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Codex Online Download


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Free use of this image is only for personal use or study purposes. Rights must be requested for any use in printed or online publications.The execution, the publication or the reproduction, in any form, of musical works contained in BAV materials is allowed only with the prior written agreement of the BAV (for further details please see here ).

We only know little about the early ownership of the manuscript. At the end of the 16th century it was in the possession of the Swiss Calvinist Johann Philipp von Hohensax (1550-1596) who since 1567 has been temporarily active as a councillor and bailiff in the service of the Palatine Prince Elector. A few years after the assassination of von Hohensax the Prince Elector Frederick IV (1538-1610) claimed the codex. After long-drawn-out negotiations the codex was taken to Heidelberg in 1607. Whether the manuscript had been in the possession of the Prince Electors once before cannot be proofed.

The Prince Electors could enjoy the codex for only a short time. During the Thirty Years' War the manuscript was brought to safety in 1622, before the conquest of Heidelberg by the troops of the Catholic League led by Tilly. The family of the Prince took the manuscript with them when fleeing into exile.

The turbulent destiny of the "Codex Manesse" left traces on the manuscript. Many miniatures are damaged by colour abrasions on a smaller or larger scale and ink corrosion faded some areas of the text. For reasons of preservation the original codex is kept in an air-conditioned safe and is rarely exhibited. A first part-facsimile was still published in Paris in 1852.

Modeled after medieval European encyclopedias, the Florentine Codex is a three-volume, 12-book collection written in Spanish and Nahuatl documenting the daily life and customs of the Mexica (Aztec) people, as well as other information including astronomy, flora, and fauna, during the time of Spanish conquest. It was originally created by Bernardino de Sahagn, a Spanish Franciscan friar who began logging information about the Indigenous communities in central Mexico with whom he worked closely. Although Sahagn is frequently credited as the primary author, the 12-book manuscript was created with the help of numerous elders, grammarians, artists, and scribes from the Nahua community. As a result, the codex maintains an important Indigenous perspective that is often missing from other historical accounts of the time.

The final book in the codex documents the Spanish invasion of Mexico, including the Massacre in the Great Temple of Tenochtitlan that occurred on May 22, 1520 under Spanish conquistador Pedro de Alvarado.

The digital codex was created with the help of native Nahuatl speakers out of the Instituto de Docencia e Investigacin Etnolgica de Zacatecas (IDIEZ), who translated thousands of sections of the codex and wrote the summary of the Spanish conquest of Mexico. As a result, the Digital Florentine Codex now makes available a historical narrative about Indigenous resistance and heroism in the face of Spanish colonizers that has largely been absent from many educational curricula. Part of the initiative involved outreach with local K-12 educators in and around Los Angeles as a way to engage students and teachers with primary source material.

An 1119-page collection of papers known as the Codex Atlanticus has been completely digitized and put online to explore. The codex showcases Leonardo's impressive range of interests and abilities, from flying machines to anatomy to weaponry to astronomy to engineering.

Housed in the Museo de las Americas in Madrid, Spain, is the Maya codex known as the Madrid (or Tro-Cortesianus) Codex. The longest of the four known Maya codices, this painted book is yet another testament to the broad writing tradition of the ancient Maya.

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In the CodeX online experience, you get a behind the scenes look at the authors and speaking events that inspired the book. Plus, exclusive access to paid content that normally sells for upwards of $500 on its own. And step-by-step training programs that show you how to practically apply the ideas and concepts that are taught in the book.

For more information, see the virtual exhibition about the Laurentian codex (1377) in the version of the Monk Lavrentius, presumably written at Nizhny Novgorod on commission and under surveillance by the Metropolitan Dionysius of Suzdal, the founder of Kiev Cave Lavra, at the National Library of Russia (Saint Petersburg).

Description on the website:The Lisbon Bible is the most accomplished dated codex (a manuscript in book form rather than a scroll) of the Portuguese school of medieval Hebrew illumination. Its three volumes comprise all 24 books of the Hebrew Bible. Volume One contains the Torah, or the Five Books of Moses, also known as the Pentateuch. The second and third volumes contain the Prophets and the Hagiographa (Holy Writings) respectively. Added to the manuscript are lists of the Commandments in the Torah, as well as masoretic material, which give information on the correct spelling, reading and pronunciation of the biblical text.Samuel ben Samuel Ibn Musa, known as Samuel the Scribe, copied the biblical text in an elegant square script for the manuscript's patron Yosef ben Yehudah al-Hakim. The sumptuous decorations were created by a team of skilled artists. Completed in 1482, the Lisbon Bible is a testimony to the rich cultural life the Portuguese Jews experienced prior to the expulsion and forced conversions of 1496.The British Museum (now the British Library) bought the manuscript in 1882. The present binding was crafted in 1954 and replaced the 16th-century leather covers.

Bible. Spain, 1260. ms. Heb 790"Damascus Keter". Bible with Vocalization, Accents, Masorah Magna and Masorah Parva.Manuscript. Burgos, Spain, 1260. Parchment. 428 folios. 305x270 mm. Sefardi square script. Three columns per page (Proverbs, Job and Psalms in two columns)Colophon (426v): "I, Menahem, son of Abraham ibn Malek ... wrote these twenty four [books] for ... Isaac, son of ... Abraham ... Haddad, and completed them on Monday, the 17th day of the month of Adar in the year 5020 in Burgos.At an unknown date the manuscript reached Damascus, which explains its appelation "The Damascus Keter" (it was customary in the East to call an ornate codex of the Bible a "Keter" [Crown]". 006ab0faaa

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