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Coffee and Cigarettes is the title of three short films and a 2003 feature-length anthology film by independent film director Jim Jarmusch. The feature film consists of 11 short stories which share coffee and cigarettes as a common thread, and includes the earlier three short films.

This is the original 1986 short Coffee and Cigarettes with Roberto Benigni and Steven Wright having a conversation about coffee and cigarettes. Steven tells Roberto about his coffee ideas, such as freezing it into "caffeine Popsicles" for kids, and how he likes to drink coffee right before he goes to sleep so he can dream faster "like a camera on those Indy 500 cars". Roberto does not understand anything he says but is entertained to listen. They experiment with switching chairs, but decide to switch back again. Steven suddenly remembers he has a dentist appointment that he is afraid to go to, but has to. Roberto happily volunteers and goes instead of him.

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Filmed in 1993 as the short Coffee and Cigarettes - Somewhere in California, and won the Short Film Palme d'Or at the Cannes Film Festival.[3] In this segment musicians Iggy Pop and Tom Waits smoke cigarettes to celebrate that they quit smoking, drink some coffee and make awkward conversation. At various points each musician remarks that the other is not on the jukebox, though Iggy Pop's music can be heard on a jukebox in another segment later in the film.

Joseph Rigano and Vinny Vella have a conversation over coffee about the dangers of smoking. The silent Vinny Vella Jr. also appears to beg his father for money, which is given in exchange for affection, which is not provided.

Rene French (played by herself) drinks coffee while looking through a gun magazine. E. J. Rodrguez plays the waiter, who is eager to be of service. He initially approaches her to serve more coffee, to which she reacts by saying "I had the right color, right temperature, it was just right". After that, he comes back several times, hesitates, and leaves. He seems intent on striking up a conversation with her.

Alex Descas and Isaach De Bankol are a couple of friends who meet and talk over some coffee and cigarettes. Alex has no problems, or so he answers to Isaach's repeated questioning. At the end of the scene, Alex takes out a pair of dice and rolls three sets of doubles. It could be assumed that he has a gambling problem but to him it appears to be a non-issue. Despite this, he doesn't roll the dice in front of his friend.

Cate Blanchett plays herself and a fictional and non-famous cousin named Shelly, whom she meets over some coffee in the lounge of a hotel. There is no smoking in the lounge, as the waiter informs Shelly (but not until Cate is gone). Shelly tells Cate about her boyfriend, Lee, who is in a band. She describes the music style as hard industrial, similar to the band Iggy describes. Cate tells Shelly she looks forward to meeting "Lou" someday. Cate is made to feel awkward and uncomfortable by Shelly's constant envious remarks about how she perceives Cate's life and attitude.

Features Jack and Meg White of the band The White Stripes having some coffee and cigarettes. They play themselves, although the scene seems to perpetuate the band's former pretense that they are indeed siblings. Jack shows Meg his Tesla coil that he says he built himself and waxes intellectual on the achievements of Nikola Tesla. In the beginning, Jack seems upset that Meg doesn't share his excitement, and it takes Meg some coaxing to get Jack to agree to show Meg his Tesla coil. He introduces the line, "Nikola Tesla perceived the earth to be a conductor of acoustical resonance." Cinqu Lee plays a waiter in this segment. In the end, the coil breaks, and Meg and the Waiter offer suggestions as to why it might be broken. Finally Meg says something that Jack seems to agree to, and he leaves to "go home and check it out". Meg clinks her coffee cup to produce a ringing noise, pauses, says "Earth as a conductor of acoustical resonance" and clinks her coffee cup to produce the noise again; she looks pensively out into the distance before a cut to black. Early during the segment, "Down on the Street" by Iggy Pop's band The Stooges is played on the jukebox in the background.

Hip-hop artists (and cousins) GZA and RZA of the Wu-Tang Clan drink naturally caffeine-free herbal tea and have a conversation with the waiter, Bill Murray, about the dangers of caffeine and nicotine. During this conversation GZA makes a reference to how he would drink much coffee before going to bed so his dreams would "whip by" similar to the camera-shots at the Indy 500, very similar to the same reference that Steven Wright did in the first segment. Murray requests that GZA and RZA keep his identity secret, while GZA and RZA inform Murray about nontraditional methods to relieve his smoker's hack.

