Originally set for a single theatrical release, the idea to split the book into two parts was suggested by executive producer Lionel Wigram due to, what David Heyman called, "creative imperative". Heyman initially responded negatively to the idea, but Wigram asked, "No, David. How are we going to do it?". After rereading the book and discussing it with screenwriter Steve Kloves, he agreed with the division.[28]
In an interview with Architectural Digest, production designer Stuart Craig remarked on creating sets for Part 2. Of the Gringotts Wizarding Bank, he said, "our banking hall, like any other, is made of marble and big marble columns. And it has great strength. The fact that the goblins are the bankers and tellers at the counter helps that feeling of grandeur and solidity and the big proportions. That was part of the fun of the set: we exaggerated the size of it, we exaggerated the weight of it, and we even exaggerated the shine of the marble." About the multiplication of treasure in one of the bank's vaults, he noted, "We made literally thousands of pieces for it and vacuum metallised them to be shiny gold and silver. John Richardson, the special effects supervisor, made a floor that was capable of rising on different levels, so there was kind of a physical swelling of the treasure on it."[29]
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Originally set for a single theatrical release, the idea to split the book into two parts was suggested by executive producer Lionel Wigram due to what David Heyman called "creative imperative". Heyman initially responded negatively to the idea, but Wigram asked, "No, David. How are we going to do it?". After rereading the book and discussing it with screenwriter Steve Kloves, he agreed with the division.[24]
Stuart Craig, set designer for all of the previous Harry Potter films, returned for the final two parts. He said, "We made a very different kind of film, which was shot a great deal on location. We travelled quite far, we built sets, and they spend a lot of time in a forest," he explained. "We built forest sets and integrated them into the real forests, so there were challenges there, as you might imagine."[26] Craig was ultimately nominated for an Academy Award for his work on Part 1.[27]
Double Negative's work for Part 1 included the corroding Warner Brothers logo and extensive environment extensions of the Burrows and its surrounds. Additional environment work was completed on Xenophilius Lovegood's home, extending it in 3D and culminating in the Death Eaters' attack. Double Negative also advanced the Death Eaters' smoke effects, with the introduction of the 'flayed man' stage in between their smokey, fluid, flying state and their live-action presence upon landing. Other work included the Patronus charm that interrupts the wedding party to inform the guests that Voldemort has taken over the Ministry of Magic.[31]
The first official picture from the first film was released on 1 December 2009, showing Harry, Ron and Hermione in a London street. A clip was officially released on 8 December 2009 with the release of Harry Potter and the Half-Blood Prince on Blu-ray and DVD.[35] At the 2010 ShoWest convention, Alan F. Horn premiered unfinished footage from both films.[36] The 2010 MTV Movie Awards premiered more footage from Deathly Hallows.[37] Following this was the release of the official teaser poster, which shows the release date of both Part 1 and Part 2 and a destroyed Hogwarts castle.[38] ABC Family broadcast interviews and additional scenes from both parts during their Harry Potter weekend, which began on 8 July 2010.[39] A two-minute trailer for the film was released worldwide on 22 September 2010.[40]
The UK's Daily Telegraph also gave the film a positive review, remarking, "For the most part the action romps along, spurred by some impressive special effects," adding, "It's just slightly disappointing that, with the momentum having been established so effectively, we now have to wait until next year to enjoy the rest of the ride."[89] Roger Ebert awarded the first part three out of four stars, praising the cast and calling it "a handsome and sometimes harrowing film . . . completely unintelligible for anyone coming to the series for the first time".[90] Scott Bowles of USA Today called it, "Menacing and meditative, Hallows is arguably the best instalment of the planned eight-film franchise, though audiences who haven't kept up with previous chapters will be hopelessly lost",[91] while Lisa Schwarzbaum of Entertainment Weekly likewise praised the film as "the most cinematically rewarding chapter yet."[92] In a review for the Orlando Sentinel, Roger Moore proclaimed Part I as "Alternately funny and touching, it's the best film in the series, an Empire Strikes Back for these wizards and their wizarding world. And those effects? They're so special you don't notice them."[93] Ramin Setoodeh of Newsweek gave a negative review, writing, "They've taken one of the most enchanting series in contemporary fiction and sucked out all the magic . . . while Rowling's stories are endlessly inventive, Potter onscreen just gives you a headache."[94] Lou Lumenick of The New York Post found the film to be "Beautifully shot but a soulless cash machine... [that] delivers no dramatic payoff, no resolution and not much fun."[95]
Instead of being rewards for their cleverness, the Deathly Hallows were actually part of a cunning plan by Death to kill off the Peverells so he could take them for his own. However, Albus Dumbledore felt that it was more likely that the Hallows were actually created by the very talented and powerful brothers, and that the story of their origins as objects fashioned by Death sprang up around them as result of the powers they possessed.
