmonics and color sub-harmonics. The harmonics and sub-harmonics of Jacob's Ladder equate to the rising color octaves and lowering color octaves of this color research. Jacob's Ladder identifies a direct correlation between the 12 Color References of the Color Hexagram and the 12 Primary Tones as identified by the Circle of Fifths. A musical tone in one color octave is harmonically and proportionally the same within all color harmonics or color octaves of Jacobs Ladder. Color, electromagnetic spectrum, sound, and basic music theory share a common pattern. And every frequency can be shown as a unique 10(x) circular constant per the long second time base [(10phi)/(2π)]. The 10(x) circular constant frequencies can be time base corrected to 2π, the 1-second time base, with the [(2π)/(10phi)] conversion factor.  

 Metatron's Cube an Ancient Portal. The lecture version of the paper "Color Theory: Basic Color Models 4.0, An Ancient Portal" uses the color hexagram as a decoding device to evaluate an ancient symbol - Metatron's Cube. The assumption is that this ancient symbol is an ancient schematic for a magnetic portal. The original function or purpose of Metatron's Cube is unknown. But this color research believes it works very well as a schematic for a magnetic teleportation (portal) device. 

This color research believes the range of electromagnetic frequencies needed to enable a portal would be those frequencies which naturally form magnetic fields. These frequencies would be at the lower end of the electromagnetic spectrum. An alternative method of enabling a theoretical portal would involve the use of sound waves. The paper Color Theory: Basic Color Models 8.0 – Basic Music Theory 3.0, Mag. Field Orientation identifies a color combining example which demonstrates an abstract version of Metatron's Cube. Since colors (EM Space) are referenced in the example, the possible orientation of the cubes of Metatron's Cube (Temporal Space orientation) are revealed. Temporal Space and EM Space share the same orientation and share similar characteristics. 

The unsubmitted MSAST 2024 paper proposes that a power on zero created by EM Space would cause Temporal Space to go to zero. The MD Fabric of Space is a balanced system of systems (sub-spaces). When time (Temporal Space) is zero, distance (Spatial Space) is zero. Therefore, electromagnetic radiation (EM Space) causing a power on zero causes time (Temporal Space) to equal zero within the balanced MD Fabric of Space. MD Fabric of Space is a balanced system of sub-spaces. When EM Space and Temporal Space are equal to zero, distance (Spatial Space) is equal to zero. Spatial Space being equal to zero means the intervening Spatial Space within the MD Fabric of Space is bypassed for the duration of the power on zero. Reference X-Points, the research of Jack Scudder.   

Per the Balanced Equation Method of combining Primary Colors where the original balanced equation is Red(1) + Green(2) = Blue(3) then Red(1) + Green(2) - (Blue)(3) = zero. Just as, Cyan(-1) + Magenta(-2) = Yellow(-3) then Cyan(-1) + Magenta(-2) - Yellow (-3) = zero. 

Typically, waveforms are evaluated in the xy plane of reference. Metatron's Cube defines a 45-degree re-orientation of Temporal Space and EM Space versus the standard orientation of the Cartesian coordinates of Spatial Space within the balanced MD Fabric of Space. Helixes are the proposed waveforms for this color research. The deflection of these waveforms is in the yz-plane, orthogonal to the x-axis (Jacob's Ladder).  

The balanced MD Fabric of Space is influenced by the presence of mass (Spatial Space). The presence of mass causes the balanced MD Fabric of Space to curve. The balanced MD Fabric of Space may not have a specific orientation. Space telescopes display the various orientations, configurations, and sizes of "stuff" within the MD Fabric of Space. The orientation of the balanced MD Fabric of Space depends on where something is in "space".   

Teleportation is a long term, crazy, and impossible to reach goal for this color research. We do it because of the journey, not the goal. Jacob's Ladder was discovered during the journey to find a correlation between color and audible sound. That journey also identified a correlation to basic music theory.  

There are various accounts regarding the identity of Metatron. Just as there are various accounts regarding the use or purpose of Metatron's Cube. This color research approaches Metatron's Cube from an engineering perspective. If Metatron's Cube is a schematic, then it is displaying engineering information. Metatron's Cube is known worldwide. If Metatron's Cube is an ancient schematic, it is thousands of years old.  

X-Points. Professor PhD Jack Scudder is a plasma physicist at the University of Iowa and a NASA researcher. He is researching what he calls X-points. X-Points are places where the Earth's magnetosphere (magnetic field, EM Space) and the Sun's magnetosphere interact (magnetic reconnection) to form what appears to be portals or portal-like events. 

Per this color research, the Earth's magnetosphere and the Sun's magnetosphere are in Primary Tone "F". If their interface were a 180° out-of-phase and of the same frequency or frequencies, it could create a power on zero in EM Space. An EM Space power on zero would cause time (Temporal Space) to equal zero. The balance MD Fabric of Space would balance by causing distance (Spatial Space) to equal zero between Point A and Point B for the duration of the phenomena. 