William "Bill" Rice and Taylor Mead spend their coffee break having a nostalgic conversation, whilst Janet Baker singing "Ich bin der Welt abhanden gekommen" from Mahler's Rckert-Lieder appears from nowhere. William Rice repeats Jack White's line, "Nikola Tesla perceived the earth as a conductor of acoustical resonance." It is possible to interpret the relevance of this line to the constant recurrent themes throughout the seemingly unconnected segments.

Such a notion is embodied within the films elements of mise-en-scene and the context of conversations where Jarmusch depicts the characters confronting the premise of equality in a casual conversation. Also, an anxiety of the modern man was highlighted in William Ian Millers presentation Eating (with) Lords: The Bright Side of Eating is Its Dark Side where the gesture of food begs for return, along with added politeness between both parties, and thus can create a debt beyond that value of food as the gesture requires less tangible additions upon the value. In connection with the film, the characters are not operating upon such a gesture but the notion of equality or shared social status between the two can create tension where no debt is indicated but the focus upon politeness between celebrities. Lastly, coffee and cigarettes are of little sustenance and are generally regarded as break time habits. Jarmusch emphasizes this notion as he begs the question of why any of us even attempt to initiate a conversation based solely on aesthetics and politeness.

The first scene of this closed reading is titled Somewhere in California, an allusion to the cultural climate of celebrities in the state, where the two characters, Tom Waits and Iggy Pop, are both noted as published musicians. However he notion that Tom Waits is a doctor gives him somewhat of a moral high ground as he appears to be offended late in the conversation and thus violates the sacred notion of equality in casual small talk (Gaudio, 685). Specifically, an investigation of the on screen elements and the form of the frame throughout the scene highlights criticisms and insights of the director as he operates nearly exclusively in his auteur style. The establishing shot here illustrates Iggy Pop as initially weary and somewhat confrontational with the setting of the dim lit diner-like atmosphere. As Iggy grimaces and comments that Toms work isnt in the jukebox, along with a disco ball accenting the lighting, one can perceive that the setting calls attention to the American work ethic where creative expression is given little thought. Also, the use of a checkerboard (black and white in color), which appears in each and every scene, lends itself to the difference in personalities between the two characters and offers a self reflexive insight into the film being black and white itself. As for the frame presented, most shots that occur during the conversation appear as an outside subjective perspective with eye line matches that lack a directional eye contact to indicate a participating party. This presents audience with visual stress as if one is thrown into the perspective of a character in the scene without any possibility of interaction. Also, the crane shot of Iggy pouring coffee is the indication of distance and removal from the conversation and is thus a comment on the lack of focus of the conversation and continues into the close up of their hesitant handshake and further highlights the physical void between the characters and thus their respective personas that appear not to mix at all. All such elements operate to create empathy with Iggys character where his intentions are generally viewed as innocent.

Moving onto the verbal content in the scene, even though Iggys intents are innocent, he continues to marginally offend Tom Waits. The first instance occurs when Tom is offended by the fact that Iggy merely ordered a coffee for him. Within contexts, it can be acceptable to order for your company, but given Tom Waits mindset of a moral high ground it is apparent that the implications of a meal are afoot even though no real food is served, somewhat against Millers notions of debt. This offensive attitude is broken when the two attempts to resolve the tension and Iggy goes on to say, We are the coffee and cigarettes generation 1950 was the coffee and pie generation, (Jarmusch, Coffee and Cigarettes). Including such comments reveals indirect commentary on the modern American work ethic where as it has become problematic to focus solely on work and little leisure. To support the claim, included is Womachs work where despite that analysis of the cigarette market indicates a recent decline over the last 30 years, peak of 640 billion in 1982 and the consumption of 430 billion pieces in 2002 is

higher than that of 1950, a difference of about 100 billion pieces, and indicates the vast influence the cigarette has on that specific generation (Womach, CRS-19). Further more, Lanes research on smoking behavior and caffeine intake highlights that ad lib smoking behavior is not affected by changes in daily caffeine intake any effects are probably due to sensory and motor cues or to other aspects of coffee- drinking behavior, and thus gives weight to the argument that coffee and cigarettes are characterization of a generation as simple behavior of the people is responsible (Lane, 411). It is thus the behavior that creates such a general statement upon a generation and Jarmuschs work goes on to highlight that people are characterized much more strongly on what they do instead of what they say, as what they have to say does little good in this scene. be457b7860