In this page, I show the tools I use in violin making. Click on each section to show/hide the photos.
Violin Making: A Practical Guide, by Juliet Barker
Recommendations from the lovely folks at Cambridge Violin Makers
The Art of Violin Making, by Johnson and Courtnall
When I acquire tools, the one most important principle I follow is: expensive doesn't always mean better.
Examples include thumb planes, where cheap ones from 'miscellaneous sources' work just as well, with minimal adjustments like filing off the sharp edges. Also hand planes: there are many second-hand ones in good conditions on eBay.
The one class of exceptions is the setup tools, which include peg shavers and reamers.
I also tend to keep my set of tools minimal, mostly limited by space.
I source local when possible, in part to support local business and due to logistical challenges sourcing abroad.
My tools are not the most 'professional grade' out there, whatever that means. They have performed the intended tasks in the past.
Whenever possible, I source the tools from local suppliers in the UK, notably:
Touchstone Tonewoods
Axminster
Toolnut
Classic Hand Tools
Retail chains: John Lewis*, Ikea, Wilko
*Disclosure: I work at John Lewis Partnership.
A good number of violin making specific tools are sourced also from:
Dictum (Germany)
eBay
'Miscellaneous sources'
My kitchen is my workbench.
Cutting board
Desk lamp
Float glass with carbon paper on the top. For flattening the rib structure
Hide glue (bone and hide) comes in granulated form, to be soaked in water in 1:2.5 ratio by volume
Heated in a water bath in a sauce pan
Kitchen thermometer to monitor the temperature at around 60C
Chinese calligraphy brush to apply the glue
Diamond stone (I previously used waterstone but it was too messy)
Honing guide
Slipstones for sharpening gouges
Leather strop and stropping compound
Metal rulers
Centre-finding ruler
Vernier calliper
Projector
Elevation stick: for checking neck projection at 27mm
Winding sticks (a pair of straight edges). For checking surface flatness
Thickness calliper: dial gauge with a handmade frame
Note: marking tools are for marking not for cutting.
Square x N
Sacconi compass. For drawing contour lines on plates during arching
Thickness references of various values
Purfling marker (not cutter) and pick
Marking gauges, in two styles
Divider
Old Stanley-Bailey No. 6 fore plane, with a dedicated blade for centre jointing
Old Stanley block plane, standard angle
Veritas block plane, standard angle
Thumb planes, with a toothed blade for back arching
Gouges:
Sweep 4, 1 1/2" (37mm). The big one for rough arching
Sweep 5, 20mm. For hollowing and scroll
Sweep 6, 15mm. For scroll
Sweep 7, 10mm. For fluting purfling channel and scroll
Sweep 8, 6mm. For scroll
Incannel, Sweep 6, 18mm. For paring blocks and general paring
Chisels:
Butt chisel, 5mm. For chamfering scroll and pegbox
Straight chisels: 5mm, 6mm, 10mm, 20mm, 30mm
Craft knives and craft saw
Palette knife. For separating glue joints
Table knife. For splitting wood
Tenon saw
Fret saw. For rough cutting F-holes
Coping saw. For cutting curves
Japanese rip cut saw
Japanese cross cut saw
Craft saw
Small hammer. For inserting purfling into the channel, and splitting wood
Drill bits, power drill and hand drill (not shown)
Jigsaw (not shown). For sawing out the plates
Closing clamp x32+. For closing the box
Cloth clamps x 50+. For gluing on linings to the ribs
Bass bar clamps
G-clamps x N
F-clamps x N
Wood vice
Bending iron. For bending ribs, lining and purfling
Bending strap
Cradle
Shooting board
Fingerboard cradle
Scrapers
Burnisher. For sharpening scrapers
Sanding sticks
Sandpapers (not shown)
Masking tape
Fine needle files
Small and large files
Isabey Isacryl Series 6562 Flat Brushes
Hammerl Joha clear oil varnish
Affordable alternative: Le Tonkinois oil varnish
Hammerl Joha colour extracts. Brown, golden brown, red, blue, green
Solvents: white spirit and sansodor (low-odour alternative to turpentine)
Sandpapers: 600 grit, 1200 grit. For rub down between coats
Raw linseed oil. For rub down between coats and for 'fatting' the varnish
Artist's Mars Black oil paint. For F-hole edges and pegbox
Micromesh, 3200 grit. For polishing
Soft toothbrush. For polishing
Pumice stone. For ground (sealing the wood pores) and for polishing
Rottenstone. For polishing
Mineral oil. For polishing
Violin cleaner and polish (not shown)
Peg hole reamer. Standard 1:30 taper
Peg shaver. 9mm, 8.5mm, 8mm, 7.5mm. Standard 1:30 taper
Soundpost setters
Fingerboard and bridge template