The Ten Commandments 1956 Hindi Dubbed Movie Download [2021]

The Ten Commandments is a 1956 American epic religious drama film produced, directed, and narrated by Cecil B. DeMille,[5] shot in VistaVision (color by Technicolor), and released by Paramount Pictures. The film is based on the 1949 novel Prince of Egypt by Dorothy Clarke Wilson,[6] the 1859 novel Pillar of Fire by J. H. Ingraham,[7] the 1937 novel On Eagle's Wings by A. E. Southon,[8] and the Book of Exodus, found in the Bible. The Ten Commandments dramatizes the biblical story of the life of Moses, an adopted Egyptian prince who becomes the deliverer of his real brethren, the enslaved Hebrews, and thereafter leads the Exodus to Mount Sinai, where he receives, from God, the Ten Commandments. The film stars Charlton Heston in the lead role, Yul Brynner as Rameses, Anne Baxter as Nefretiri, Edward G. Robinson as Dathan, Yvonne De Carlo as Sephora, Debra Paget as Lilia, and John Derek as Joshua; and features Sir Cedric Hardwicke as Seti I, Nina Foch as Bithiah, Martha Scott as Yochabel, Judith Anderson as Memnet, and Vincent Price as Baka, among others.[5]

Filmed on location in Egypt, Mount Sinai, and the Sinai Peninsula, The Ten Commandments was DeMille's most successful work, his first widescreen film, his fourth biblical production, and his final directorial effort before his death in 1959.[9] It is a remake of the prologue of his 1923 silent film of the same title, and features one of the largest exterior sets ever created for a motion picture.[9] Four screenwriters, three art directors, and five costume designers worked on the film. The interior sets were constructed on Paramount's Hollywood soundstages. The original roadshow version included an onscreen introduction by DeMille and was released to cinemas in the United States on November 8, 1956, and, at the time of its release, was the most expensive film ever made.[9]

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In 1957, the film was nominated for seven Academy Awards, including Best Picture, winning the Academy Award for Best Visual Effects (John P. Fulton, A.S.C.).[10] DeMille won the Foreign Language Press Film Critics Circle Award for Best Director.[11] Charlton Heston was nominated for a Golden Globe Award for Best Performance by an Actor in a Motion Picture (Drama).[10] Yul Brynner won the National Board of Review Award for Best Actor for this film, as well as for Anastasia and The King and I.[10] Heston, Anne Baxter, and Yvonne De Carlo won Laurel Awards for Best Dramatic Actor, 5th Best Dramatic Actress, and 3rd Best Supporting Actress, respectively.[12] It is also one of the most financially successful films ever made, grossing approximately $122.7 million at the box office during its initial release; it was the most successful film of 1956 and the second-highest-grossing film of the decade. According to Guinness World Records, in terms of theatrical exhibition, it is the eighth most successful film of all-time when the box office gross is adjusted for inflation.

In total, Bernstein composed 2 hours of music for the film, writing for a full symphony orchestra augmented with various ethnic and unusual instruments such as the shofar, the tiple, and the theremin. The score is written in a highly Romantic style, featuring unique musical leitmotifs for the film's characters (God, Moses, Rameses, Nefretiri, Dathan, Sephora, Lilia, Joshua, etc.) used in a manner inspired, at DeMille's direction, by the opera scores of Richard Wagner.[57] Bernstein recorded both the diegetic music and the score at the Paramount Studios Recording Stage in sessions spread from April 1955 to August 1956.[58]

Cecil B. DeMille promoted the film by placing Ten Commandment monuments as a publicity stunt for the film in cities across the United States.[62] The Ten Commandments premiered at New York City's Criterion Theatre on November 8, 1956.[63] Among those who attended the premiere were Cecil B. DeMille and his eldest child, Cecilia DeMille Harper; Charlton Heston and his wife, Lydia Clarke; Yul Brynner; Anne Baxter; Edward G. Robinson; Yvonne De Carlo and her husband, Bob Morgan; Martha Scott and her husband, Mel Powell, and son, Carleton Alsop; William Holden and his wife, Brenda Marshall; John Wayne and his wife, Pilar Pallete; Tony Curtis and his wife, Janet Leigh; and Paramount Pictures president Barney Balaban. It played on a roadshow basis with reserved seating until mid-1958, when it finally entered general release.[64]

The Ten Commandments was the highest-grossing film of 1956, and the second most successful film of the decade. By April 1957, the film had earned an unprecedented $10 million from engagements at just eighty theaters, averaging about $1 million per week, with more than seven million people paying to watch it.[64] It played for 70 weeks at the Criterion Theatre in New York, grossing $2.7 million.[68] During its initial release, it earned theater rentals (the distributor's share of the box office gross) of $31.3 million in North America, and $23.9 million from the foreign markets, for a total of $55.2 million (equating to approximately $122.7 million in ticket sales).[4] It was hugely profitable for its era, earning a net profit of $18,500,000,[69] against a production budget of $13.27 million (the most a film had cost up to that point).[3]

The last and most famous of the great Cecil B. DeMille epics, and a remake of his own 1923 silent film of the same name, this 1956 film from Paramount tells the biblical story of Moses and the Exodus.

