In dealing with the art / science / technology relationship and analyzing the thin line of the technoscientific spectrum with the artistic qualification, we observe that the representation and processing methods lead to an analysis of the circumstances and models established in the dynamics of technology and the segmentation of information in the Digital image, where through algorithms it is possible to segment reality to condition an abstraction of the world, to virtualize it and expose it to the analysis where its technical possibilities as a procedural object are valued, and therefore to allude to the fragmented image, shaping the subjective vision of the Body and the perceived space resulting in a symbolic artistic image, it is in this way that through the microcellular morphology and the sound interconnection we appeal to abstract discursive forms alluding to rhizomatic landscapes.