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Developed by Infinity Ward and published by ActivisionPublishing, Inc. (Nasdaq: ATVI), Call of Duty: Modern Warfare 2 israted "M" (Mature) by the ESRB for Blood, Drug Reference, IntenseViolence and Language. For more information visit www.modernwarfare2.com.
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The main goals of this course are for students to become familiar with each of the plays individually, to learn to appreciate complex dramatic structures and the rich interplay between language and performed action, to understand the plays' literary, historical, and material contexts, and to grapple passionately and analytically with recurring issues such as individual consciousness and conscience, family and relationships, good and bad government, war and violence, sexuality and gender, magic and imagination. Part of achieving these goals is a thorough commitment to learning various methods of literary analysis and improving critical reading and writing skills.
The main goals of this course are for students to become familiar with each of the plays individually, to learn to appreciate complex dramatic structures and the rich interplay between language and performed action, to understand the plays' literary, historical, and material contexts, and to grapple passionately and analytically with recurring issues such as individual consciousness and conscience, family and relationships, good and bad government, war and violence, sexuality and race, magic and imagination. Part of achieving these goals is a thorough commitment to learning various methods of literary analysis and improving critical reading and writing skills.
By Zuzanna adyga
The essay examines Donald Barthelme's Snow White's from the perspective of the ethical philosophy of Emmanuel Levinas. Drawing on a reciprocity between Barthelme's collage principle and Levinas's notion of the there is, the paper applies the concept in the analysis of Snow White's referential and affect construction strategies. The novel is proven to textualize the ethical dimension of Barthelme's referential uses of language, while the figure of Snow White is demonstrated to be the trope of the referentiality-performativity conflict that lies at the core of a literary collage. The tension between referentiality and performativity is further developed in Barthelme's novel via the figures of Bill and Paul, who, in the context of Levinas's concepts of fatigue and indolence respectively, are interpreted as the tropological markers of the temporal mechanism of Snow White's collage. Accordingly, Bill's constant weariness is interpreted as a trope of referentiality, and Paul's inertia as narrating the mechanism of language performatives. Since the suspension between the two tropes propels the text's constant self-questioning, a process mirroring Levinas's idea of how ethical subjectivity hypostatically emerges in language as a questioning of its ontological stability, it is argued that the mechanism of subject construction strategy in Snow White follows a similar logic. e24fc04721
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