Jean Piaget in his study.
Jean Piaget in his study.
Philosophy writing: Book 1
Two old philosopher friends reunite for a camping trip in eastern Oregon's Outback and Nevada's Black Rock Desert. Each night they talk about their philosophical worldviews, usually around a sage- and juniper-fed campfire. Often soaring with whiskey (or marijuana), J.D. pushes his naturalistic philosophy, which he anchors in the Big Bang, and Carl counters with his Platonism. They are accompanied by J.D. 's dog Sadie and, later, they hook up with J.D. 's kayaking friends for a multi-day trip down Oregon's John Day River. J.D.'s friends are more than happy to offer their own philosophical opinions.
This book is partly Zen and the Art of Motorcycle Maintenance, with a touch of My Dinner with Andre. But in this account, Schopenhauer's Will dominates. Cosmic energy underlies everything and we are its embodiment. The human need to be free, as for all of life, screams out. It is viscerally existential, and is variably used to serve the self only, to serve others, or to serve all of life. This narrative is also about the search for meaning in what, for J.D., is a meaningless universe.
Philosophy writing: Book 2
We differ from our ape cousins in one crucial way: We can wonder about our existence. That wonder rests on the same motive forces that we share with all of life - the need to survive and live well, and the fear of pain and death.
For eons, religion has told us stories about our origins and an eternal future. Science types might not engage much. Others turn to new age explanations. And some live in dread, or they live by default or denial, hoping that death just goes away. For Babu, none of these work. He anchors his worldview in the science of his time, which can be philosophically described by Schopenhauer's Will. The Will is cosmic energy that tells us our origins and shows us our future.
Philosophy writing: Book 3
When his religious upbringing was no longer tenable, J.D. Steens turned to philosophy to find a worldview that would work for him. The problem he ran into was that, while philosophy seemed divorced from science, science would have nothing to do with philosophy. In this book, J.D. Steens tries to tie these two approaches together by formulating a philosophical worldview that is based on science or at least not inconsistent with it.
The voice for this perspective comes through Graybeard, a chimpanzee, whose namesake was David Graybeard, one of Jane Goodall's first chimpanzee subjects. Upon their invitation, Graybeard shares his own ideas with Plato, Schopenhauer, Lao Tzu, Darwin, the Buddha, Einstein, and others, in a parallel universe setting. In this book, Graybeard links the world of science (evolutionary biology) and philosophy, in one fundamental way: Though an animal, he and humans (and all of life) are motivated by the same forces - the need to survive and the fear of not surviving. From this perspective, fundamental philosophical themes can be deduced.
This is the third book of Steens' philosophical trilogy. The first was Philosophical Travels with Carl: Freedom in the Oregon Outback, and the second was Babu, A Philosophical Quest. Both are published on Amazon and Barnes and Noble.
Book reviews
Digital (and print) archives
Link to my digital archive photos of Nepal from 1966-68 and 1969-71.
These are my contributions to the Nepal Photo Project, a collection from Nepal Peace Corps Volunteers, 1960s-1975.
Additionally, I have curated many photos to the Old Photos of Nepal online archive. Follow the Facebook group for access and my photos are under my name.
Link to Schoolcraft Historical Society and Underground Railroad Museum digital archives. I have been involved in creating many of these.
Within this collection, my ancestors' albums are as follows: Fanckboner, Nichols and Roberts, McCreary, and Crose families.
Link to photo book on the history of the family farm in Schoolcraft, Michigan where I grew up. Harold Nichols photo, c. 1920.
Photography
Link to my photo albums since 2015.
Scenes from the philosophical trilogy
With Jon and Sadie, eastern Oregon.
Jon was the model for Carl for Philosophical Travels with Carl: Freedom in the Oregon Outback. Sadie was our companion. 2008.
Sadie at Lost Forest, Oregon, waiting for me to toss a stick. Note the very dirty tongue.
One of the scenes in Philosophical Travels With Carl: Freedom in the Oregon Outback.
With Lloyd (cigar). Traveling in Eastern Oregon. 2002.
Lloyd is a model for George, one of the kayakers in Philosophical Travels with Carl: Freedom in the Oregon Outback.
Kiger Gorge, Steens Mountain.
One of the scenes from Philosophical Travels With Carl: Freedom in the Oregon Outback.
John Day River, Oregon. 2022.
Scenes from this river are in Philosophical Travels With Carl: Freedom in the Oregon Outback.
Kayaking on the John Day River, Oregon. 2019.
Scenes from this river are in Philosophical Travels With Carl: Freedom in the Oregon Outback.
Jan at Black Rock Desert. 1998.
One of the scenes from Philosophical Travels with Carl: Freedom in the Oregon Outback. Jan, a regular traveling companion to eastern Oregon, is Ron in the book. The Mascall formation in the John Day country is named after his family.
Sadu, Nepal's Tarai, looking north to the foothills and Himals. 1967.
Referenced in Prologue to Babu: A Philosophical Quest.
Hile, eastern Nepal, looking north. 1969. Note plumes coming off Mt. Everest (center, not visible), and Makalu (right).
Scene for Babu: A Philosophical Quest.
Main street, Hile, eastern Nepal. 1970.
Scene for Babu: A Philosophical Quest.
Misty forest, northeast of Hile, eastern Nepal. 1970.
A scene for Babu: A Philosophical Quest.
Washoe at Central Washington University, Ellensburg, Washington. My photo from a visit c. 2002.
Along with Jane Goodall's chimpanzee, David Graybeard, Washoe was an inspiration for Graybeard: A Chimpanzee Does Philosophy.
Washoe's memorial stone at Central Washington University.
Writing the philosophical trilogy
Olympia, WA.
Arthur Schopenhauer. His philosophy is central to the three books of the philosophical trilogy.
Writing space.
Writing space.
Writing-thinking space.
White board diagramming.
Office space, north end.
Office space, south end.
Office space, west end. Python skin, top, from Nepal's Tarai.
Journal notes and poems
In 1967, sitting in my house in Nepal's Tarai and having a lot of time to think about life, I started writing in aphoristic style. Most of my journal notes are from 1967-1971 when I was in Nepal. I continued writing in this way after returning, but much less so as I studied, and then worked and raised a family. Later, I picked up putting these thoughts into a poetic format, which I found helped me to be concise in my thinking and writing.
Link to these are available here.