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Bheemla Nayak is the soundtrack album composed by S. Thaman for the 2022 Indian Telugu-language film of the same name, directed by Saagar K. Chandra from a screenplay written by Trivikram Srinivas. A remake of the Malayalam-language film Ayyappanum Koshiyum (2020), the film stars Pawan Kalyan, Rana Daggubati, Nithya Menen and Samyuktha Menon. The film's soundtrack album featured seven songs (also including a bonus track), featuring lyrics written by Ramajogayya Sastry, Trivikram, Roll Rida and Kasarla Shyam. The album was released on 14 February 2022 under the Aditya Music label.[1]

The film marks Thaman's second collaboration with Pawan Kalyan after Vakeel Saab (2021) and his first with Chandra.[2][3] The original counterpart film Ayyapanum Koshiyum had nearly four songs, whereas the Telugu remake had seven songs. Thaman had said that "It was not easy for Bheemla Nayak. From the start, there was some or the other issue, for this movie. Every day, we used to start working with much stubbornness."[4] As the film is set in the forest regions of Andhra Pradesh, Thaman believed that "every musical sound has to come from natural habitat, and they should not seem fancy". He also wanted the music to give feel of the wild by using sounds and instruments. At the same time, it should be new to cater to the audience.[5]

Nayak Tamil Mp3 Songs 90

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A critical review from Indiaglitz wrote "Thaman's journey to present a new style continues in the Bheemla Nayak soundtrack. The choice of singers is turning out to be a unique feature of the album, and they do a splendid job of making the sounds more pulsating than it already is. A winner that will surely have the fans foot-tap with abandon."[31] Another review from Pinkvilla summarised "Bheemla Nayak plays to the tastes of the mass audience without going ultra-loud or flashy. While being unapologetically commercial in its sensibilities, it lets Thaman whip up a new flavour of music. While the title track, as well as 'La La Bheemla', are intuitive (and the songs are filled with sass and scorching elevation shots), the rest of the songs suck the audience into the mood of the film. The BGM is consistently engaging."[32] be457b7860