Staff

An Old Door in Venice, by Mythili, Senior Clinical Lecturer and Doctor, IHSE

My composition was inspired by Dr Nandini Hayes’ painting “An Old Door”. I was so moved and awestruck by her talent for painting that I was inspired to compose a piece of music. For me, her work conjured up the spirit of Matisse, Renoir but also the music of Debussy, Ravel, Chopin and Listz. Her painting is romantic, dreamy and whimsical. It also brought back memories of the first time I went to Venice as a 5 year old with my family. We bobbed along in a gondola, whilst a tenor sang opera classics. My composition draws inspiration from the great Italian operas, Chopin and Debussy.

Image by Nandini Hayes

Music by Mythili

An Old Door in Venice.mp3

Nandini Hayes, Reader in Medical Science

Looking Out To Sea

This photograph was taken in the Spring of 2021 as we were beginning to emerge from the third lockdown. This Anthony Gormley statue stands in the loading bay of Folkestone Harbour Arm. I imagine that if he listens carefully, he might just hear the footsteps of the 10 000 000 men on their way to the trenches on the Western Front. Or maybe the 850 000 Red Cross workers who followed or even the 120 000 refugees who came the other way from Europe. I imagine if he looks into the distance, he will see the cerulean blue sky and the white cliffs offering a beacon of hope for those refugees today displaced by war and persecution or for those who want the life we have. If he looks really carefully, he will see that calm turquoise sea devours and spits out, a hostile environment.

The Iron Duke

This decaying, rusting old boat was found on an early morning kayaking trip in a small cove at the mouth of Frenchman’s Creek. The tidal Helford River which feeds into the creek floods the boat twice a day. It made me think of smugglers, pirates and rum. After I painted the picture, I found out that the story of the Iron Duke was more romantic and remarkable. It had been abandoned in the 1920s by an artist Percy ‘Powder’ Thurburn and his wife Anne who had sailed up the Helford River, abandoned their boat, built a wooden shack where they landed, and led a semi reclusive life. This ex-mariner, who as a boy had run away to sea, loved painting boats even though he never sold a painting, giving them all away to friends.


Reflections from Saint Cado

The picturesque Breton hamlet of Saint Cado is situated on a tiny island surrounded by an inland sea, the Ria d’Etal. This painting was based on photograph taken on a perfectly still day of some of the old fisherman’s cottages which surround the 12th century chapel dedicated to Saint Cado. The whole painting is that of a reflection in the water.



Alleyway in Pink (Safi)

I have always joked that I cannot draw a straight line with a ruler, but usually it is not a joke. Nevertheless, I decided to try to teach myself to paint about four years ago. I started by copying paintings that I liked and then took photographs of things I wanted to paint. Painting takes me away from work, the computer, my phone and is completely absorbing. I like the mess of the paints, the randomness of mixing colour and the unpredictability of never knowing quite how it will turn out – an antithesis of how day to day life normally is.

Safi is a Moroccan coastal town which had a rich history, inhabited by Carthaginians, Romans, Muslims and in the sixteenth century, Portuguese who built an impressive citadel which today surrounds the medina. The scents, colours and noises of the media enchant and confuse. While wandering in the maze of back streets, some so narrow that you could lean out of the window and almost shake your neighbours’ hand, I came across this striking pink alleyway. I felt sorry for the two small olive trees which never see the sun.

Looking out to sea

Alleyway in Pink

The Iron Duke

No need to be koi by Janet Davies, Senior Clinical Lecturer/Honorary Consultant in Paediatric Dentistry

Self care is a strange concept. It can feel a little indulgent when there is so much to do, to achieve. It is however essential to your wellbeing and takes many forms. For me, art was something I did at GCSE. For years, dentistry had filled the creativity hole in my life. The pandemic snatched that away and an online art class suddenly filled my life with possibilities. The sheer joy of learning new skills, in the privacy of your own home, wearing pyjamas cannot be imagined. As a group, we were drawn to nature, drawing flowers and animals, painting brightly coloured birds and sunsets. We explored the world despite being locked down. For a few hours a week, we forgot Covid and poured ourselves into creating something beautiful. I found this piece particularly soothing to paint. The majestic koi carp against the muted blues. To me, they represent the past, present and future, a reminder that life is cyclical. We will soon be gone so we need to take care during the time we have.


Wanderer by Sule Kangulec, NEL Training Hub Programme Manager

This piece is created 31 years ago, using clay, working with a live model in London, the city I have just arrived as a young woman. It has moved many times, broken in some places, pieced together gently, changed over the years. Part of a journey of survival with strength and care that is continuing...


Clay - an antidote, by Amitha Ranauta, Institute of Dentistry

We live in a culture that celebrates fast, easy and convenient. I find myself constantly distracted by devices and running from work to meetings. Often, I find myself stressed and discovered that the effect of quick-fix solutions such as chocolate did not last.

