Building the Beca Kuala Lumpur- Trades Archive
project initiative by Jeffrey J C Lim 林猷進
designed & built by the 张 Diong family

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project space
KongsiKL, Kuala Lumpur
under KongsiResidensi programme,
Oct 2021 - Jan 2022

exhibition
7th to 10th April 2022
KongsiKL, Kuala Lumpur

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Archive Package Exhibition 2023
- 1st - 16th July April
Rumah Attap Library, Kuala Lumpur
- 18th - 27th August
P320社区空间 Ruang Komuniti P320
- 9th September - 1st October
Ruang Kongsi, Penang

 

 

 

 

Technical support
Srishti Malaysia
Japan Foundation
Balai Seni Negara

Trades Archive
Documenting & recording the intangible knowledge of traditional trades. Reflecting the traditional apprenticeship method of ‘眼見功夫 / doing by seeing’, through the use of film, book publication, and exhibition. 

 

Documenting the making of Kuala Lumpur’s Beca, designed and built by the 张 Diong family since pre-war Malaya.

 

The Beca / trishaw / 三輪車 is a bicycle with an extra wheel for a side or front cart that ferries cargo or passengers. There are about eight different makes of the Beca found here, all uniquely Malaysian. Beca were the people’s main transport through the early years of Malaya right up to independence, still used in community markets in the Klang Valley and Peninsular today.

The Beca maker of Kuala Lumpur, the 张 Diong family has been at this trade since before WW2, and now in their 2nd generation with Benny Diong, only until recently. Benny closed down his trade for good at the end of July 2021, along with many other traditional trades due to the prolong pandemic effect on the economy.

With Trades Archive, Jeffrey Lim has documented the intangible knowledge on the making, using the custom-made tools & materials. Under the KongsiResidensi programme, Jeffrey apprenticed with Benny Diong, and built an example of a Beca, recording the entire process.

Reflecting the traditional apprenticeship method of ‘眼見功夫 / learning by seeing’, Jeffrey with the support from Joshua Kok, Karafuru Visuals , Tan Shin Jie, Tetawowe Atelier and Dennis Ong, KL Heritage Researcher, have recorded the intangible knowledge at a degree of detail not done before, through the use of motion film, digital technical drawings and archival research. Producing a videos and publication, with an exhibition that showcased the entire project.

Film

Filming the Building manual & interview

Drawings

Technical drawings, assembly & parts naming, & material specifications

Research

Research writings & exhibition panels

Exhibition

Exhibition of build, tools & material

Visiting Kuala Lumpur in 1979 Michael Rogge, youtube screenshot.

Radial spoke wheel, Sin Hin workshop, 2015

The Beca is an important cultural link to Malaysia’s past, to our innovative and intuitive nature in creating and building functional items during the early industrial age and development of our nation state. It is uniquely Malaysian, a traditional trade that has origins from the days of blacksmith and steel smith trades.

张 Diong family was one of the first to innovated a steel version of the radial spoke wheel. This revolutionised mobility, changing the way goods & wares and even passengers were transported. It led to the creation of the beca wheel, the beca is able to transport in excess of 300kg. 

Along with many other trades, it has declined in it’s functionality and relevance, ending it’s life and legacy, and if found important, only exist as artefacts in cultural museums and photographic archives.

This initiative was supported by filmmaker & cultural artist, Joshua Kok of Karafuru Visuals, co-producing with Jeffrey an artisanal video as a manual to the building of the Beca. And also with the support from Tetawowe Atelier with Tan Shin Jie, recreating the entire build into a digital format with technical drawings. Dennis Ong, KL Heritage Researcher, investigated the illusive past of KL Becas through archives.

An exhibition was held from the 7th to 10th April 2022, showcasing the salvaged machinery, tools, materials and artefacts, plus the finished beca. The video, technical drawings & research writings were exhibited. The first Archive Package thumb drive was presented to Benny Diong on the 3rd day of exhibition by Loke Soh Kim of Kong Kong Bread Project, containing all the documents and production of the archive. Tay Tat Sing of Tetawowe, handed the A1 printouts drawings of the beca.

 

Archive Package

The Archive Packages are being distributed at the moment. The public can access the documents at these public institutions, art & resource centres and libraries. 

The package contains a USB thumb drive holding all the documents and media, collected and made of the project. Twenty archive packages were made. There are two versions, the Standard version and an Expanded Version*, containing more files. 

