Introduction
Designing a course, lesson, or activity that aligns with student learning outcomes, student needs and interests, and a communicative framework is no easy task; however, throughout the LTS program, I’ve designed just that: course curricula, a multitude of lesson plans for different purposes, and activities that meet all those criteria. From the larger concept of a curriculum design to the specific activities within a single portion of a lesson, I’ve acquired the ability to design ways for language learning that are engaging and realistic to meet the needs of the learning context. I’ve studied ways to design lessons and activities and then created these for teaching forms (grammar and vocabulary), pronunciation, isolated and integrated skills (reading, writing, listening, and speaking), pragmatics and intercultural communicative competence, language for academic purposes, and language for specific purposes. The four following artifacts demonstrate both the breadth and depth of my abilities in language learning design: a scope & sequence chart for an English for Academic Purposes course, a lesson on teaching an area of suprasegmental pronunciation, a set of three sequential lesson plans, and a set of tasks using literature.
LT 548 - Curriculum & Materials Development
Scope & Sequence Chart
The first artifact, a scope & sequence chart I created as part of my EAP curriculum for LT 548, demonstrates my capabilities to view language learning at the course-level; this chart organizes and presents the skills students learn within each unit, and how these skills build on each other. This scope & sequence chart was designed after the formulation of student learning outcomes and the overall course goal, reflecting a backwards design approach (Richards, 2013). The sequence of the course is organized into units based on tasks or situations that future study-abroad students might encounter in an academic setting, integrating elements of task authenticity whenever possible (Tomlinson, 2017). For example, students conduct a needs analysis in the first week of the course by emailing professors in the programs they’ve been accepted to; in performing this task, they develop targeted skills such as rapport-building, using appropriate levels of formality with professors, and utilizing accurate email etiquette. The scope of the course includes the major skill areas such as reading, writing, presentational speaking, and socio-cultural that students will develop and practice to achieve the learning outcomes. When designing a curriculum, the scope & sequence chart provides a fully organized, comprehensive view of the purpose and function of the course in the journey of language learners; therefore, it is an essential element in the course-level design process that language teachers must be capable of creating for stakeholders as well as ourselves.
LT 439 - Design for Language Learning Pronunciation
Suprasegmental Lesson Plan
In the teaching of pronunciation, there are both segmental and suprasegmental areas to focus on. This second artifact, a lesson plan from LT 439, was designed to teach Japanese learners of English about the suprasegmental feature of word stress in compound nouns. This lesson plan showcases how understanding your target learners is essential for directing your focus on areas that are more difficult for your specific group; Japanese learners of English tend to struggle with word stress in compound nouns due to the borrowing of loan words from English to Japanese changing the stress pattern (Wells, 2000). This lesson plan utilizes a five-step communicative framework based on communicative language teaching (CLT) principles (Celce-Murcia et al., 2010) to provide description and analysis, listening discrimination, controlled practice, guided practice, and communicative practice. Within each step of this framework, a high level of variability is possible. For example, this lesson plan utilizes total physical response strategies to introduce the word stress pattern of most compound nouns in English. First, the teacher uses a kazoo and has students move their hands up and down to demonstrate their ability to hear the stressed syllable. Afterwards, during the communicative practice, learners discuss their high school lives—a semantic area where a large number of compound nouns are found as well as an area where learners can use the language to connect with their own lives. Designing lesson plans requires careful attention to both learners and the activities chosen; making sure to provide learners with opportunities to learn about language while also affording them the chance to use that language is key to designing communicative and effective lesson plans.
