Extension Features:1. Shuffle Battlefield wallpaper every time you open a new tab. 2. Randomize Battlefield background or favorite it in wallpaper selection panel.3. Search bar using Google.4. Quick access to your emails and social media accounts.5. Show current date and time automatically.6. New Note for you to write down your tasks. 7. Easy access to your most visited websites. 8. Easy access to your bookmarks.9. Add website to Shortcut panel for quick access.10. Quick access to Google apps.11. Quick access to More Themes.12. Easy Sharing to Social Media.13. Quick access to Download wallpaper.14. Quick access to play games.15. Enable fun snow, rain, falling leaves, fireworks animation in Battlefield new tab.

Want to know one of the first things I did after Battlefield 1 was revealed? I took one of the screenshots from the game and made it the wallpaper on my mobile phone. And then I made it my PC wallpaper. And then I set it as the wallpaper on my tablet. You might say I'm obsessed. But from the sounds of it, so are some of you. No worries, we got you covered: we've created some perfectly sized images from the Battlefield 1 box art and the Battlefield 1 Early Enlister Edition to use as wallpapers. Check them out, below, and rep Battlefield 1 in style whether you're using your phone, tapping away at a tablet, or gaming hardcore on your PC.


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Check out these HD wallpaper for Battlefield 1 which you can use in your 1080p monitors or even on consoles like PS Vita, PlayStation 4 and XBOX ONE. The maximum dimension of these wallpaper is 1920 x 1080.

They say it's not the winning, but the taking part that counts. Nowhere is this old adage more apt than at the 8th Designs of the Year exhibition at London's Design Museum - a cornucopia of the best design of the last 12 months.


Somehow, despite a leaderboard looming large on the wall and number of big hitter nominees - Frank Gehry, Tesla, Raf Simons - this exhibition, deftly curated by Gemma Curtin, is more playground than battlefield, albeit with a social conscience (think loos for communities without running water or the Waterbank campus, which harvests rainwater as well as providing a education space in Kenya).


The range of the nominees - at times overwhelming - is typical of DOTY (Curtin calls it a 'snapshot of diversity'). Where else could you find a macho machine like the BMW i8, more at home on a competition podium in Gatwick Airport, next to a kaleidoscopically-colored wooden bench by Raw Edges' Endgrain? But despite this, the reassuringly high number of young faces in the line-up serves to remind us that the award is, first and foremost, dedicated to nurturing a certain design zeitgeist - specifically that of pioneering, and often divergent, fresh talent. Marjan van Aubel, with her Current Table or Thomas Tait, with his prismatic AW13/14 collection are just two of note.


To Curtin, the most exciting aspect of this is the eclectic scope with which designers approach the ever-shifting relationship between craftsmanship and advancing technology. While some of the pieces on show actively embrace tech (the enchanting, Escher-like game Monument Valley, for instance), others have connected in different ways, notably through fundraising platforms like Kickstarter. More than five of the projects included began life on Kickstarter, including the Double O bike lights from Paul Cocksedge Studio. It's something Curtin is wholeheartedly behind. 'It's a great way of getting ideas out there and letting the public choose what's important,' she says. And that's it really. Design is here to answer our questions and solve our problems - here are 76 things that do just that.

The collection consists of a paint roller and stencil, two wallpaper samples, a plaque, a death certificate, and a Bible relating to the experiences of Franz Wohlfahrt and his family and their persecution as Jehovah Witnesses by the government of Nazi Germany, 1933-1945.

Plaque created by Franz Wohlfahrt presumably for the Nazi SS (Schutzstaffel; Protection Squadrons) while imprisoned in Strafgefangenenlager Rollwald labor camp in Germany in 1944. He was assigned the task as part of his forced labor service. However, an inscription on the back states that he made this one in secret out of wood scraps and paint samples and smuggled it home. Franz, 20, was jailed because, as a Jehovah's Witness, his beliefs did not permit him to put any authority before God. He would not submit to the authority of the German government or serve in the military. In 1943, at Rollwad, the new camp commandant, Karl Strumpf, was decorating his villa and Franz was assigned to the work detail. Franz experimented with latex paint and produced an effect like wallpaper, which was not available at the time. Strumpf got to know Franz through his work at the villa and saved his life on 3 occasions, shielding him from death by beheading for his refusal to serve in the military. The camp was liberated by the United States Army in March 1945.

Paint roller and stencil used by Franz Wohlfahrt while imprisoned at Strafgefangenenlager Rollwald labor camp in Germany from 1940-1945. Wallpaper samples made from this roller and stencil are in collection 1989.314. Franz, 20, was jailed because, as a Jehovah's Witness, his beliefs did not permit him to put any authority before God. He would not submit to the authority of the German government or serve in the military. In 1943, at Rollwad, the new camp commandant, Karl Strumpf, was decorating his villa and Franz was assigned to the work detail. Franz experimented with latex paint and produced an effect like wallpaper, which was not available at the time. Strumpf got to know Franz through his work at the villa and saved his life on 3 occasions, shielding him from death by beheading for his refusal to serve in the military. The camp was liberated by the United States Army in March 1945.

Wallpaper sample created by Franz Wohlfahrt while imprisoned at Strafgefangenenlager Rollwald labor camp in Germany from 1940-1945. The paint roller and stencil used to create this sample are in collection 2008.448. Franz, 20, was jailed in 1940 because, as a Jehovah's Witness, his beliefs did not permit him to put any authority before God. He would not submit to the authority of the German government or serve in the military. In 1943, at Rollwad, the new camp commandant, Karl Strumpf, was decorating his villa and Franz was assigned to the work detail. Franz experimented with latex paint and produced an effect like wallpaper, which was not available at the time. Strumpf got to know Franz through his work at the villa and saved his life on 3 occasions, shielding him from death by beheading for his refusal to serve in the military. The camp was liberated by the United States Army in March 1945. be457b7860

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