Subscription and cancellation conditions:Samplitude Pro X Suite 365 will be available immediately after payment and activation. The charge for the minimum term is payable as a single sum upon conclusion of the contract. The minimum term begins on the date of purchase.The contractual period of Samplitude Pro X Suite 365 will be automatically extended by 12 months at a time until you cancel the agreement. You will be informed well in advance if the extension rate or taxes included change. A cancellation is possible up to 1 month before the end of the contract period. To cancel the contract, please send an email stating your customer number to: infoservice@magix.net
Subscription and cancellation conditions:Samplitude Pro X Suite 365 will be available immediately after payment and activation. The charge for the duration of the minimum term is payable monthly upon conclusion of the contract. The minimum term begins on the date of purchase.The contractual period of Samplitude Pro X Suite 365 will be automatically extended by 12 months at a time until you cancel the agreement. You will be informed well in advance if the extension rate or taxes included change. A cancellation is possible up to 1 month before the end of the contract period. To cancel the contract, please send an email stating your customer number to: infoservice@magix.net
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@Will-Kenworthy Can you let me know how you get on loading Spectral Layers from Samplitude please? I can't seem to press play once the sample load into SL5 in order to hear it. Could be the way mine loads but if others have the same problem a fix might be needed from magix. Thanks!
I've seen this behavior for quite awhile regarding ASIO. I always use ASIO unless I'm not connected to my RME Fireface. I just save out what I want to open in SF and then open the file within that program. Not ideal but workable. Generally for SF it will be a final mastered project anyway. I haven't had a chance to use Spectral Layers yet as I just got the package (Samplitude X3 suite with SFP 11 and SPL 5) and am still learning Samplitude.
If you cannot access Producerplanet or your account for any reason you could try emailing customer support via infoservice@magix.net and asking for their help, though I know that not all staff are working this week.
Samplitude comes in three versions: Pro X ($399), which includes 17 virtual instruments and all of the program's main features; Pro X Suite ($599), which adds a complete copy of the excellent Sound Forge Pro 11 audio editor, DDP master support, five additional VSTs, the full 70GB soundset for the Independence instrument, and a cleaning and restoration suite; and Pro X365 ($12.49 per month to $14.99 per month), a subscription-based version that includes all of the above plus SpectraLayers Pro 5, a visual audio editor that offers comprehensive spectral analysis.
There are plenty of on-board effects, as well as more full-featured plug-ins like Vandal, a flexible guitar and bass amplifier with 70 presets, 24 stomp boxes, and multiple mics. There's also a suite of analog rack tools for compression, full channel-strip effects, shaping transients, and mastering dynamics. Samplitude delivers some excellent metering out of the box, performance glitches aside, including a spectrum visualizer you can call up on the main page with a single click and a pair of master outs. These are extremely useful in a pro context, and it's great to see them as part of the standard view.
The trick for Magix will be hooking new shoppers upgrading from Magix Music Maker or otherwise buying their first pro-level DAW, as well as convincing long-time users of competing DAWs to switch to Samplitude. Getting Music Maker users on board is a pretty easy call, but the rest will prove tougher with such high-level competition. Samplitude's score editor and wave-editing tools beat what you get with PreSonus Studio One 4, for example, but that program has a faster recording workflow and its own mastering suite. If you're collaborating with a group of musicians using Logic or Live, you're going to want the same program. There really isn't enough here to get someone already in bed with Editors' Choice Pro Tools or, say, even FL Studio to come over to the Samplitude camp.
Cut and arrange your recordings easily and efficiently. Each clip can be assigned its own plug-ins, EQ and time/pitch settings in the object editor, which reduces the number of tracks and makes automation easier. Plus, the dockable mixer provides quick access to all of the important elements in your project. Step on in and start recording instruments & sounds with samplitude music studio you can start composing and arranging full songs right away. Take advantage of a wide range of adjustable virtual instruments and Soundpools, each with hundreds of professional samples. You can also download Blackmagic Design Fusion Studio 18. be457b7860
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