Break the chains of affliction

Oh oh

Break the chains of sorrow

Oh oh oh

Break the chains of poverty in your family

Oh oh oh

Break the chains of trouble

Oh oh

Break the chains of curses

Just break the chains

Can you hear the chains falling in the name of Jesus

I can hear the chains falling in the name of Jesus

Can you see the chains falling in the name of Jesus

I can see the chains falling in the name of Jesus

Chains have fallen


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God is the mighty deliverer. He is in the business of breaking both spiritual and physical chains.

Luke 4:18, Isaiah 61:1-2. In the Bible, which was written for our example and enlightenment, He broke the chains of several people. This included the woman that was bound by the enemy for eighteen years. Luke 13:16. It includes Peter who was put in Jail to be killed like James. The angel of God appeared from nowhere and his very presence melted the chains of captivity. The doors opened of their own accord and Peter walked out of there a free man. Acts 12:6-7 . Another example is that of Paul and Silas who were locked up in the prison and put in chains. As they praised God at midnight, God showed up and the earthquake of deliverance hit the whole prison. The chains again melted and fell off on their own. Acts 16:23-27. Somebody give the Lord a praise offering! It is indeed a privilege to serve this God. This God is indeed our God and we will never stop serving Him. We see, therefore, that God:

Evil chains are used by the enemy to do a lot of evil including the following:

1. To detain a person against their will. When you are detained against your will your expected celebration such as marriage cannot manifest.

Prayers

a. Every evil hand detaining and restraining me, wither and catch fire.

b. Every witchcraft brown sweeping away my breakthroughs and marriage be roasted to ashes.

2. To pin a person down.

3. To keep people in bondage. Luke 8:29.

4. To bind you so that you are unavailable for the things that God has for you.

5. To put in bonds or stock which are symbols of captivity. Lamentations 3:7.

6. To bind to one spot so that you cannot move beyond the radius of the chain.

7. They are used to restrict a person.

8. They are used to tie up various parts of the body such as the waist, the neck, and the brain. They are also used to tie up the hands which represent your handiwork or legs which represents your establishment.

9. They are used to tie up your whole body, including hands, torso, and legs making you completely unavailable for what has for you such as marriage.

10. They are used to limit you so you do not reach the height God has ordained you to.

11. They are used to introduce sickness and to tie you down to places that you do not want to be such as a hospital bed or a prison for the rest of your life.

12. They are weapons of captivity.

13. They are used to afflict a person.

14. They are used to silence a person.

15. Used to keep a person in a dry land, an unfruitful, desert place.

16. They are to prevent you from fulfilling your goal in life.

17. They are to prevent you from doing what God wants you to do.

33. Every evil pit dug for me swallow your digger, in the name of Jesus.

34. Every yoke of slow progress break by fire, in the name of Jesus.

35. Every spirit of sluggishness and backwardness in my life, receive the fire of God and be destroyed.

36. I cancel the effect of every evil dream that I have ever had with the blood of Jesus.

37. O Lord, stretch forth your hand from heaven and take me out of every evil bus stop that I have ever found myself in the physical and in my dreams, in the name of Jesus.

38. I withdraw every evil word that I have spoken against myself, and I can the effect.

39. Every power assigned to make me a nonentity in my family, die and remain dead.

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Sir, God bless for the work you are doing in his name. Few weeks, The Lord showed me where I was bound with four ropes and the end of the roped entered into the ocean. Someone like a guard was also positioned to watch me. After praying these prayers points last week wednesday, The Lord showed me last week Saturday standing by the bank of same ocean but all the ropes were off my hands and broken. The guard set to watch me was no longer there. All Glory be to The Name of Jesus. Praise God oooooooooooooooooooo

White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs. In 1931, White moved to New York, and within a decade his fame had spread widely. His repertoire expanded to include urban blues, jazz, traditional folk songs, and political protest songs, and he was in demand as an actor on radio, Broadway, and film.

However, White's anti-segregationist and international human rights political stance presented in many of his recordings and in his speeches at rallies were subsequently used by McCarthyites as a pretext for labeling him a communist to slander and harass him. From 1947 through the mid-1960s, White was caught up in the anti-communist Red Scare, and as a consequence his career suffered. Nonetheless, White's musical style would go on to influence several generations of musical artists. In 2023, he was inducted in the Blues Hall of Fame.[1][2]

White was born on February 11, 1914, in the black section of Greenville, South Carolina, one of the four children of Reverend Dennis and Daisy Elizabeth White. His father told him that he was named after the Biblical character Joshua of the Old Testament. His mother introduced him to music when he was five years old, at which age he began singing in his church's choir. White's father threw a white bill collector out of his home in 1921, for which he was beaten so badly that he nearly died, and then was locked up in a mental institution, where he died nine years later.[3][4]

Two months after his father had been taken away from the family, White left home with Blind Man Arnold, a black street singer, whom he agreed to lead across the South and for whom he would collect coins after performances. Arnold would then send White's mother two dollars a week. Arnold soon realized that he could profit from this gifted boy, who quickly learned to dance, sing, and play the tambourine. Over the next eight years, he rented the boy's services to other blind street singers, including Blind Blake and Blind Joe Taggart, and in time White mastered the varied guitar stylings of all of them. In order to appear sympathetic to the onlookers tossing coins, the old men kept White shoeless and in ragged short pants until he was sixteen years old. At night he slept in cotton fields or in horse stables, often on an empty stomach, while his employer slept in a black hotel.

While guiding Taggart in 1927, White arrived in Chicago, Illinois. Mayo Williams, a producer for Paramount Records, recognized White's talents and began using him as a session guitarist. He backed many artists for recordings before recording his first popular Paramount record as the lead vocalist and lead guitarist on "Scandalous and a Shame", billed as "Blind Joe Taggart & Joshua White", thus becoming the youngest artist of the "race records" era. He was still shoeless and sleeping in horse stables, with all his payments for recordings going to Taggart and Arnold. After Williams left Paramount to start his own label in Chicago, he threatened that if Taggart did not pay White for his recording services he would call the authorities and have Taggart arrested for indentured servitude and keeping the boy out of school. For a few months after Taggart released him from servitude, White shared a room with Blind Blake at Williams's home before finding his own room in a boarding house. Finally, he was being paid for his recordings and for the first time in his life was able to buy proper clothes and shoes. For the next two years, White continued an active recording schedule in Chicago, until he had saved enough money to return to Greenville and take care of his mother and younger siblings.[5]

Late in 1930, ARC Records, based in New York, sent two A&R men to find White, the lead boy who had recorded for Paramount in 1928. After several months of searching, they found him recovering from a broken leg at his mother's home in Greenville. They persuaded her to sign a recording contract for her underage son, promising that they would record only religious songs and not the "devil's music" (the blues). White then moved to New York City and recorded religious songs for ARC, billed as "Joshua White, the Singing Christian".

In a few months, having recorded his repertoire of religious songs, White was persuaded by ARC to record blues songs and to work as a session musician for other artists. White, 18 years old and still underage, signed a new contract under the name Pinewood Tom in 1932. This name was used only on his blues recordings. ARC used his birth name for new gospel recordings and soon added "The Singing Christian". ARC also released his recordings under the name Tippy Barton during this period. As a session guitarist, White recorded with Leroy Carr and Scrapper Blackwell, Buddy Moss, Charlie Spand, the Carver Boys, Walter Roland, and Lucille Bogan. 152ee80cbc

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