For bass guitar, the Audio-Technica ATH-PRO5XWH is my pick among closed back headphones for bass guitar, thanks to its secure detachable cables and sound-isolating over-ear fit.
Choose AKG if you’d rather have the K361’s foldable design and stated 15 Hz low-frequency reach.
• Audio Technica ATH-PRO5XWH — best for a wired practice or monitoring setup; pick this if you want two detachable locking cable options and over-ear sound isolation.
• Audio Technica ATH-PRO5XBK — best for a straightforward, sturdy DJ-style setup; pick this if you want the same locking cable choices in a black finish.
• AKG Pro Audio K361 — best for a portable studio routine; pick this if foldability, low weight, and a stated 15 Hz–28 kHz range matter to you.
• AKG Pro Audio K275 — best for a foldable reference-style setup; pick this if you want 50 mm transducers, a replaceable cable, and a metal hinge.
The ATH-PRO5XWH is a wired, closed-back, over-ear headphone made for DJ monitoring. For bass guitar, I like the practical combination of sound-isolating ear pads and two detachable locking cables. One is coiled and stretches from 1.2 to 3 meters; the other is a 1.2-meter straight cable. The locking connection is useful when you move around your playing space and want a cable that attaches securely.
Its 40 mm dynamic drivers are specified for accurate sound reproduction, and the headphone’s maximum input power is 1,500 mW. That rating describes power handling; it does not mean every bass rig will deliver that much power or that the headphones need to be played loudly. The 3.5 mm connection and included screw-on 6.3 mm adapter give you two common ways to connect to compatible equipment.
For a home practice corner, the coiled cable offers some reach without leaving a long straight lead across the floor. The shorter straight cable may suit a more compact setup. Audio-Technica describes the over-ear pads as comfortable for extended wear and designed to provide sound isolation, which is helpful when you want to focus on your part without open-back headphones leaking sound outward.
The main trade-off is that this is a wired, DJ-oriented design rather than a compact folding studio model. Its listed impedance is 87 ohms, so check the output and connection options on your intended device rather than assuming every source will drive it equally well. I’d choose the white ATH-PRO5XWH when cable flexibility and a locking connection matter more than portability.
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We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-10-10 · 7 min read · Independent comparison
The ATH-PRO5XBK shares the PRO5X’s core approach: closed-back, over-ear construction for monitoring, 40 mm dynamic drivers, and two detachable locking cables. The cable choices are a 1.2–3-meter coiled lead and a 1.2-meter straight lead. For bass practice, that gives you a way to match the cable to a stationary amp or a more mobile setup.
This black version is listed with a 34-ohm impedance and a 3.5 mm jack. It also includes a screw-on 6.3 mm adapter. Those details make it worth checking against your bass amp, interface, or other headphone output before buying; compatibility depends on the connection and device, not on the headphone alone. The supplied cable options are especially useful if you switch between a desk-based recording setup and a space where you move around.
The stated maximum input power is 1,500 mW, and the manufacturer describes the sound as accurate across a wide range. The durable over-ear pads are intended to provide sound isolation. That combination makes this a sensible option for someone who wants a monitoring-style headphone and values a secure detachable cable, rather than a wireless design or earbuds.
The trade-off is that the product information does not give a frequency-response range for this version, so I would not use a spec sheet alone to promise how a particular bass tone will sound. It is also not presented as a foldable model. The white PRO5XWH and black PRO5XBK share the same essential cable setup; I’d pick the BK when its listed 34-ohm impedance and black finish suit your preferences, while keeping in mind that the two versions have different listed impedance figures.
The K361 is a wired, closed-back studio headphone with an oval over-ear design. Its stated frequency range is 15 Hz to 28 kHz, and the product information lists 50 mm dynamic drivers. For bass guitar, a low-frequency specification reaching 15 Hz is a useful point of comparison, though it does not by itself tell you how loud or emphasized the bass will sound. AKG describes the tuning as accurate and neutral, which may appeal if you want to hear your playing in a more balanced context.
Portability is the K361’s clearest distinction here. It is described as lightweight and foldable, and it comes with both a 3-meter straight cable and a 1.2-meter straight cable, along with a 3.5 mm-to-6.5 mm adapter and a protective pouch. That gives you a shorter lead for a close setup and a longer one when your equipment sits farther away. The listed weight is 219 grams.
The closed cups and over-ear fit are intended to provide isolation, while the slow-retention foam pads are designed for longer sessions. This could make the K361 a good fit for someone who wants one pair for bass practice, studio work, and carrying between locations. Its 32-ohm impedance is another figure to compare with the output device you plan to use.
AKG Pro Audio K275
The K275 is a foldable, closed-back, over-ear studio headphone built around 50 mm transducers. Its design is aimed at reference-style listening, and AKG describes its bass reproduction as detailed rather than simply boosted. For bass guitar, that distinction matters: hearing the note and its definition can be more useful for practice than choosing a headphone solely for a heavy bass emphasis.
Its listed impedance is 32 ohms, and AKG describes the sensitivity as suitable for use with lower-powered mobile devices. The supplied information does not provide a numerical frequency range, so I would avoid drawing a precise conclusion about its deepest bass extension from the specs alone. It does, however, identify a replaceable cable, which is a practical advantage if a cable becomes damaged or you want to maintain the headphone over time.
The K275 folds through a three-axis hinge, and the hinge is described as metal. Slow-retention foam ear pads and a self-adjusting headband are part of the design. Those features make it a reasonable candidate for someone who wants closed-back studio headphones that can be packed away between sessions, rather than left on a desk.
The trade-off is that the data does not specify cable lengths or a frequency-response range. The supplied information mentions a cable and carry bag but does not provide the same detailed cable choices as the PRO5X or K361. I’d put the K275 on the shortlist for foldability, a replaceable cable, and its stated 50 mm transducers, but choose another model if exact cable reach or a published low-frequency limit is essential.
We compared published specifications and features relevant to bass practice, including closed-back design, cable options, portability, and stated frequency information.
The ranking is our independent editorial opinion based on those details. No brand paid for placement.
They can be a practical choice for practice and monitoring, especially if you want an over-ear design intended to provide sound isolation. Check that your bass amp or interface has a compatible headphone output and connector.
The AKG K361 lists a frequency range of 15 Hz to 28 kHz. That specification is useful for comparison, but it does not alone predict the perceived bass balance or how the headphones will sound with your instrument.
They are wired headphones with 3.5 mm connections; some include a 6.3 mm adapter. Confirm the output jack on your amp or interface and use the appropriate connection. The listed impedance also differs between models.
No. These are over-ear headphone models, and the supplied connection details describe wired use. Searches for rose gold Bluetooth headphones, the best with mic clip on earbuds for big head, or the best open ear headphones for college students point to different product types and needs.
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