Note: This entire movie is dark, gloomy and filled with shadows. So it should be. That makes it particularly inappropriate for the additional dimness of 3-D. There are a few shots that benefit from 3-D (I like the unfolding of the little magical globe) but none that require it. Avoid the surcharge and see the film in proper 2-D with brighter color.
Harry, Hermione and Ron have grown up. The horrors they met at Hogwarts are but nostalgic memories. They are cast out now into the vastness of the world, on their own, and Voldemort and his Death Eaters draw ever closer. Also drawing near is an equally unsettling phenomenon, sexual maturity. Both are barely kept at bay in this first part of the last installment of the Harry Potter film saga.
Colin Creevey, Augusta Longbottom, Ted Tonks, Grawp, Oliver Wood, Charlie Weasley and much, much more are all present. We understand why many weren't included, though, particularly given the bulk of them had been snubbed in other Harry Potter movies.
As they make their escape, you can see several nods back to the first few "Harry Potter" movies. Notable ones are the chess pieces from "The Sorcerer's Stone" and Gilderoy Lockhart's cornish pixies from "The Chamber of Secrets." The props department apparently filled the room with props and objects they used in the first few movies.
Kate Winslet is an Oscar-winning actress and one of Britain's best thespians, and was offered the chance to join the "Harry Potter" series in the small but important part of Helena Ravenclaw, daughter of house founder Rowena.
However, according to ScreenRant, Winslet's agent rejected the offer before the actress even saw it, believing that she wouldn't want to "follow suit with every other actor in Britain by being a part of 'Harry Potter.'"
As for Harry himself? He learns that when Voldemort killed his parents many years before, he unknowingly bequeathed part of his soul to the closest living thing at the time: the infant Harry Potter. The last Horcrux, then, is Harry himself, who must die to defeat Voldemort. Steeling himself, he makes the ultimate sacrifice by offering up his life to his nemesis.
Do you have any souvenirs from the set?
I have a magic wand, which is actually on my desk. It was made especially for me. The prop department, who make all our marvelous wands, turned up one day with this wand in some really attractive packaging, and said, "David, this is for you and all your hard work." And so, I have that now and I can use it when I make films in the future. If I'm not happy with a scene, I just [wave it].
But Harry isn't focused on the fighting part just yet, since he still needs to find the Horcrux hidden in the school. With Luna's help, he figures out that the object is likely Rowena Ravenclaw's lost diadem, and that he should talk to the Grey Lady (Ravenclaw Tower's resident ghost) to find out where it is.
Well, not exactly. After Voldemort "kills" him, Harry seems to end up in some kind of limbo talking to Dumbledore. There, he learns that while the part of Voldemort that lived within him has been destroyed, he (Harry, that is) can still choose go back to the land of the living to keep fighting.
Warner Bros. Interactive Entertainment, a division of WarnerBros. Home Entertainment Group, is a premier worldwide publisher,developer, licensor and distributor of entertainment content forthe interactive space across all current and future platforms,including console, handheld and PC-based gaming for both internaland third party game titles.
Friday night, central London, and two very excited little boys, one seven (mine), one eight (school pal). We were lucky enough to be at the Soho Hotel for a screening of the first part of the final instalment of the Harry Potter fantasy saga, Harry Potter and the Deathly Hallows: Part 1.
Fans may leave frustrated that they have to wait eight months for the finale. But the seventh and final novel in J.K. Rowling's fantasy series needed to be broken into two parts, said Daniel Radcliffe, who stars as the teen wizard Harry.
"I was always very much in favor of it being two parts, and I think most people were, simply because we all realized there was no way you could do justice to the book and really capture the story in one film," Radcliffe said. be457b7860
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