I've been looking at the latest stable version of Lilypond (2.24.2) and noticed that the figured bass font is not the same as before. Not only that, but (without changing anything) the symbols are smaller and some key symbols appear to be missing. Compare the following samples (continuo line with figures only, from a larger score):

Example code as follows. The issue is AFAIK not caused by the custom notation font, since restoring the default does not solve the issue as then one is left with an inconsistent font (the back-stroke six is an obvious example of a Zwiebelfisch, see picture below); and in any case the issue does not even exist in the older version, so the logical deduction is that this is an issue caused by something in the newer version.


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The fontsize can be changed by overriding BassFigure.font-size. The old version used a value of -4, the new one does not use this property but directly sets the fontsize to -5. So set the fontsize to 1.

The slashed 6 is an alternate glyph as explained in -bass.html section Adjusting figured bass alteration glyphs. Essentially you can set individual stroked glyphs for each step in figuredBassPlusStrokedAlist.

In your case you are changing to fonts that does not have these special stroke characters nor unicode accidentals. This is why the slashed 6th is not displayed, and the accidental falls back to a random system font.

@Lazy's answer is correct. I would add, though, that if you are OK with using a development version (2.25.x) instead of the latest stable version (2.24.2), then there is a much simpler method to fix the alteration glyphs than changing the figured bass formatter. In 2.24, there is no way to mix several music fonts in the same score, but in 2.25 it has become possible (and easy). Therefore, you can work around the fact that Haydn does not contain the new glyphs used for figured bass (text-mode accidentals) by changing the default font to Haydn but reverting to the default font (Emmentaler) for bass figures.

The font used by Bass Pro Shop is a custom-designed typeface that was created specifically for the brand. If you want to use a similar font, try Arial, Helvetica, or Verdana. These fonts are all identical to the Bass Pro Shop font, giving your text a similar look.

If you want to use a completely different font, you can try using any sans-serif font. Sans-serif fonts are simple and clean and can be an excellent contrast to the Bass Pro Shop font. Some good sans-serif fonts include Futura, Gotham, and Avenir. Ultimately, the best font you can use is the one you think looks best. Experiment with different fonts and see which one you like the best.

Regarding finding a font alternative for Bass Pro Shop, Arial may be a good option. Arial is a sans-serif font similar in style to the Bass Pro Shop font. It has a clean and modern look, making it suitable for various design projects. Additionally, Arial is widely available and can be found on most computers and devices.

There are many free bass pro shop font alternatives available online. You can find free bass pro shop font alternatives in several ways. One way is to search for them online. There are a few websites that offer free fonts, and you can usually find a variety of different styles to choose from.

Another way to find free bass pro shop font alternatives is to look through the font section of your local library. Many libraries will have a variety of different fonts that you can check out and use for free.

Finally, you can also find free bass pro shop font alternatives by asking around. Talk to your friends and see if they know of any good places to find free fonts. Many people know of great resources for free fonts, which may surprise you.

Fonts like Montserrat and Proxima Nova offer similar geometric shapes and clean lines while providing distinct styles. Whether creating marketing materials for your outdoor brand or wanting to emulate the Bass Pro Shop aesthetic, plenty of fonts can help you achieve your desired look.

Helvetica is a classic sans-serif font similar to the Bass Pro Shops font. You can use this versatile font for various applications. These are just a few Bass Pro Shops font alternatives available. Consider the overall tone and style when choosing a font for your project.

There are many Bass Pro Shop font alternatives available online. Some of these fonts are free, while others must be purchased. However, with so many font options available, finding a font that meets your needs and fits your budget should not be difficult. Hopefully, you are clear on the bass pro shop font alternatives now. If you have any questions feel free to comment below.

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Serif fonts are typefaces that have little lines or pen strokes hanging from the letters. These decorative lines improve legibility and give the letters more character, often exuding a more classy yet subtle vibe. Serif fonts suggest a more historical experience, evoking feelings of institutional repute. Some common examples include slab serif, garamond, bodoni, and didot. Serif typefaces are best used as business logo fonts if your brand is attempting to convey feelings of elegance and tradition.

Script fonts are typefaces that have loops and flourishes. The most common example is cursive logo fonts which exude feelings of formality and elegance (but are often more challenging to read). If you are aiming to use a luxury cursive font for your logo, maintain legibility by keeping the calligraphy on your logo short and sweet. In comparison, casual script fonts that are more similar to handwriting increase readability but appear more rough, practical, and friendly than luxurious and elegant. A push-and-pull exists between legibility and luxury, so choose accordingly to your brand.

Combination marks are logos that combine a wordmark with an icon or illustration. The design can be simple or complex. For this style of logo, it is essential to find a font that feels on-brand and identify an icon or illustration that speaks to your business. Think about the visual weight of the icon you select and how that balances with your text. Does one overwhelm the other? Balancing different weights can be challenging. Your icon and font should also share a similar or complementary style. For instance, the bold typeface used in the Wild Style logo works well with the heavy horseshoe icon but might look out of place in a more luxurious or retro logo. The tilt of the palm trees combined with their simple shape and a modern sans serif font in the Palm Court logo creates a symmetry that is pleasing to the eye. These are the sorts of things to consider when combining text and icons into a logo.

R is returning a warning font family not found in Windows font database, but there was a tutorial I was following (if I can find it again I will update the link here) that said this was normal and not a problem. Also, somehow this worked at one point because my graph once used some arial or helvitica type font. I think this has always been a present warning even during the initial times migration.

Another option is to use showtext package which supports more types of fonts (TrueType, OpenType, Type 1, web fonts, etc.) and more graphics devices, and avoids using external software such as Ghostscript.

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Perhaps the only moment when Hitchcock fully embraced 3D was in the opening credits: here he chose an oblique and uneven yellow font (that looked as if it had been carved by a knife) with a black shadow presumably chosen to make the letters pop in the 3D version.

TrueType is an outline font standard developed by Apple in the late 1980s as a competitor to Adobe's Type 1 fonts used in PostScript. It has become the most common format for fonts on the classic Mac OS, macOS, and Microsoft Windows operating systems. 2351a5e196

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