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Mary Shelley's Frankenstein is a novel which grapples with the concept of advancing science and its consequences when used irresponsibly. However, as a work of the Romantic Period, the novel also deals with the theme of nature and its relationship to various characters. Romanticism explored, among other things, the inherent beauty of nature and the celebration of emotion over reason. Many works, including Frankenstein, are a reaction to the cold rationality of the Enlightenment. While the Enlightenment saw nature as something to be harnessed or controlled, the Romantics saw nature as a neutral force. It was neither good nor evil.

The major conflict between Victor Frankenstein and the Creature shows the significance of nature in Frankenstein. Victor's initial quest to create life is in his response to his mother's death. Victor wishes to undo what nature has taken from him. In his quest to unlock the secret of life, however, he creates something (the Creature) which he then ignores out of fear of its grotesqueness. This abandonment will lead the Creature to become obsessed with destroying Victor's life. Victor essentially creates something against both the law and nature and spends the rest of the novel paying for his crime.

Victor's quest to create life is the quest to do what nature has done since the beginning of time. Humans cannot just spontaneously create life, but Victor is determined to do so and creates something he cannot stand to see. The Creature is a misshapen brute who resembles a human being but in gross proportions. He is symbolic of Victor's attempts to imitate nature, producing an imperfect copy.

The Creature, for his part, also experiences nature shortly after being abandoned when he must live in the woods for a time. It is winter when he first finds a place to live near the De Lacey family. When spring arrives, however, the Creature is taken back by the changes around him and how everything comes to life. It is the first true moment of beauty he experiences, a moment made possible by nature itself. However, this later contrasts with the pain and isolation he feels as he realizes he is alone and unique in the world.

Sublime nature is a concept central to the Romantic movement. The Romantics saw nature as something that could awe and horrify at the same time. This experience challenged reason and was a purely emotional response against a force that could not be tamed or controlled in any way.

When the Creature is living in the forest after being abandoned, he notes the changing seasons and comments, "Spring advanced rapidly; the weather became fine and the skies cloudless. It surprised me that what before was desert and gloomy should now bloom with the most beautiful flowers and verdure. My senses were gratified and refreshed by a thousand scents of delight and a thousand sights of beauty." Even without a past, the Creature understands beauty. Such is the power of nature that even a newborn being like the Creature can be moved and understand its magnificence.

In her iconic 1818 novel, Frankenstein, Mary Shelley, a leading figure in the Romantic movement, draws inspiration from the forces of nature. The Romantics view nature as both a source of bountiful creation and healing comfort, and as a force of frightening power and terrible cruelty. They also see conflict between the natural world and the forces of modernization and scientific progress which characterize the Age of Enlightenment of the late 1700s. This is also the era in which the Industrial Revolution begins in earnest, creating a technological age that transforms how we live, work, and experience the natural world (if, in the machine age, we experience nature at all).

In Frankenstein, Shelley presents an image of nature that is at once benevolent and diabolic, breathtaking in its beauty and shattering in its brutality. The natural world is life-giving and nurturing to humans, but she is also under threat by the forces of progress. When men like Victor Frankenstein presume to violate the laws of nature and seize its power for themselves, nature becomes an instrument of swift and pitiless revenge.

The major themes from Frankenstein are deeply rooted in the beliefs of the Romantic Movement. Victor's battle against nature is one of rationality and intellect versus the natural world. To the Romantics, the natural world is tied with emotion, so Victor's quest is doomed to fail because rationality cannot catalogue and understand nature in all its facets.

In the novel, nature both heals and destroys. It provides rest and shelter to both Victor and the Creature at various points. In Frankenstein, the power of nature is so vast that it can affect both these men with vastly different mindsets and experiences.

However, nature is also shown as a destructive force, especially at the end when the Arctic finally kills Victor. Much earlier, though, when Victor attempts to make the Creature's mate in Scotland, nature is cold and empty. The small rocky island where he lives is barren of almost all life, mirroring the emptiness of his pursuit.

The Creature itself is a metaphor for humanity's arrogance. Victor believes he can create life and usurp the natural order, but the Creature is a misshapen and grotesque being, unlike anything that ever existed. Even Victor, its creator, is shocked by its appearance. The Creature's subsequent quest to ruin Victor's life by murdering those closest to him is a representation of the price of violating natural laws. It wouldn't have been enough for Victor to simply fail in his experiment to show that humanity should not try to copy and control nature. Rather, Victor, as a surrogate for rationality and the beliefs of the Enlightenment, must suffer to show that violating nature is not a trivial thing. Nature, though it gives life and warmth, also exacts devastating punishments.

Mary Shelley's Frankenstein is a novel that shows the Romantic Movement's ideals in the wake of the Enlightenment. Shelley believed that nature was comforting and could heal, that it held great beauty and power. She also believed it held the potential for incredible brutality.

Victor Frankenstein views the natural world as the key to unlocking the mysteries of the universe through empirical study. He believes nature can be controlled. Despite this view, when he's at his lowest point, Victor takes comfort in the lakes and mountains of Geneva. However, his creation of the Creature is a metaphor for the arrogance of humanity in thinking it can control nature in any meaningful way. The Creature is the swift and terrible price for violating the laws of nature, and every calamity that befalls Victor and his family can be traced to Victor's arrogance.

Even if Victor Frankenstein approaches the natural world with the detached, clinical gaze on which the new science depends, he is still only human. Time and again, nature's beauty moves Victor, particularly when he finds himself encircled by the Alps in his beloved Geneva home.

In this, Shelley echoes the Romantics' love of nature, and the splendid power of her beauty. Nature is Victor's only comfort when he is at his lowest, and most despairing, horrified by his creation and quaking at the thought of the monster's revenge.

But here's the problem: for the Romantics like Mary Shelley, Enlightenment progressivism will always be opposed to Romantic nature. New science poses every threat to the natural world. Modernization and urbanization devours nature and tears her apart through dissection, all for the sake of the forward march of civilization. Romantics view Enlightenment scientists as desensitized and corrupted by their learning. Men of the Enlightenment have lost respect for the very natural world they presume to try to understand and control.

Victor's monster is the ultimate clash of science and nature. In him, Victor has violated every natural law. He has overstepped every human boundary and presumes to play God. In harnessing the spark of life, he has stolen what belongs only to the natural world. Nature is outraged. She wants revenge.

The monster is nature in her terrible brutality, magnified in her power and cruelty, because her rights have been violated. For the Romantics, Enlightenment science is far too presumptuous, far too proud. The price humans pay for that arrogance is dear.

Nature themes play a pivotal role in Mary Shelley's iconic 1818 science fiction-horror story, Frankenstein. A leading member of the Romantic movement, Shelley explores the beauty, power, and potential cruelty of the natural world. She shows how nature opposes the scientific progressivism of the Age of Enlightenment and the burgeoning Industrial Revolution. Victor Frankenstein is a man of the new Enlightenment science, who empirically studies the natural world in order to unlock every mystery, seeking to understand the universe, man, and God. But Victor is also a Romantic at heart, and like the Romantics, he finds solace and restoration in the natural world, especially the lakes and mountains of his beloved Geneva. The monster, however, demonstrates the dangers of the new science - the inherent conflict between the Romantics' view of the natural world and the Enlightenment philosophers' view of progress. Victor violates natural law in harnessing the power of life. He oversteps human boundaries and nature is outraged. In the supernatural strength and terror of the monster, nature takes her revenge. ff782bc1db