Shifting their sound and image from solely aggressive, masculine hip hop to more diverse styles,[4] BTS wanted to express the beauty and anxiousness of "youth" and settled on the title of "" (Korean: ; RR: Hwayangyeonhwa), loosely interpreted to define "youth" as "the most beautiful moment in life."[5] On April 6, 2015, BTS announced their comeback date for April 29, and revealed that all members participated in writing songs for the album.[6] On April 17, an animated comeback trailer[7] was uploaded on Big Hit Entertainment's official YouTube channel, which featured the album's intro track performed by Suga.[8] On April 19, Big Hit Entertainment announced the title of the album, and the first set of member concept photos[9] was posted on their official Twitter account. Along with the reveal of the second set of concept photos,[10] it was stated that two different cover design versions of the album would be released, Pink and White. The album would also include a 120-page photobook and a random photo card.[11] Big Hit Entertainment released the first music video teaser for the album's lead single "I Need U" on April 23.[12] On April 26, the album's track list was revealed, and an album preview was uploaded on Big Hit Entertainment's YouTube channel.[13] Two of the album's tracks, "Boyz with Fun" and "Converse High," had previously been previewed at the 2015 BTS Live Trilogy Episode I: BTS Begins concert held in Seoul on March 29.[14]

"Beautiful Life" by TVXQ is a song about appreciating the simple things in life and cherishing the moments that you share with the one you love. The song speaks of being content with an ordinary life and being in love with the person who makes it special. The song speaks of the special moments the singer shares with his loved one, such as when they don't wear any makeup but are still beautiful, and encourages us to appreciate the small moments in life. The song emphasizes the importance of cherishing the moments we spend with our loved ones and encourages us to take nothing for granted. It reminds us to be thankful for the simple things life has to offer.


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SONG: It's really hard because I feel like being a millennial, like, I always feel like I have something to prove. You know, there's, like, all these societal pressures, like, oh, you're going to go to school. You're going to get a great job. And then you're going to get married and you're going to have - lead this, like, happy, beautiful life. And I just feel like we got really unlucky with the timing.

MASON: Yeah. The impulse for writing it came from my grandmother's passing, but it's a song about life, but the impulse for me writing it definitely was from that place that I was in - a very nuanced emotion. And you could hear it in the trumpet. I asked him to play with more of a breathier sound. Throughout the whole course of the song, there's no solos. I wanted to make sure we maintained an equilibrium and a balance of presence.

MASON: "Closure" is really just a gospel song. Speaking about Bach again, it's also kind of winking an eye at baroque music and contrapuntal music. The closure I found is a deeper appreciation of what it means to be human. It's just an interesting time we're in. It seems like we're going in a way where human life is being devalued, and the human expression is being devalued. And the ability for somebody to express themselves is under so much scrutiny right now, especially musically. And this album is just a - me putting my foot down for the fight for humanity, the fight for human expression.

From the O. Henry Prize-winning author comes a heartbreakingly beautiful and brutal exploration of lives fragmented by the Pacific side of World War II.Spanning more than 150 years, and set in multiple locations in colonial and postcolonial Asia and the United States, Inheritors paints a kaleidoscopic portrait of its characters as they grapple with the legacies of loss, imperialism, and war.Written from myriad perspectives and in a wide range of styles, each of these interconnected stories is designed to speak to the others, contesting assumptions and illuminating the complicated ways we experience, interpret, and pass on our personal and shared histories. A retired doctor, for example, is forced to confront the horrific moral consequences of his wartime actions. An elderly woman subjects herself to an interview, gradually revealing a fifty-year old murder and its shattering aftermath. And in the last days of a doomed war, a prodigal son who enlisted against his parents' wishes survives the American invasion of his island outpost, only to be asked for a sacrifice more daunting than any he imagined.Serizawa's characters walk the line between the devastating realities of war and the banal needs of everyday life as they struggle to reconcile their experiences with the changing world. A breathtaking meditation on suppressed histories and the relationship between history, memory, and storytelling, Inheritors stands in the company of Lisa Ko, Viet Thanh Nguyen, and Min Jin Lee.

Uwem Akpan's stunning stories humanize the perils of poverty and violence so piercingly that few readers will feel they've ever encountered Africa so immediately. The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord.In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. 17dc91bb1f

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