Note 2: Values of "x" for 10(x) Circular Constants 

Frequencies are an example of counting. For 10(x) circular constants, x is not = zero and x → +/- infinity. The "x" could be any value, system, pattern, equation, etc. Color is a pattern within the family of 10(x) circular constants. One color pattern is 10(+/-1), 10(+/-2) and 10(+/-3) - a linear system. Another pattern is 10(+/-phi), 10(+/-1) and 10(+/-PHI) - on a curve. All 10(x) circular constants use the "1-long-second" time base. As a 10(x) circular constant, the circular constant 2π is represented as 10(π/5) and it would use the long second time base. All 10(x) circular constants and any associated time-based expression must use the "1-long-second" time base.  

The golden ratio proportions "phi", "1" and "PHI" are used by this color research to define the harmonics of Jacob's Ladder and the color octaves per the Circle of Fifths. The color pattern 10(+/-phi), 10(+/-1) and 10(+/-PHI) are circular constants that identify color potentials, color harmonic, and color octaves that are orthogonal (right angle) to the x-axis (Jacob's Ladder). For Jacob's Ladder, the one (1) golden ratio proportion represents the Baseline value. Color harmonics or rising color octaves are exponential values of the "PHI" proportion. Color sub-harmonics or lowering color octaves are exponential values of the "phi" proportion. All 10(x) circular constants and any associated time-based expression must use the "1-long-second" time base.  

For any color harmonic or color octave, to go a higher color harmonic or color octave, multiply by (Phi)x. To go a lower color harmonic or color octave, multiply by (phi)x.

Note 3: Replacing "2π" with "10(π/5)" or 10(phi) and Avoiding Time Base Errors 

Wherever "π" or 2π has been used, "5(phi)" or "10(phi)" can be used as a replacement value. The "5(phi)" or "10(phi)" values will tend to produce answers that are slightly smaller in value. When using a 10(x) circular constant, the time base (period) for all elements within the equation or expression must be time base corrected to the "1-long-second" time base which is 2π / [10(phi)]. The value 2π / [10(phi)] approximately equals 61/60 where the period for 2π equals 60/60. The proportion "π" and the circular constant 2π are not synchronous or compatible with Nature. But the expression 10(π/5) would be synchronous and compatible with Nature per the "1-long-second" time base. 

Many countries use electricity that is at 50 Hz or 60 Hz. A measure of 1 cycle per second is equal to 1 Hz. A cycle is defined as 2π radians or approximately 6.28 π-radians. The value for 10(phi) is approximately 6.18 phi-radians. The unit circle diameter for 10(phi) is a little smaller than the unit circle for 2π. The difference in diameter is in regard to the amplitude of the sinusoidal wave [helix for 10(x)]. With 2π cycling in a time base of 60/60 or 1-second, 10(phi) is cycling in a time base of 2π / [10(phi)], approximately equals 1.016640738, where 61/60 is approximately equal 1.016666667. If electricity cycles per its natural time base (Jacob's Ladder) regardless of how it is being generated, then it is cycling per the 1-long-second time base. Therefore, the time base of the 2π function is truncating the natural period of electricity. The condition could cause the natural period of electricity versus the 2π period to cycle in and out-of-phase with each other. If valid, the truncated natural period of electricity and the in and out-of-phase condition would contribute to the loss of power and the production of heat. 

Note 4: Grayscale and Color Saturation 

Grayscale is where the color spectrum is represented as shades of gray. Grayscale is a color system. The shades of gray in grayscale, have no color saturation. The source of color saturation had been an enigma for this color research. In describing "color" in terms of numbers and geometry, a cause for color saturation has not been identified regarding the "mechanics" of color (how it works). Color saturation is not a "color mechanics" issue. Color saturation is regarding how color is displayed or seen. The color mechanics for color and grayscale are the same. The Jacob's Ladder color harmonics and color octaves could be expressed as shades of gray. 

Various color systems are used to characterize how colors are displayed or seen. The HSB, HSI, HSV, and HSL are 4 of the systems used to characterize how color is displayed or seen. None of the systems address color mechanics and color mechanics does not address how colors are displayed or seen. 

                              HSB - Hue, Saturation, Brightness

                              HSI - Hue, Saturation, Intensity

                              HSV - Hue, Saturation, Value

                             HSL - Hue, Saturation, Lightness

Initially, this color research only addresses color as it exists as visible light (radiation, white light) per the 10(x) color pattern:
                            10(+/- 1), 10(+/- 2), 10(+/- 3) - linear
                            or
                            10(+/- phi), 10(+/- 1), 10(+/- PHI) - curved
The color hexagram is the associated geometry. All 10(x) circular constants must use the 1-long-second time base (period). No correlation has been made between the color systems used to display color versus the 10(x) circular constants used to define the color pattern.  

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