THERE'S A REASON CELL RHYMES WITH HELL.

On October 1, God is in His heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He's just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He's already picked up a small (but expensive!) gift for his long-suffering wife, and he knows just what he'll get for his boy Johnny. Why not a little treat for himself? Clay's feeling good about the future.

That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone's cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization's darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature. . .and then begins to evolve.

There's really no escaping this nightmare. But for Clay, an arrow points home to Maine, and as he and his fellow refugees make their harrowing journey north they begin to see crude signs confirming their direction: KASHWAK=NO-FO. A promise, perhaps. Or a threat...

There are one hundred and ninety-three million cell phones in the United States alone. Who doesn't have one? Stephen King's utterly gripping, gory, and fascinating novel doesn't just ask the question "Can you hear me now?" It answers it with a vengeance.

While walking on the sidewalk in New York, Steve saw a man dressed in a business suit approaching him and seemingly engaged in conversation with himself. Since people talking to themselves on a public street would usually be among those whose "reality" was a bit different than the norm, Steve became a bit apprehensive. He realized as the man got closer, however, that he was talking on a cell phone using a headset. It was the incongruity of a person who may not be in touch with reality, but dressed in a business suit that sparked the idea for Cell.

Cell By Stephen King Free Pdf

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Cell is a 2006 apocalyptic horror novel by American author Stephen King. The story follows a New England artist struggling to reunite with his young son after a mysterious signal broadcast over the global cell phone network turns the majority of his fellow humans into mindless vicious animals.

Clayton Riddell, a struggling artist from Maine, lands a graphic novel deal in Boston when "The Pulse", a signal sent over the global cell phone network, turns cell phone users into zombie-like killers. Civilization crumbles as the "phoners" attack anyone in view.

Clay tries to get everyone to flee, but the others refuse to abandon the elderly Ardai. That night, the survivors share the same nightmare: they see themselves in a stadium, surrounded by phoners, as a disheveled man wearing a Harvard hoodie approaches. Waking, they share their dream and dub him "the Raggedy Man". A new flock surrounds their residence; its leader is the Raggedy Man. The flock kills other normals in reprisal and orders the group to journey to a location in Maine called "Kashwak". The flock psychically compels Ardai to commit suicide. Clay and the others bury him before departing.

En route, they learn that as "flock-killers", they have been psychically marked as untouchables, to be shunned by other normies. Alice is killed by a pair of normies. In Clay's hometown of Kent Pond, they discover his estranged wife Sharon was turned into a phoner, but their son Johnny survived. He and other normies were prompted by the phoners to head to the supposedly cell phone-free Kashwak. Clay has another nightmare that reveals that the normie refugees were exposed to the Pulse. He remains intent on finding his son, but after meeting another group of flock-killers, Tom and Jordan decide to avoid the executions the phoners have planned. Before separating, the group discovers that Alice's murderers were psychically compelled into suicide for touching an untouchable.

Clay sets off alone, but the others soon reappear driving a small school bus; the phoners have used their psychic powers to force them to rejoin him. A flock-killer, construction worker Ray Huizenga, gives Clay a cell phone and a phone number, telling him to use them when the time is right; Ray then commits suicide. The group arrives at Kashwak, the site of a half-assembled county fair, where increasing numbers of phoners begin behaving erratically and break from the flock. Jordan theorizes that a program caused the Pulse and that, while it is still broadcasting into the cell phone network, it is corrupted with a computer worm that has infected the newer phoners with a mutated Pulse. Nevertheless, an army of phoners is waiting for them, and Sharon is among them. The phoners lock the group in the fair's exhibition hall for the night; the following morning their execution will be psychically broadcast across the world.

While awaiting their execution, Clay realizes Ray filled the bus with explosives and killed himself to prevent the flock from telepathically discovering them. Jordan drives the vehicle into the inert phoners. Thanks to a jury-rigged cell phone patch set up by the pre-Pulse fair workers, Clay detonates the bomb, wiping out the Raggedy Man and his flock.

