CineVue: As a purveyor of meaning, a writer, a filmmaker, etc., creates from a very specific social context and position that shapes how and why a story, an experience, is heard and told. What inspired and motivated you to tell this story, to imagine and write Chink and its characters?
CV: Asian America is an oft forgotten, albeit growing, community with expanding economic power. As communities of color acquire and appropriate the means of media production, what do you envision as possible futures for Asian/Asian American-made cultural products? And CHINK is definitely an attempt to break out the conventional genres associated with Asian/Asian Americans. What more can be done?
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Asian CineVision (ACV), founded by grassroots media activists in New York's Chinatown in 1976, is a non-profit media arts organization that develops, promotes and preserves media made by or about peoples of Asian descent. ACV initiated the weekly, cable-access Chinese Cable Television (CCTV), 1977-1983, which covered a broad range of community-interest issues such as local politics, education, language, housing, labor and healthcare. Beginning in 1978, ACV sponsored the Asian American International Film Festival (AIIFF). ACV also publishes the Asian American media arts journal CineVue. This unprocessed collection consists of three series: I, Administrative Files of Asian CineVision; II, Research Files; III, Video Recordings in various formats from Chinese Cable Television (CCTV), and the Asian American International Film Festival (AAIFF).
Asian CineVision (ACV) is a non-profit media arts organization that develops, promotes and preserves media made by or about peoples of Asian descent. Asian CineVision was founded by grassroots media activists in New York's Chinatown in 1976 to raise social and cultural awareness of the Asian American experience, both in the Asian American community and among the general public. Founders Tsui Hark, Christine Choy, Thomas Tam, Danny Yung and Peter Chow, and others also sought to raise awareness through media training in the local Chinese community. The organization sought to address problems of media access for Asian Americans and also to present and publicize the work of Asian American artists. The organization initiated the weekly, cable-access Chinese Cable Television (CCTV) in 1977, which covered a broad range of community-interest issues such as local politics, education, language, housing, labor and healthcare. Significantly, it was the first Chinese-language news program in the U.S. Production of CCTV ceased in 1983. Beginning in 1978, it has sponsored the Asian American (AIIFF) International Film Festival. In 1981, Asian CineVision assumed publication of Bridge magazine, a quarterly journal documenting the development of a pan-Asian American political and cultural identity previously published by the group Basement Workshop. Bridge ceased publication in 1986 and was replaced by the Asian American media arts journal CineVue. Through these and other programs, Asian CineVision supports Asian and Asian American mediamakers and presents their works to the Asian American community and wider audiences.
Materials added to this collecion in 2017 include Programs from Asian American International Film Festivals (AAIFF) and Asian American International Video Festivals (AAIVF), dated 1978-2003. They also include inventories of Asian CineVision video archives, and catalog indexes of AAIFF programs and the Chinese-American cultural magazine Bridge.
Materials added to this collection in 2018 include programs from Asian American International Film Festivals (AAIFF) and Asian American International Video Festivals (AAIVF), copies of the periodical Cinevue, and office files related to these materials, dated 1976-2003.
Any rights (including copyright and related rights to publicity and privacy) held by Asian CineVision, Inc. were transferred to New York University in 2007 by John C. Woo. Permission to publish or reproduce materials in this collection must be secured from the Tamiment Library and Robert F. Wagner Labor Archive. Please contact tamiment.wagner@nyu.edu.
and were initially selected by curators and captured through the use of The California Digital Library's Web Archiving Service in 2014 as part of the Arts and Cultural Left Web Archive. In 2015, these websites were migrated to Archive-It. Archive-It uses web crawling technology to capture websites at a scheduled time and displays only an archived copy, from the resulting WARC file, of the website. In 2018, was added from a redirect of In 2019, , , and were added. The accession number associated with these websites is 2019.125. In May 2020, was added. The accession number assoicated with this website is 2020.039. In September 2020, was added. The accession number assoicated with this website is 2021.045.
Asian CineVision, Inc. sent 238 boxes of records and graphics in 2007. Asian CineVision sent an additional 27 boxes of their records in 2011. In 2013, Asian CineVision sent an additional donation of 2 boxes containing posters, laptops and hard drives. In 2017 Asian CineVision sent three boxes of inventories and film festival programs.
Access to audiovisual materials in this collection is available through digitized access copies. Researchers may view an item's original container, but the media themselves are not available for playback because of preservation concerns. Materials that have already been digitized are noted in the collection's finding aid and can be requested in our reading room.
Portions of this unprocessed collection are either in fragile condition, poorly housed, or loose. Therefore, in certain instances preservation concerns may take precedence, and, at the discretion of Library staff, some materials may not be available for use.
Born-digital materials have not been transferred and may not be available to researchers. Researchers may request access copies. To request that material be transferred, or if you are unsure if material has been transferred, please contact tamiment.wagner@nyu.edu with the collection name, collection number, and a description of the item(s) requested. A staff member will respond to you with further information.
Archived websites are made accessible for purposes of education and research. NYU Libraries have given attribution to rights holders when possible; however, due to the nature of archival collections, we are not always able to identify this information.
If you are a rights holder and are concerned that you have found material on this website for which you have not granted permission (or is not covered by a copyright exception under US copyright laws), you may request the removal of the material from our site by submitting a notice, with the elements described below, to the repository email.
Please include the following in your notice: Identification of the material that you believe to be infringing and information sufficient to permit us to locate the material; your contact information, such as an address, telephone number, and email address; a statement that you are the owner, or authorized to act on behalf of the owner, of an exclusive right that is allegedly infringed and that you have a good-faith belief that use of the material in the manner complained of is not authorized by the copyright owner, its agent, or the law; a statement that the information in the notification is accurate and made under penalty of perjury; and your physical or electronic signature. Upon receiving a notice that includes the details listed above, we will remove the allegedly infringing material from public view while we assess the issues identified in your notice.
In 2017, three boxes of inventories and festival programs were added to Series I: Administrative Files as boxes 311-313. Two floppy disks included in this donation were inventoried and forensically imgaged.
In 2018, two boxes of festival programs, publications, and office files were removed from hanging folders and rehoused in acid-free boxes. At the time of accessioning, these materials were added to the file list in Series I: Administrative Files. They have not been arranged by the archivist and are in the order in which they were received by the donor.
In 2021, some narrative description was edited to more accurately describe the forced removal and incarceration of Japanese Americans during World War II. Creator-supplied titles containing harmfully euphemistic language regarding the forced removal and incarceration of Japanese Americans during World War II were identified, but have been retained to convey important contextual information regarding time and place in which the documents and titles were created.
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