Atlas of Maritime Charts (The Catalan Atlas), Abraham Cresques, about 1375. Paris, Bibliothèque nationale de France, Ms. Espagnol 30, fols. 2v-3, 3v-4, 4v-5, 5v-6
During the Middle Ages, West Africa was home to rich and dynamic cultures that created objects whose power and beauty continue to resonate today. Most spectacular were those made of gold. In this talk, Gus Casely-Hayford, director of the Smithsonian’s National Museum of African Art, traces the history of gold and the growth of West Africa’s empires. By exploring this network, which includes the powerful emperor of Mali, Mansa Musa, he reveals the impact these former kingdoms continue to have on contemporary values and cultural expression.
12 January 2020
Read an interview with Gus Casely-Hayford about the Balthazar exhibition.
Artists Genevieve Gaignard and Rashaad Newsome address why and how they create spaces for Black histories that explore notions of rulership, power, and place. This conversation, moderated by Tyree Boyd-Pates, curator of Western history at the Autry Museum, poses questions about absence, erasure, and the process of reclaiming history for members of the African diaspora in the spaces of the art museum and beyond.
19 February 2020
Read a reflection by Tyree Boyd-Pates about Adoration of the Magi scenes and race.
Early medieval legends reported that one of the three kings who paid homage to the newborn Christ Child in Bethlehem was from Africa. But it would be nearly one thousand years before artists began representing Balthazar, the youngest of the magi, as a Black African.
This online exhibition examines the juxtaposition of a seemingly positive image of kingship with the painful histories of Afro-European contact, particularly the brutal enslavement of African peoples. This online exhibition uses the phrase “Black African” to underscore the racial diversity across the African continent and to address the theme of Balthazar’s Blackness in European art.
Nativity (or crèche) scenes from the Middle Ages to today often include three kings (or magi) bringing gifts to the infant Jesus. Often, these scenes include a Black king, sometimes referred to by the name Balthazar (his two traveling companions are known as Caspar and Melchior). European Christian tradition often referred to Balthazar as coming from Africa, and maps from the time reveal a combination of fantasy, desire, and lived encounters with Africa and African people.
This Smarthistory article presents European perceptions of Africa based on real-life encounters with a range of people, including rulers, diplomats, religious dignataries, and enslaved people.
Honors Section Available
Honors Section Available
Honors Section Available
In Development
Examining a copy of Federico Barocci's Madonna del Gatto, part of the RCC art collection
Bi-national collaborations with colleagues in Iraq and Jordan through the International Research and Exchange Board (IREX), focused on the United Nations 17 Sustainability Goals. Read more here.
Muralismo conference at RCC, featuring Juan Navarro, Rosey Cortez, Raymond Argumedo, and Clarissa Cervantes, Hispanic Heritage Month 2024
Enjoy the perfect pairing of art and wine form from the Emilia-Romagna, Lombardy, and Veneto regions of Italy.
All year round, from sunrise to sunset, families in medieval Europe made and drank fermented beverages for health, pleasure, and profit. Enjoy a sip of history as we taste beer, mead, and ale, with a special focus on brewsters (female brewers) from the region.
Throughout the Middle Ages in Europe, the movements of the moon, sun, stars, and planets were believed to affect physical, mental, and spiritual well-being. This course combines alcohol and astrology, past and present.