As I get older I sometimes think about adding a new member to our little Super Otaku Busters club. Seeing shows and movies about how terrible children are usually delays my longing for a bit, but every once in a while a series comes along that makes me wish I had a little otaku of my own to teach.

Another interesting touch of realism is how well the Japanese culture is present throughout the series. At the start of Usagi Drop, viewers witness a traditional Buddhist funeral. In keeping with tradition, the service is held in the familial home with only close family in attendance (ref). In another episode, Daikichi explains the custom of how his mother planted a tree for each of her children after birth. In almost every episode, viewers are privy to a glimpse of these sorts of cultural references; serving to add even more to realism to the series.


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Though Usagi Drop accurately portrays situations that mirror real life, some liberties have been taken. To maintain focus on the heartwarming narrative, an almost too idealistic setting was created. For example, Rin comes across as extremely well-behaved for her age. Given that she is in elementary school and recently been uprooted from everything she knows, I could only image how a child would likely act out. There are hints of being affected by this sudden change; she begins to wet the bed and has a fear that Daikichi will leave. I may be trying to analyse the story too critically at this point, but her maturity (compared to her peers) may be attributed to the elderly age of her biological father. Rin likely had to learn early how to help take care of both her father and herself. This would certainly account for her more sophisticated behaviors.

It is has been stated over and over that slice of life narratives are driven by well-developed characters. The characters in Usagi Drop are realistically and accurately represented, especially regarding the ease of their interactions. Although I mentioned previously how some of the characters are a bit idealized to enhance the story, none are without flaws. On the surface, Daikichi Kawachi is the typical Japanese salary man and bachelor with a straightforward approach to life. Being driven to excel in his career, with little time (or motivation) for much else, Daikichi now faces his thirties alone. This solitary existence is quashed after a surprise encounter with his pint-sized aunt, Rin.

The music chosen for Usagi Drop echos the same light, heartwarming feelings that the narrative manages to invoke. The BGMs are light and whimsical, invoking a sense of sweetness even during emotional moments, and are subtle enough to allow the characters to keep the spotlight during those scenes. The opening, Sweet Drops, was specifically written for the anime and live adaptation of Usagi Drop. Not only is the melody upbeat and cheerful, but the lyrics summarize the story being told.

Given how talented seiyuu are, soft spoken females are typically cast in the roles of children. So, I was surprised to learn that the character of Rin was voiced by a young girl; Ayu Matsuura, who was ten at the time of production. Viewers can anticipate hearing the genuine expressions of delight, confusion, and sadness that only a child can capture. This pint-sized seiyuu is extremely talented, so fans can likely anticipate hearing more of her work in the future series.

Innocence: Thoughts on Usagi Drop and Barakamon by LynLynSays

A short but insightful post from a blog I recently followed about children and family dynamics in the case of Usagi Drop and Barakamon.

And I really accept the thought about the genre plays only a small part in deciding the show.. There are lot of anime which I thought would be my type because of the genre and ended up disappointed or the reverse happened too.. Even I had the same thought about Anohana before watching, and after watching I was like why did I wait this long to watch this. There should be something that will correctly specify a anime will be apart from genre and synopsis. *.*

Ok when I looked at MAL right now, it showed Usagi drop as a recommendation since I liked Barakamon, maybe it really is a lot alike, I am adding this to my watch list for sure. It might be next month (or should I say next year) by the time I watch it. ?

Happy Easter to everybunny! Kids' crafts and face painting will begin at 11am in the tent. The Easter Egg Hunt will begin at 12pm on the beach behind the Flora-Bama and the Easter Bunny will skydive onto the beach shortly after! Kids will have a chance to meet the Easter Bunny and have their picture taken inside the tent after he lands. Participants must bring their own baskets and cameras for this event!

As the campaign enters its second phase, Chester Cheetah and Bad Bunny are teaming up once again to spotlight the Hispanic community by bringing fans two exciting experiences ahead of the school year that take Deja tu Huella to the next level: an exclusive fashion collaboration with adidas and the Deja tu Huella Estudiante Fund, a contest that will give $500,000 in total prizing to students in the U.S. and Puerto Rico.

"It's an honor to give back to the Hispanic community that has done so much for me," said Bad Bunny. "Between music and fashion, there are so many ways to leave your mark on culture, and I want to encourage everyone to follow whatever path inspires them. That's what the Deja tu Huella program is all about."

