In contrast to many other software sequencers, Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs.[3]
Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s.[6] Henke left Ableton in 2016 to concentrate on his artistic project Monolake.[6] Behles and Henke met while studying programming at the Technical University of Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake. Henke and Behles identified a need in Berlin's electronic music scene for user-friendly software for live performances, and worked with local acts to develop it.[6] Though Live was not developed in Max, Max was used to prototype most of its features.[7]
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Unlike Pro Tools, which focuses on multitrack recording, the first version of Live was designed for performing live with loops.[7] It offered sophisticated tools for triggering loops, playing samples and time stretching audio, and was immediately popular with electronic music producers.[7] Live's time stretching algorithm, known as "Warping", was particularly notable and gave DJs greater control over mixing and beatmatching, smoothly blending tracks of different tempos.[7]
In 2010, Ableton introduced Max for Live, enabling connectivity between Max and Live.[7] Live made it easier for musicians to use computers as instruments in live performance without programming their own software, influencing the rise of global festival culture in the 2000s.[6]
Much of Live's interface comes from being designed for use in live performance, as well as for production.[30] There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).
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Record music in Ableton Live with our professionally taught video tutorials. In these courses, youll explore how to connect audio hardware and controllers to Live 9, create loops, make beats, perform live using Session view and software instruments, and produce music of all styles.
Before setting up your Oxygen Pro with Ableton, let's take a moment to authorize your software.
1. Launch the Ableton application from your computer's Program or Application folder.
2. The software will automatically prompt you to license the program. Click Authorize with ableton.com to proceed.
global quantization is great when you want to move around your track or launch clips in time. this is perfect for playing live but in the studio & can add tedious wait times. use these shortcuts to turn global quantization on & off as appropriate.
Tonic plays the perfect ambient drone pad in the key of your choice at the touch of a button. The Tonic Pad Player includes controls for shaping the tone and character of the twelve selectable pad presets so you can glue together your live band and nail any transition between keys or songs.
Think of it like a magazine where you'd receive a new issue in the mail each month. If you chose to cancel that magazine delivery of course you'd get to keep all the issues you'd already received. That's true with Sunday Keys as well! You'll receive a new update to Sunday Keys each month, for as long as you keep your license active and that content will always be yours to access.
The APC Mini mk2 clip launching controller for Ableton Live is the ultimate compact solution for music creation in any environment. APC Mini mk2 delivers dynamic control of your Ableton Live sessions in an efficient footprint, perfect for creative looping, remixing, and experimenting in the studio or on the stage.
You can set Ableton Live to control the parameters of your Boutique. This will adjust all the Boutique settings in real time. You can use this to automate Boutique parameters, live and in production, or to recall settings for different sessions.
Here is a Theme for Live11 which i once made, and which did not find its way in the official distribution. It comes with a screenshot showing the location in which it needs to be installed. On MacOS you'll need to right click on the app in Finder to get to 'Show Package Contents', and from there see screenshot: monolake-theme-live11.zip I recommend setting in the Prefs 'Grid Line Intensity' to a low value (~ 20?).
Your TR-6S is now a dedicated MIDI controller! Dive in and map MIDI values in Live to the parameters on the TR-6S as you would with any other MIDI controller. Unsure about how to do this? Ched out this article from Albeton on MIDI mapping. help.ableton.com/hc/en-us/articles/360000038859-Making-custom-MIDI-Mappings
This course provides hands-on experience in producing, mixing, and sound design with a digital audio workstation. Students will learn the fundamentals (physics) of sound and digital audio, proper gain staging, where and how distortion enters recordings and mixes, how to set levels and panning, effective sub group mixing, and an introduction to signal processing such as equalization, compression, delay, and reverb. In addition to core audio and mixing concepts, students will learn various production techniques, such as sequencing, arranging, automation, using virtual instruments (e.g. synths, samplers, and drum machine plugins), working with MIDI, plugin formats such as VST/Audio-Units, and mapping digital USB controllers for the studio and live performance.
However, there are two names in DAWs that come up time and time again when producers are looking for a platform to work with: REAPER and Ableton Live. These programs are packed with features perfect for live and electronic music production, but each stands out in different key feature areas.
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