Working with clay means I must take my time because the process cannot be rushed. There are many steps between preparing the clay and the glaze firing, some that require hours, days or weeks in between. If you try to rush it, the clay can respond by cracking, exploding, or protesting in some other way. I find working with clay makes me step away from the urgency of the everyday and makes me slow down. Because I cannot rush it, I find myself enjoying the process rather than focus on the outcome. With clay, I find that I can let go of control and accept imperfection.

I attend class at the end of a working day, often work alone on my project and there is a kind of quiet which is therapeutic and calming.


Resilience by Dr Simrit Degun, GP tutor

This piece was created in February 2021 during the coronavirus pandemic. It is a portrait piece of my mum and her sister that was created at a time when we were largely unable to see our family and friends. The choosing of subjects and the pose of them laughing as well as creating it was for me to remember closeness and the importance of human connection in very isolating times. The piece is called ‘Resilience’ to reflect the strength I see in the women depicted but also the resilience shown by myself and others as we all worked, survived and at times thrived through the pandemic. The importance of maintaining human connection with our loved ones, families and friends is a hugely important aspect of self-care in healthcare. Whether it be virtual or real life conversations and laughter with loved ones, we all need support systems to maintain resilience whilst working in what can be incredibly tough healthcare professions. I also envisage the painting evoking feelings of happiness in the viewer. Does looking at this make you smile or remember laughing with a loved one? I hope so.


Pavlyk Art Lab, Postdoctoral Research Assistant

My name is Dr Iuliia Pavlyk, I am working in Barts Cancer Institute on the novel approach to target hardly curable lung cancers. I was born in beautiful city of Lviv, Ukraine. After obtaining Master degree I moved to Warsaw to perform PhD studies. From that time my big journeys have begun. After finishing PhD, I pursued my scientific career in Philadelphia, US. There I have discovered my passion to watercolours, inspired by my supervisor, brilliant scientist and award-winning writer, prof Anna Kashina. For my paintings I am using watercolour media, water soluble pain that exhibit transparent, very light and soft structure. Watercolours are quite difficult to work with; I am calling this type of media “not predictable” :-) In my watercolours I am presenting magnificence of nature and world around us, capturing the spirit of each place by both spontaneity and intensity. My favourite subjects to paint are sea, ships, nature, plant world, people and some abstract pictures as well.


California

Lake Geneva

Head in the clouds

Three poems by Dr Kathleen Wenaden, GP tutor

These are 3 poems which I have recently written, in our post-pandemic world. I think we have all now learnt the value of stopping and taking time for ourselves. We have all lived (are living) through a period of time in history where it feels that our world has been upended, and we have all needed to find anchors, ways of grounding ourselves. For me, this has been in poetry, and in the natural world, especially walking. I describe myself as a mother, medic, pilgrim and poet which sums up some of the deepest aspects of who I am. I hope that these small poems speak to you.


How to love oneself

I don’t look into your eyes and lose my being entirely

but I do find myself in you.

I don’t swoon and fall at your feet

but I do fall with you into new paths.

I don’t dream all night of you

but I do see my future with you.

I don’t feast my gaze on your all day

but I do know the infinite worth of our life together.

I don’t travel the seven seas for you

but I do wish to swim out to the horizon with you.

I don’t talk in the language of love often

but I do long to hear the whisper of your inmost worlds.

I don’t cook you gourmet meals

but I do hope to meet your needs.

I don’t want to

But I do.


And some day take the time to

Walk by the feathery reeds which hum as you pass

Drink several coffees whilst thinking of nothing

Live a day like no-one is watching

Live a life outside in; wearing your heart on your skin

Slowly release the butterfly in January

Open the door feeling the wind in your heart

Open the door and watch the orbed sun rising

Wake and let the dreams of sleep be your reality

Watch the starlings perch on the pylons overhead

Capture the laughter of your daughter in a jam-jar

And remember with awe your dreams.


Love in a post-pandemic world

It is in the hurtling TGV rattling through France

Yet, also in the rumbling branch line to bygone places.

It is in the echoes of the operatic aria

yet also in the football fans off-keyed chants.

It is in the wildest gales, upending trampolines

and in the freedom of the spring breeze.

It is in the oxygen deprived heights of the Himalaya’s

and in the grassy African low veld plains

It is in the orbed moon and diamond lit starred sky

yet also in our front room, blankets over knees

It is in the new morn’s splayed sequinned start

and on the greyest of dimmed days

It is in the storm crashed rocky coastline

and in silken seas swimming out to an unknown horizon

It is in the words spoken by Nelson Mandela and Martin Luther King

and in the grateful greetings by our neighbours on street corners

It is in the mental health crisis phone line

and in the silent texts to forgotten friends

It is in the fullness of the Friday night pub

and in the quietness of a care home with no visitors

It is in the Divine, who loved before we did

and who stills our beating hearts.