Below is the list of contents:

– Documents
– Design File*
– Images
– Exhibition
– Research Writings
– Technical Drawings
– Chair Drawing*
– Video Archive
– Media Coverage
– Rumah Attap Exhibition

1. Tetawowe Atelier- patron
2. Kong Kong Bread Project- patron
3. KongsiKL – public resource library
4. Lostgens’ Contemporary Art Space
5. Diong Family
6.
7.
8.
9.
10. Joshua Kok- film maker

Standard Version
11. Japan Foundation- resource library
12. Balai Seni Negara- resource centre
13. Centre of Malaysian Chinese Studies- resource centre
14. Chinese Hokkien Association
15. Rumah Attap Library & Collective 亞答屋84號圖書館
16. Ruang Kongsi 共思社
17. P320社区空间 Ruang Komuniti P320
18.
19.
20. Jeffrey Lim, Reserved

 

Kuala Lumpur exhibition

7th - 10th April 2022— Building the Beca- Trades Archive, KongsiKL, Kuala Lumpur

KongsiKL– 7th to 10th April 2022

Trades Archive Dialogue– Mediums of Archiving
10th April 2022, KongsiKL

1st - 16th July 2023
再見三輪車:从老行业看吉隆坡變遷, Farewell the Trishaw
Rumah Attap Library, Kuala Lumpur

Rumah Attap– 1st to 16th July 2023

Dialogue– Documenting the Common– When does the everyday become heritage?
1st July 2023, Rumah Attap

18th - 27th August 2023
小镇居民的三轮车回忆, Kenangan Beca Orang Kampung
P320社区空间 Ruang Komuniti P320, off Kulai, Johor

P320社区空间 Ruang Komuniti P320– 1st to 16th July 2023

Story-telling "Go Trishaw go" with Irisagabe Phang and Jeffrey Lim, 18th August 2023, P320

Film Screening and Dialogue with Jeffrey Lim, 20th August 2023, P320

Film Screening and Dialogue with Jeffrey Lim and Richard Choon, 19th August 2023, P320

9th September- 1st October 2023
三輪車的過去與未來, Beca: The Past and Future
Ruang Kongsi, Penang

Ruang Kongsi– 9th September to 1st October 2023

Cultural Documenting- Research & Methodology, Lim Sok Swan & Jeffrey Lim

Back to Beca, Tan Lii Inn

Building the Beca, Trades Archive- Joshua Kok & Jeffrey Lim

Special Film Screening

Community involvement in Cultural Archiving– Rumah Attap, P320 Community Centre, Ruang Kongsi, Trades Archive

 

 

Initial Project Team

Benny Diong H P
Beca Master Builder,
2nd Generation

Jeffrey J C Lim
Initiator, Apprentice,
Trades Archive

Joshua Kok
Filmmaker, Cultural Artist,
Karafuru Visuals

Tan Shin Jie
Technical draftsman, illustrator
Tetawowe Atelier

Dennis Ong Z Y
Kuala Lumpur Heritage Researcher, exhibition writer

Yeoh Lian Heng
Researcher, Writer,
Lost Gen

Low Pey Sien
Project site Manager,
KongsiKL

Tetawowe Atelier
Patron & technical support

KongsiKL
Project Space supporter

KongKong
BreadProject
Patron

Technical Support

Srishti Malaysia
Westcott production lights

Japan Foundation
digital projector

Balai Seni Negara
Archival beca research


 

 

Trades Archive

老行業全記錄

Trades Archive intends to document traditional trades in detail, in it’s living form with the Master tradesman / craftsperson, using the original tools and materials. Through the use of modern mediums such as motion film, technical drawings, 3D rendering etc, producing a detailed manual of how the trade product is created and made.

This project hopes to inspire other Master tradesmen to evaluate their trade skills as invaluable knowledge to be recorded. Encouraging them to also start documenting and archiving their trade skills on their own. It is a way to also establish the origins of our traditional trades, and bridge beyond the trade family and spread the legacy of this unique Malaysian cultural identity, bringing it to a wider, newer generation of cultural artists, designers, & makers.

I believe in a creative commons model, to share this methodology with other artists and cultural workers in creating their own trades archive, in their own cities and communities. Trades Archive hopes this effort will preserve the intangible knowledge, and bridge the gap with future generations, to inspire and pick up where these trades have left off.

Jeffrey J C Lim