The Ten Commandments, also known as Cecil B. DeMille's The Ten Commandments, is a 1956 American religious historical epic film produced, directed, and narrated by Cecil B. DeMille. It stars Charlton Heston as Moses, Yul Brynner as Rameses II, Anne Baxter as Nefretiri, Edward G. Robinson as Dathan, Yvonne De Carlo as Sephora, Debra Paget as Lilia, and John Derek as Joshua.

Charlton Heston as Moses in Cecil B. DeMille's 1956 classic 'The Ten Commandments.' Steven Spielberg's movie would more resemble his 'Saving Private Ryan' or Mel Gibson's 'Braveheart.' (SILVER SCREEN COLLECTION/GETTY IMAGES)

[iii] As it would be in 1956, the parting-sea effect was achieved in 1923 by reversing footage of two waves of water crashing together in a tank, albeit on a much smaller scale than the later film. For the standing walls of sea, the 1923 team employed huge piles of clear jelly.

[iv] Admittedly, these composite shots are more jarring to modern audiences than they were in 1956, when process shots with back projection were de rigueur. Alfred Hitchcock, for one, frequently relied on such unconvincing effects.

The Ten Commandments (1956) was Cecil B. DeMille's most spectacular and unequalled historical epic and also his last film (his 70th). The 3 hour, 40 minute film (divided into two parts with an intermission) was the highest-earning live-action film of the decade of the 1950s until Ben-Hur (1959) toppled it. It was a remake of DeMille's own 1923 silent film of the same name, with its scope narrowed to focus on the previous film's prologue to solely concentrate on the character of Moses. Throughout the film, director DeMille also served as the film's voice-over narrator.

The extensive special-effects for the film included rear-projection, traveling matte paintings, and blue-screen composite shots. Animations were used for the Pillar of Fire sequence, the Finger of God writing the commandments, the Burning Bush scene, and other effects. The complex one million-dollar tremendous special-effects devised for the 'Parting of the Red Sea' sequence (that took 18 months of preparation) were created with two giant water tanks (covering a huge area comprising two studio backlots). Water pouring out of the U-shaped 'dump tanks' was played in reverse in order to create the illusion of the sea's parting. In addition, the sandy bottom of the sea and images of the sky (visualized by matte paintings) were combined with the rest of the footage.

The Academy of Motion Pictures Arts & Sciences (AMPAS) presented the film with seven Oscar nominations, including Best Picture, Best Color Cinematography (Loyal Griggs), Best Color Art Direction-Set Decoration, Best Color Costume Design (Edith Head), Best Sound Recording, and Best Film Editing, and it won only a single Academy Award - Best Special Effects (John Fulton). The scanty and revealing costumes, considered somewhat scandalous in 1956, were actually very modest compared to the actual minimal clothing that most Ancient Egyptians wore due to the heat.

In ancient times, Moses was thought to have been conceived by his Hebrew parents, Amram and Yochabel, as God's answer to their chains and bondage: ("The seed of a man upon whose mind and heart would be written God's law and God's commandments. One man to stand alone against an Empire"). The Egyptian astrologers saw "an evil star" and worried that there was a Hebrew prophecy of a deliverer, not in foreign lands, but within Egypt's borders and in "the heart of Egypt," who was amongst "the Hebrew slaves in the land of Goshen." Egypt's fearful Pharaoh Rameses I (Ian Keith) issued an edit to kill all newborn male Hebrew babies ("Since this deliverer is among their newborn, only their newborn need die").

Known for blowing the budget, DeMille spent the majority of his time in pre-production which he called " the cheapest part of making a movie." As it is written in the Bible, the ten commandments story is missing a solid 30 years of Moses' life, years that DeMille had to uncover through HUNDREDS of hours of research with a team of screenwriters and research assistants. This included rifling through the Old Testament incessantly as well as pulling from secondary accounts written hundreds of years after Moses's passing. The screenplay came together alongside the storyboards which were meticulously done in watercolour by DeMille's associate director Henry Wilcoxon who also acted in the film as Pentaur. These watercolours were essential and were eventually followed almost exactly during the filming in Egypt. This process worked every time for DeMille who insisted that all of his movies were "made on the desk." be457b7860