You can use most of the best audio editors to create an auto-tune effect in your songs. Find out how to replicate the popular music production technique in our guide How to use auto-tune in your favorite audio editors

Audio editing has evolved over the years, growing in complexity and utility, especially with the rising popularity of podcast recording and music production. Today, high-quality production is not just a bonus but an expectation from audiences, making it essential to select an audio editor that meets professional standards.


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With the advancements in technology, audio design has become more accessible than ever. Whether you're using the best audio PC or the best laptop for music production, the right software can make a significant difference in your audio editing experience. However, finding the perfect audio editor can be challenging, as different editors cater to varied needs. For instance, the best music-making software might not necessarily offer the right tools for audio-visual content creation in a marketing context.

To assist you in this selection process, our comprehensive tests and reviews cover both the best audio editors and the best free audio editors available for Windows and Mac users. Our evaluation focuses on aspects such as user experience for different skill levels (beginners to experts), performance, platform compatibility, and pricing. We also delve into the specific features of these editors, like the best music sample libraries, sound effects, and how they compare to renowned platforms like Adobe Audition.

In most cases, you can produce professional-quality audio files from your existing Windows or Mac computer. Specific audio production hardware is only required for expert, professional audio needs. For example, using software like Ableton Live, many popular electronic music producers use their laptops to create music without the need of studio equipment. Additional hardware is useful for plugging in external instruments, keyboards, and production equipment. However, that is not necessary when starting out in many situations.

The issue is, unlike game engines and drawing tools, I know absolutely nothing about audio editors. It seems really fun to make my own music and sound effects, but there's so many out there and I don't know where to start. I'm still not even sure what kind of music I'll enjoy making the most -- so anything is fair game.

How to decide which one is right for you? To help with this task, we tested the most popular DAWs. Numerous venerable (and excellent) recording magazines have reviewed these applications many times over the years. That's great for the existing user base of each DAW, but maybe not always quite as clear for newcomers. In each of our reviews, we do our best to approach each product as a whole rather than devoting most of the space to just the latest features added in the most recent update. Read on for our top picks, followed by everything you need to know about picking the right DAW for your recording needs.

Avid has unlocked Pro Tools, its venerable audio recording and editing software, for a new generation while maintaining its status as the standard cross-platform solution for professional music, film, games, and broadcast production worldwide. Buying into Pro Tools, in whatever capacity, will mean your projects have the largest potential compatibility base should you want to work with other musicians, forward a project to a producer, or hire a mixing engineer that wants to look at the actual track data and plug-ins you used, and not just a stack of tracks you exported as individual audio files. And its workflow remains second to none.

Avid Pro Tools is the best DAW for most people with PCs. Pro Tools is equally excellent on Macs, but Apple Logic Pro still edges it out there. Pro Tools is ideal for larger studios with lots of outboard hardware and the need for extensive support networks. A reasonably priced $9.99/month tier lets a new generation of up-and-coming engineers get on board again.

Ableton Live is a powerful all-in-the-box solution for composing and performing live music, particularly electronic-influenced tunes. Since its launch in 2001, Ableton Live has become the go-to environment for music creation for many musicians, with an eye toward real-time performance on stage. If you take to Ableton Live's intuitive clip-based approach to building music tracks, you may find yourself completely immersed, creating new songs all the time and never needing another program.

If you want to get started in podcasting or recording music, it's tough to go wrong with Audacity. A powerful, free, open-source audio editor that's been available for years, Audacity is still the go-to choice for quick-and-dirty audio work. Professionals looking for multitrack post-production and broadcast tools should take a closer look at Adobe Audition.

FL Studio lets you produce some of today's slickest beats right up to full electronic dance music tracks. If that sounds like your style, FL Studio could be key to unlocking your creativity. It caters to step sequencer and pattern-based playlist fans more than those expecting a more linear multitrack recording experience.

