Visual description: A teal-toned poster features a distorted net being tugged by a dark metal chain hanging down diagonally to the left side. Bold black text at the top reads “SICK PLAY,” and the name “ALX VELOZO” appears on the right inside a break in the net. Along the bottom, event details list an opening reception on December 12, 2025, from 7–10 PM at Sleepwalker Collective at 324 East 23rd St, Baltimore.
Sick Play, a solo exhibition of new works at Sleepwalker Collective gallery Friday December 12, 2025, from 7–10 PM at 324 East 23rd St, Baltimore, MD 21218. The show will be up until 1/21 and the gallery is open by appointment (feel free to email alx.velozo@gmail.com or sleepwalkercollective@gmail.com)
Sick Play explores how a chronically ill and disabled experience informs and troubles sensation and power exchanges. This exhibition lenses a BDSM hanky code through a standardized hospital color system and collapses the sick body, its navigation of the Medical Industrial Complex, and its complex sensory experience into predicament bondage. In this sick-centered landscape the abstracted body becomes both the trap and the trapped and kink-coded bandanas break out into patterned rashes of medical sock grips.
Visual description: A teal-toned poster features a distorted net being tugged by a dark metal chain hanging down diagonally to the left side. Bold black text at the top reads “SICK PLAY,” and the name “ALX VELOZO” appears on the right inside a break in the net. Along the bottom, event details list an opening reception on December 12, 2025, from 7–10 PM at Sleepwalker Collective at 324 East 23rd St, Baltimore.
Full Access information:
Space: This artist-run gallery is housed in the first floor of a historic row house. The main entrance is up 5 steps of stairs with an interior step between the entrance and the main gallery space. The exit to the backyard has 6 stairs, a raised door sill, and a final step to the alley.
Covid: Masks are required and will be provided for events. An air purifier will be running in the central gallery space.
Bathroom: A public bathroom is available on the first floor. It unfortunately is not ADA accessible for wheelchair users and does not have infant changing tables.
Signage: all works are visually described and a printed copy is available to support low vision/ blind folks. Screen reader compatible visual descriptions will also be connected to QR codes throughout the exhibition.
Tactile: There are touch objects installed throughout the show and multiple works can be directly touched. Touchable work will be indicated clearly.
Content warning: written texts in the exhibit include mentions of bondage, blood, and piercing. This text may not be suitable for children or your own tastes. There will be a short alternative printout with age appropriate text for the young reader.
Parking: street parking is available directly out front. The sidewalk has a curb cut less than half a block from the space.
Public transit: The nearest bus stops are is the red line at Greenmount Ave & 22nd and the purple route at Charles and 22nd
*** a note around access choices for this exhibition:
As a disabled artist that depends on mobility access devices, it was a difficult choice to exhibit this work in a space that is not wheelchair accessible. We will be sharing a video tour shortly after the opening to virtually share the work with those that cannot be with us in the space. This choice was made with the intimate knowledge of how few physically accessible exhibition spaces there are for early career artists in Baltimore. Let’s change this by supporting the efforts of local disability-led organizations like "Baltimore: The City of Accessible Arts!"
If you prefer listening instead of reading, here’s a short video overview of this message:
In response to your requests for continued learning opportunities around accessibility, the BCAA Leadership Team invites you to join us for an in-person tour of the Center of Excellence in Non-Visual Accessibility (CENA).
🗓 Date: Friday, December 5
🕘 Arrival: 9:45 AM
🕙 Tour begins: 10:00 AM (approx. one hour)
📍 Location: National Federation of the Blind’s Jernigan Institute
200 E. Wells Street, Baltimore, MD 21230
From Marguerite,
“It’s important to connect directly with organizations of blind people who are working to advance their own independence and access. This is an exceptional local learning opportunity for BCAA.”
Capacity is limited, so RSVP as soon as possible at the link below:
RSVP Deadline: Monday, November 24, 2025
About the Center of Excellence in Non-Visual Accessibility (CENA):
(excerpt from CENA’s website linked here)
Founded by the National Federation of the Blind in 2014, CENA works to:
• Share knowledge about web accessibility and access technology
• Promote best practices in government, education, and business
• Increase awareness of accessibility and tools available to blind users
Building on the expertise of blind people themselves, CENA seeks to create a more accessible world.
We look forward to exploring together and continuing to build the energy, excitement, and commitment for accessible arts in Baltimore.
Crushing Colonialism proudly celebrates the second anniversary of Crushing Colonialism: The Magazine on December 4, 2025, at Baltimore Center Stage as part of the theater’s Shared Space Initiative. This free, fully accessible event will unite IndigiQueer communities in joy, storytelling, and solidarity through traditional foods, live performances, and screenings by Indigequeer youth. Featuring artists such as Angela Miracle Gladue (Miss Chief Rocka) and 9a, the celebration embodies Crushing Colonialism’s commitment to accessibility and disability justice, welcoming all communities—Indigenous or not.
Nov 10 - 16, 2025
All day
FREE
Cary Beth Cryor Art Gallery
James Weldon Johnson Auditorium,
2500 West North Avenue, Baltimore, MD 21216
ROOTED IN JOY is an exhibition that celebrates the richness of art and community through playfulness. The purpose of the exhibition is to mark the opening of the Coppin Repertory Theater production, SHE A GEM by Josh Wilder. Experience the Visual and Performing Arts at Coppin State University, working together to combine worlds that are ROOTED IN JOY.
Curated by Prof. Kibibi Ajanku and the CSU Art Collective
November 10-23 (guided tours)