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After the attack on D6, Artyom becomes disillusioned with the constant infighting and corruption within the Metro and leaves the Spartan Order. He becomes obsessed with proving other humans outside of Moscow have survived and makes numerous dangerous expeditions to the surface. During an expedition with Anna, they witness a working train running on the surface. Before they can follow it, they and a group of people who claim to be from outside Moscow are captured by Hansa soldiers. The Hansa soldiers execute the other prisoners, and Artyom is shot and Anna is taken hostage. Artyom survived the shooting; he follows the soldiers to rescue Anna and inadvertently destroys a signal jammer that was blocking all radio communications between Moscow and the outside world. Radio transmissions from all over the world begin to be received, and Artyom and Anna realize humanity has not gone extinct. They escape by stealing one of Hansa's locomotives named Aurora.
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The Spartans detour to the heavily-irradiated city of Novosibirsk, the closest location where an antidote may be found. Despite the risk, Miller and Artyom head into the city alone to search for the antidote. They enter the Novosibirsk Metro and find a young boy named Kirill, the last Novosibirsk survivor, who explains his father left on a mission to obtain a map marking a clean, habitable area. Miller and Artyom split up; Miller goes to find the map and Artyom searches for the antidote. Artyom finds the antidote but a mutant gravely wounds him and he absorbs a heavy dose of radiation. Artyom, Miller, and Kirill return to the train with the map and the antidote; on the return journey, Miller uses a dose of anti-radiation serum meant for himself to save Artyom, and dies of radiation poisoning. The rest of the Spartans donate blood to give Artyom a critical transfusion. Anna is cured with the antidote and with the map, the Spartans settle on the shores of Lake Baikal, which is free from radiation.
While Artyom goes to find the cure for Anna's illness in Novosibirsk, Miller begins retracing the steps of Kirill's father Colonel Vyacheslav "Slava" Khlebnikov to find the satellite map. One year prior, Slava worked as a soldier protecting the Novosibirsk Metro while raising Kirill. At the same time, the Novosibirsk Metro government (OSKOM) was planning to evacuate the Metro but there was insufficient anti-radiation serum to protect the entire population. OSKOM began confiscating serum from the populace, causing civil unrest. Civil war broke out in the Metro, forcing Slava to defend OSKOM headquarters from the rebels. General Anatoliy "Tolya" Vinogradov deployed poison gas during the battle, killing almost everybody in the station. When Slava confronted him, Tolya revealed OSKOM leadership had already taken the remaining serum and fled, and had decided to flood the Metro with poison gas to kill the rest of the population. Tolya, who was bitter at being left behind, ordered his men to destroy the OSKOM evacuation train before committing suicide. With no other choice, Slava descended into a mutant-infested bunker to retrieve the map leading to Lake Baikal. He found the map but succumbed to radiation poisoning after losing his dose of serum. In the present, Miller enters the bunker, and finds Slava's body and the map. He tells Slava he did not die in vain and promises to evacuate Kirill from Novosibirsk before leaving.
The game's story generally received positive reviews. Bertz compared the game's campaign to those of the Wolfenstein games developed by MachineGames, though he said subpar performances from the cast hinder the emotional impact of certain scenes.[57] Higham said the story is more grounded than that of its predecessor, and that Metro Exodus forgoes the supernatural elements for a more personal story. He also praised the game's characters and wrote the "best parts of the story" can be found in the locomotive, interacting with Artyom's crew, which adds moments of levity to the game.[58] Astrid Johnson from Polygon wrote unlike the series' earlier games, Exodus injects the story with hope, and interacting with other characters on the train is "captivating" because it juxtaposes with the game's bleak setting.[65] Oglivie liked the game's story but said it does not have a central threat and that the ending "grinds to a halt".[59] Critics criticized Artyom's status as a silent protagonist.[59][58][56][66] Kelly praised the game's use of environment to tell side stories, describing them as "vivid". While he praised the game's environments and atmosphere for evoking a pervading sense of "hopelessness and melancholy", he said the game loses its identity when it is no longer set underground.[60]
Train Simulator 2020 is a fun railroad simulator with updated landscapes, unique trains and almost limitless possibilities. You will manage all aspects of the operation of railway lines, including the construction of the tracks themselves and the organization of comfortable passenger transportation.
You are given the opportunity to take part in an exciting story campaign, where you will embark on an epic journey across countries and continents. Build railway lines, connect cities, towns or industries, run trains on the rails and watch your profits grow.
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