Steinberg Cubase has a long and storied history in the music industry, first appearing on the Atari ST in the late 1980s before migrating to Macs and PCs. Cubase Pro is a powerful, ultra-flexible recording and production environment, a top-notch digital audio workstation particularly suited to MIDI editing and running virtual instruments.

Audition is a comprehensive audio editor for anyone interested in video post-production, podcasts, and audio restoration. It makes sense as a supplement to a video editor or as part of an existing CC subscription. Although Audition can function as a digital audio workstation (DAW), it's too limited and expensive for that, given its lack of music composition tools.

It helps to think about the kinds of projects you want to create. Are you planning on producing beats for hip-hop or fully electronic compositions? Do you want to record multiple musicians playing live instruments at once? Will you use your setup to score for videos or movies or create sound effects and dialogue for TV and video games? Do you need to produce fully polished, printed scores, or do you prefer to work with musical notes and staves? Do you plan on tuning the pitch of vocal performances? Working out the answers to these questions upfront will help you narrow down your choices.

Do your tastes lean toward the electronic and synthesized realm? Ableton Live and FL Studio are inspired choices with plenty of built-in synths, though you can produce electronic music with just about any of these programs. Digital Performer is a perennial favorite for film scoring, although several other DAWs can also do it (if not quite as ably). If you're interested in mastering finished recordings or classical music editing, the high-end Magix Sequoia is unparalleled.

Often, it comes down to details and editing philosophies. Do you prefer loop-based recording and live playback for electronic music? Ableton Live has plenty to offer you. Would you rather have a "do-it-all" DAW with an extensive built-in sound library at a low price? PreSonus Studio One beckons. Do you not only want to bring projects into major studios but also collaborate online and open sessions directly as you work on them with others? It's impossible to top Avid's Pro Tools for this. Is the music already done, and do you work in post-production and want to produce more professional podcasts or videos? Adobe Audition is a prime contender for those tasks. And if you've got a Mac, it's worth giving the free GarageBand a spin, if only because it's more potent than ever and you already own it.

Even so, we single out two DAWs, one on the Mac and one on the PC, for Editors' Choice awards: Apple Logic Pro, for its unbeatable value with its built-in instruments and effects plug-ins and Avid Pro Tools, for its seamless audio editing and suitability up and down the pro studio chain. Despite those conclusions, we'd happily use any programs listed here for new projects. Choose one, learn its secrets, and get to work creating and editing fantastic music and audio.

AudioDirector is the overall best free audio editing software. Record music, audio, or sound effects, then mix, edit, restore, and produce in one high-quality package. AudioDirector is easy enough for a novice to edit audio but robust enough for more seasoned veterans. Detailed Review >

While all the free audio editors on our list are appropriate for beginners, some are simpler than others. Some are for beginners hoping to become professional audio editors or music producers. They are pared-down and no-cost versions of professional software that would be too complex for someone who just wants to clean up some dialogue. Others have quick and simple tools, so even first-time users can jump in and edit audio right away. In each of our reviews, we lay out exactly how easy (or not) each free audio editor is going to be for most beginners.

It is important to know how many tracks you think you will need when you edit audio. The free audio editing software on our list ranges from a single track to unlimited tracks. If you edit audio for a single speaker, such as an audiobook or sermon, then one track will suffice. However, if you are editing a music recording with instruments, or a podcast with multiple guests, you will require more tracks.

Acoustica is a great way for professionals or beginners to edit audio for music, VO, podcasts, films - you name it. However, it does not have a dedicated free version, only a free trial. And while the price for the Standard edition is affordable compared to other audio editing software of this standard, most of its fantastic audio restoration tools and spectral editing are saved for the Premium version.

WavePad has many audio editing tools such as cut, copy, paste, delete, insert, silence, auto-trim, compression, and pitch shifting. We like the royalty-free sound effects, music library, and tool that allows you to create ringtones from your music files and recordings. 17dc91bb1f

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