The majority of the group heads into Canada, to let the approaching winter wipe out the region's unprotected and leaderless phoners. Clay heads south, seeking his son. He finds Johnny, who received a "corrupted" Pulse; he wandered away from Kashwak and seems to almost recognize his father. Clay decides to give Johnny another blast from the Pulse, hoping the increasingly corrupted signal will cancel itself out and reset his son's brain. The book ends with Clay dialing and placing the cell phone to Johnny's ear.

One (and only one) character name in a novel called CELL, which is now in work and which will appear in either 2007 or 2008. Buyer should be aware that CELL is a violent piece of work, which comes complete with zombies set in motion by bad cell phone signals that destroy the brain. Like cheap whiskey, it's very nasty and extremely satisfying. Character can be male or female, but a buyer who wants to die must in this case be female. In any case, I'll require physical description of auction winner, including any nickname (can be made up, I don't give a rip).[2]

In the introduction to Cell, King says that he doesn't use cell phones. But that was in 2006, and with the way everything's been progressing I'd be seriously impressed if he still refuses to use one.

So below I have put together some hopefully thought provoking questions to start a discussion about the book. Feel free to answer whichever questions you feel so inclined, but also if you have any other thoughts that aren't covered do feel free to start a new thread.

The cast is sound, with every few minutes some new character actors adding spice, especially Erin Elizabeth Burns and Anthony Reynolds as humorously exaggerated New Englanders, working their vowels to witty effect (although not much is done with their characters after an amusing introduction). King downsizes his epic novel, which certainly seemed more topical in 06 when cell phones were first taking over society, replacing the ambitious Boston Common meltdown that opened the novel with more cost-effective, contained locations (airport, subway station), utilized judiciously enough.

On October 1st, God is in His heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He's just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He's already picked up a gift for his long-suffering wife, and he knows just what he'll get for his boy Johnny. Why not a little treat for himself? Clay's feeling good about the future.

That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone's cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization's darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature...and then begins to evolve.

There are 193 million cell phones in the United States alone. Who doesn't have one? Stephen King's utterly gripping, gory, and fascinating novel doesn't just ask the question "Can you hear me now?" It answers it with a vengeance.

Odie "Odienator" Henderson has spent over 33 years working in Information Technology. He runs the blogs Big Media Vandalism and Tales of Odienary Madness. Read his answers to our Movie Love Questionnaire here.

The Barnes & Noble Review

The cell phone users in Stephen King's tale of horror are plagued by problems much bigger than poor reception, costly roaming charges, or dropped calls: Some unspeakably malevolent force has turned them into raging, bloodthirsty zombies! 

It's a sunny afternoon in Boston, and as far as Clayton Riddell is concerned, life couldn't be any better. The Maine-based artist has just inked a lucrative contract for his first graphic novel. But in an instant, his life -- and human civilization -- is turned upside down by an event known as the Pulse, a brain-zapping burst of energy that turns the millions of people with cell phones pressed against the sides of their heads into mindless killing machines. Those lucky enough not to be using a cell phone at the time are spared from the gruesome transformation but must somehow survive the nightmarish aftereffects: cars crashing, planes falling from the sky, hungry gangs of zombies, etc. 

It's fitting that King dedicates Cell to Richard Matheson (author of 1954's mutant masterwork I Am Legend) and George Romero (director of the 1968 cult classic Night of the Living Dead) -- two pioneering giants in the "zombie" genre. This post-apocalyptic exploration of the dark side of humanity ("we came to rule the earth because we have always been the craziest, most murderous [expletive]s in the jungle") is chock-full of King's refreshingly sardonic commentary and wit. His newest, a cautionary tale of sorts, brings disturbing new meaning to the popular catchphrase "Can you hear me now?" Paul Goat Allen be457b7860

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