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Jeremy Thomas Camp (born January 12, 1978) is an American contemporary Christian music singer and songwriter from Lafayette, Indiana. He has released eleven albums, four of them RIAA-certified as Gold, and two live albums. Camp's original music is a mixture of ballads and up-tempo songs with rock influence. He has won five GMA Dove Awards, has been nominated for three American Music Awards, and was nominated for a Grammy Award for Best Pop/Contemporary Gospel Album in 2010 for his album, Speaking Louder Than Before. I Still Believe, a film based on Camp's first marriage, was released in 2020, with Camp being played by New Zealand actor KJ Apa.

Camp scored Christian music top spots for "Take You Back" and "Lay Down My Pride". He also was voted the Best Male Artist in the 2005 Reader's Choice Music Awards in the Christianity Today magazine.[9] Camp was also ASCAP 2005 Songwriter of the Year and won the Dove Award for the Male Vocalist of the Year for the second consecutive year. In 2005, he recorded the song "Open Up Your Eyes" for the compilation release Music Inspired by the Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, a September 2005 album which contained original songs written by various Christian artists for the 2005 film The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. Camp closed the year with both Stay and Carried Me: the Worship Project being RIAA-certified as Gold.[9]

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Camp earned the top honors at the Twenty-Eighth Annual ASCAP Music Awards, winning the Songwriter of the Year award ("Take You Back" and "This Man"). "Take You Back" also earned him the Song of the Year award. Camp won two 2006 CCM Reader's Choice Awards, for Favorite Artist and Favorite Male Artist. He took part in the Dove award for Special Event Album of the Year, which went to Music Inspired by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. He released a special edition of his hit album, Restored. Four new songs were included on Restored: The Deluxe Gold Edition as well as a letter to his fans.

His song "No Matter What" was the fourth most-played song on R&R magazine's Christian CHR chart for 2008.[11]He also came out with his new studio album Speaking Louder Than Before, containing the hit lead single "There Will Be a Day". On November 17, 2009, Camp released another live album: Jeremy Camp Live. This album featured songs from all of Camp's previous albums. His Speaking Louder Than Before received his first Grammy nomination.

Camp and his first wife, Melissa Lynn Henning-Camp (b. October 7, 1979), were married on October 21, 2000.[22] She was diagnosed with ovarian cancer and died on February 5, 2001, when he was 23 and she was 21.[22][23] Some of his early songs reflect the emotional ordeal of her illness. "I Still Believe" was the first song he wrote after her passing. "Walk by Faith" was written during their honeymoon.[24] A film based on Camp's romance with Melissa, I Still Believe, was released in March 2020, with Camp's role being played by KJ Apa and the role of Melissa being played by Britt Robertson.

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The riches of these temples are proof of the faith and devotion of the people of the country. The belief in God is immense and people have faith that all their problems will be solved and dreams fulfilled.

With the growing use of CCLI licensing and publication of popularity charts, the visibility of various individual artists and church groups (and worship theology) substantially increased and bridged many church traditions. Before that point, smaller worship-related events like conferences and revivals (often run by individual churches or networks) were the primary sites for disseminating worship songs. Some larger-scale ones, like those affiliated with the Charismatic Renewal Movement and parachurch ministry organizations, also played a role. But CCLI won out among a variety of other services that were attempting to leap the legal hurdle of church copyright permissions. In doing so, they made access to these songs less provincial and more widely available. Ultimately, CCLI helped to centralize the church/publishing interface within the contemporary worship context. The top song lists helped reinforce a sense of an industry-standard catalog of songs beyond the discrete church networks in which these songs had previously and somewhat independently circulated. 17dc91bb1f