In true mischievous fashion, Cheetos is giving its biggest fans the chance to get early access to the exclusive items before they're officially available for purchase on August 6. Fans simply need one thing for the opportunity to cop the drop before anyone else: fingertips covered in Cheetos orange-dust, also known as Cheetle, which all true Cheetos fans now don as a badge of honor.

As part of the Deja tu Huella campaign and in partnership with Good Bunny Foundation, Cheetos and Bad Bunny are also welcoming submissions starting today for the Deja tu Huella Estudiante Fund, a contest that will identify ten students leaving their mark on their community and reward them with $50,000 each that can go towards their education.

To enter the #DejatuHuella TikTok Hashtag Challenge, fans in the U.S. and Puerto Rico can submit a :60 video that shows how they are leaving their mark on the community, the culture, or the world, and tag @Cheetos, #DejatuHuella, and #Entry to be eligible. For more information on how to enter and full rules, visit www.cheetos.com/dejatuhuella. Submissions can be made now through August 18, and winners will be announced by the end of 2021.

"We've seen how our fans have left their mark on the world and recognize the influence the Hispanic community has had on mainstream culture," said Jessica Spaulding, senior director of marketing, Frito-Lay North America. "Cheetos has long been a brand that celebrates all forms of self-expression, so we're proud to team up once again with an icon like Bad Bunny to help the next generation Deja tu Huella through the launch of the Estudiante Fund and fashion collab with adidas."

In addition to the Deja tu Huella Estudiante Fund, the Cheetos brand's parent company PepsiCo has pledged $275 million to the Hispanic and Latinx community. For more information, visit www.cheetos.com/dejatuhuella and follow @Cheetos on social media.

Cheetos is one of the many brands that make up Frito-Lay North America, the $18 billion convenient foods division of PepsiCo, Inc. (Nasdaq: PEP), which is headquartered in Purchase, NY. Learn more about Frito-Lay at the corporate website, , the Snack Chat blog, and on Twitter

PepsiCo products are enjoyed by consumers more than one billion times a day in more than 200 countries and territories around the world. PepsiCo generated more than $70 billion in net revenue in 2020, driven by a complementary food and beverage portfolio that includes Frito-Lay, Gatorade, Pepsi-Cola, Quaker, Tropicana and SodaStream. PepsiCo's product portfolio includes a wide range of enjoyable foods and beverages, including 23 brands that generate more than $1 billion each in estimated annual retail sales.

Guiding PepsiCo is our vision to Be the Global Leader in Convenient Foods and Beverages by Winning with Purpose. "Winning with Purpose" reflects our ambition to win sustainably in the marketplace and embed purpose into all aspects of our business strategy and brands. For more information, visit www.pepsico.com

Bad Bunny is a multi-platinum recording artist, multiple Latin GRAMMY and GRAMMY winner, who consistently manages to break international barriers and dismantle cultural norms, becoming a global icon of culture and entertainment. In 2020, he was named "Composer of the Year" by ASCAP. Bad Bunny became the first male reggaeton artist to appear on the cover of Rolling Stone magazine and the only male Latin artist to grace the cover of The New York Times Magazine. With his unparalleled impact on massive audiences, this year Bad Bunny was proclaimed the biggest pop star in the world by Bloomberg.

This year, the artist quickly sold out tickets to his upcoming tour, "El ltimo Tour del Mundo 2022," and made history by achieving the best-performing sales days on Ticketmaster for any tour since 2018. He continued to break records with his latest single, "Yonaguni," which marked the biggest streaming debut for a Spanish song on Spotify, ranking #3 on the global "Top 200." The song amassed more than 20 million combined streams across digital platforms on its first day of release alone.

His most recent album, "El ltimo Tour del Mundo" debuted at #1 on the Billboard 200, becoming the first album entirely in Spanish to reach said position in the 64-year history of the all-genre chart. The artist has had his entire discography on the Billboard 200, with his last four albums in the Top 10 and his first album, "X100PRE" at #11. He closed 2020 as the #1 global artist on Spotify, and Billboard's #1 Latin artist for the second consecutive year. Bad Bunny is one of the Latin artists with the most entries on the global "Hot 100" chart, with a total of 38 hits on the chart. 152ee80cbc

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