Just a quick note while you’re listening:
These tracks are the result of many years of work. There’s even my very first composition hidden in there. If you manage to guess which one it is, dinner’s on me (and no, “the worst one” is not a valid answer).

I take an artisanal approach to music: I build my own sounds, and I’m drawn to timbres the way a film director is drawn to light.

I’ve organized everything by MOODS, but of course every film needs its own color, its own singular identity, and a composer who can weave the story through music. I’m convinced that a film composer isn’t just the craftsperson who makes the music — they’re also a storyteller, an adviser, a filmmaker, a cinephile, and a whole sensitivity at work.