This picture shows the six classic kick-drum mics we compared in the 'KickMics' audio examples. In the middle is the Electrovoice RE20, above it is the Neumann U47 FET, and below it the AKG D12. To the right is Sennheiser's MD421, while a Shure SM57 and an AKG D112 are to the left.Another large-diaphragm dynamic mic that is a favourite of Joe Barresi, John Leckie, Peter Henderson and Toby Wright is Sennheiser's MD421. On account of its 100Hz low-frequency roll-off and hefty 5-8kHz sensitivity peak, it is in practice often used in combination with another, bassier mic (such as the D12/D112), although Henderson has used it on its own too. Shure's ubiquitous SM57 is name-checked for kick-drum recording by Ian Little and Tore Johansson, but given its even higher 200Hz bass roll-off, Little's tactic of combining it with AKG's C414B ULS, notable for its extended LF response, comes as no surprise. Both Steve Churchyard and John Leckie mention, though, that such combination techniques can easily cause disastrous phase cancellation, just as with snare multi-miking, so be prepared to finesse mic positions and experiment with phase-inversion for the most solid sound.
To give you the option to experiment with the sounds of these kinds of multi-mic techniques I took the opportunity to add in a few extra mics while recording the 'KickHeadOn' and 'KickHeadOff' sets of audio files. Alongside all these file sets, you'll also find files for two different U47 FETs, one placed 12 inches from the drum, and the other at three feet. This means that you can freely substitute different internal mic positions to see how they combine with either of the external mic positions. Inspired by the dual-mic approaches of Steve Churchyard, Joe Barresi and Ian Little, I also slung up additional D12, MD421 and C414B-ULS alongside the D112s while recording the 'KickHeadOffMid' files, to give an impression of the different flavours imparted by those specific mics when they're used inside the kick.
[Extra Quality] Alan Parsons - Sound Check 2: Audio Test And Demonstration CD (2003)
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There are about twenty places in the music that we use as tests, and the right setting is the one that gets the most of them to sound their best. With every change some of the twenty will sound better and some will sound worse. Recognizing when the sound is the biggest, clearest, and most balanced from top to bottom is a skill that has taken me twenty years to acquire.
Architectural acoustics is the science and engineering of achieving a good sound within a room.[13] For audio engineers, architectural acoustics can be about achieving good speech intelligibility in a stadium or enhancing the quality of music in a theatre.[14] Architectural Acoustic design is usually done by acoustic consultants.[10]
Northward Acoustics is an acoustics engineering and consulting company based in Brussels, Belgium. Its founder, Thomas Jouanjean, developed his Front-To-Back Control Room and Mastering Suite design in the early 2000s, and he now has constructed some of the finest studio rooms all over the world. Clients include Sterling SoundNew York and Nashville, Skrillex, Brad Blackwood's Euphonic Masters (Tape Op #102), Dave Collins Mastering, and many others. I was lucky to chat with Thomas right before my pal, Adam Gonsalves, had him design and oversee construction on a new facility for Telegraph Mastering in Portland, Oregon. The resulting room speaks to Northward's quality, and, having spent many hours there, I can attest that the design works. I'm humbled when I hear mixes I've done in Telegraph, and it's amazing how other work sounds in the new space.
See live demonstration of Macintosh based digital video editing system using Final Cut Pro and Avid Xpress DV. ProMax offers turnkey digital video workstations using solutions from Apple, Adaptec, Adobe, AJA, Boris, Bose, Canon, Canopus, DigiDesign, IBM, JVC, Lowell, Mackie, Panasonic, Pinnacle, Sony, and ViewSonic. Also being demonstrated is the ProMax DA-MAX+, analog to digital/digital to analog media converter box with the following input/output connections: Component, S-video, composite, balanced and unbalanced audio, RS-422, six FireWire ports, SDI, and AES/EBU digital audio ports. You will also find Promax on the NAB floor at Booth SL831 in the South Hall near Apple Computer. See the latest in FireWire drives and RAID storage solutions. 589ccfa754
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