LT 436 - Design for Learning Language Systems
Sequenced Set of Three Lesson Plans
Lesson plans are not always isolated from one another; often they build on previous lessons and lead to future ones. The third artifact, a sequenced set of three lesson plans designed during LT 436, demonstrates this element of lesson design through the teaching of hobbies leading into writing emails. Each lesson plan in the sequence has its own learning objectives, which are specific and measurable (Purgason, 2014) ensuring that we can see if our learners have met the objectives by the end of each class; however, the skills learners develop in the first lesson plan are utilized in the following days. For example, in the first lesson, students are introduced to the topic of hobbies and develop their bottom-up and top-down skills such as skimming and scanning. In the second lesson, students utilize this new declarative knowledge of hobbies to develop questions they will ask about their penpal’s hobbies. They learn about email-writing etiquette on this day as well. In the third and final lesson plan, learners peer review the rough drafts of the emails, and a final group project on hobbies is introduced; through the drafting and peer review process, learners apply the knowledge they’ve learned about email writing to produce an email and analyze their peers’ for accuracy to genre and forms. Within this sequence of plans, learners engage in different levels of thinking as defined by Bloom’s Taxonomy (Krathwohl, 2002); for example, they start by just reading about hobbies on day one, but create and evaluate emails during the third lesson (which is reflected in the learning objectives of each lesson). Incorporating a mixture of lower- and higher-order thinking activities, and sequencing lessons to efficiently make use of the declarative and procedural knowledge that learners are gaining–while reflecting this in the learning objectives for each lesson–are key to designing high-quality lesson plans.
LT 528 - Teaching English Culture & Literature
Set of Literature-Based Activities
Lastly, my fourth artifact, a set of activities for using the song Phantom Regret by Jim by The Weeknd in the language classroom from LT 528, exhibits my creativity and expansion of task design. Language learning is no longer the grammar translation of old, and the literature class no longer just focuses on novels; any piece of literary art that utilizes language appropriate for the target learners can be designed in a way to increase learning. These tasks utilize elements from process-oriented and literacy-based approaches (Paesani, 2011); they move from top-down to bottom-up processing through pre-, while-, and post-reading activities. The pre-reading activities act as readiness activities that activate prior schema. Then, while-reading activities act as experiential activities that help learners experience the text in their minds. Lastly, the post-reading activities build on their linguistics knowledge while still requiring the interpretation of the sociocultural context by focusing on the figurative language within the song (Tomlinson, 2003). While figurative language can be difficult for learners (Lazar, 1993), with the use of appropriate scaffolding as done in these activities, even the complexity of figurative language can be deciphered by language learners. These activities showcase another approach to designing tasks, specifically with the use of literature in mind; they demonstrate how even an advanced piece of literature, containing much figurative language, can still be a great material to include in the language classroom with appropriate scaffolding and preparation.
Related materials can be found in Area 1: Language as a Dynamic System
Conclusion
These four artifacts show the variety in approaches, frameworks, and designs possible within language learning that I’ve come to learn throughout my time in the LTS program. I know going forward that no matter the context I end up in, I will have the skills to design curriculum, lessons, tasks, and materials that meet the needs of stakeholders and engage students in an enjoyable language learning journey.
Celce-Murcia, M., Brinto, D. M., Good, J. M. (2010). Teaching pronunciation: A reference for teachers of English to speakers of other languages (2nd ed.). Cambridge University Press.
Krathwohl, D. R. (2002). A revision of Bloom’s taxonomy: An overview. Theory Into Practice, 41(4), 212–218. https://doi.org/10.1207/s15430421tip4104_2
Lazar, G. (1993). Literature and language teaching: A guide for teachers and trainers. (1st ed.). Cambridge University Press.
Paesani, K. (2011). Research in language-literature instruction: meeting the call for change? Annual Review of Applied Linguistics, 31, 161–181.
Purgason, K. B. (2014). Lesson planning in Second/Foreign language teaching. In M. Celce-Murcia, D. M. Brinton, & M. A. Snow (Eds.). Teaching English as a second or foreign language (4th ed., pp. 362–379). Heinle ELT.
Richards, J. C. (2013). Curriculum approaches in language teaching: Forward, central, and backward design. RELC Journal, 44(1), 5–33.
Tomlinson B. (2003). Developing principled frameworks for materials development. Developing materials for language teaching, 107–129.
Tomlinson, B. (2017). Introduction. In A. Maley & B. Tomlinson (Eds.), Authenticity in materials development for language learning (pp. 1–9). Cambridge Scholars.
Wells, J. C. (2000). Overcoming phonetic interference. English Phonetics, (3), 9–21. https://www.phon.ucl.ac.uk/home/wells/interference.htm