Once this was done, I could then finish this flute recording by adding a short crossfade to silence the clip made by the end cut in the audio (as shown in the screen shot to the right) as well as using the HPF and Compression plugins/parameters equal to those used on the original flute audio (As shown above).

To get the sound of multiple recorded vocal tracks without re-recording, I used the ADT (Automatic Double Tracking) technique created by George Martin and Ken Townsend when working on overdubbing vocal tracks by John Lennon. This is done by adding a delay plugin on the vocal track with a short, slap-back delay time, a low rate, the mix at 100% and adjusting the depth to taste. This creates an Low Frequency Oscillator effect on the pitch of the vocal track, giving the illusion of an overdubbed vocal-line recording. Below is a screen shot of the delay plugin used to create this effect and a short preview of the ADT vocal track. (note. There is a small clip halfway through vocal audio, due to small error in 0 plane cross-fading when combining different audio takes, not recognised until after consolidation of combined audio files and deletion of originals).


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The final piece of processing that was done for this project was the vocal compression. As with the rest of my audio tracks for this project, I have again decided to use the set of guidelines that aided me in the compression of my vocals in the first studio project. Below is a list of my compression settings as well as a screenshot of the compression plugin itself.

The interface is divided into sections; the header bar at the top, the body in the middle, and the status bar and the footer at the bottom. There are also some additional windows for the Settings panel and Preset Browser.

The vibrato intensity and rate can be controlled using either the two independent sliders or the XY pad. The XY pad is a great option when using a touch screen and provides continuous control over both parameters at the same time.

The settings screen gives you control over the sampler engine, hardware configuration, and MIDI options. The settings that are available will vary slightly depending on if you are using the standalone instrument or the plugin.

If you have an iPad, you really need a good stylus to annotate your PDF sheet music. Apple Pencils are the best, in my opinion, especially with forScore. You can start writing on the screen, and it will take your annotations.

On Monday, April 19, 2021, Flute Fellow Jack Reddick will present a virtual recital called Exploring World Flutes. The program consists of three world premieres of his commissions as part of his NWS BLUE project. The new works by composers Toby Hession, Joshua Hickin and Eliza Marshall feature instruments such as flute, bass flute, bansuri, shakuhachi, sao truc, Xiao, dizi and more.

For example, most composers, without having done their research, might not know that the shakuhachi is pitched in a minor pentatonic scale and that the vibrato comes from your head, or that the dizi is really, really loud! In the studio, I would jump from instrument to instrument, and I would go from bansuri to the softer shakuhachi to the loudest dizi, and the sound engineers would have to quickly adjust the microphones!

Having the opportunity to work with traditional musicians who have dedicated their lives to these traditions via Zoom was an amazing experience, which allowed me to feel more confident and stylistically informed. My studies with Emmanuelle Rouaud, a French performer of shakuhachi, were eye-opening in several ways and she changed the way I physically approached the instrument. I was able to take a number of bansuri lessons with Madhav Haridas, with whom I studied ragas by ear. Ragas are completely different from anything we experience in western music and having perfect pitch did not help at all! It was amazingly difficult, but I practiced diligently and learned so very much doing so. I also took Ney and Duduk lessons during this period, and while these instruments are not featured on the upcoming concert, the experience gained in the course of my studies is invaluable.

Tabla virtuoso Zakir Hussain proudly presents TISRA (three). This unique trio is comprised of tabla (hand drums), sarangi (bowed stringed instrument), and bansuri (bamboo flute), a combination not often heard on the classical stage. Sarangi and bansuri each have roots in ancient India and its mythology; both are also folk instruments.

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Starfleet personnel relied on tricorders to scan for everything from mechanical malfunctions to life signs. The tricorder is made of resin with a matte-grey finish. It features a flip-out panel that reveals button decals, lights, and a small faux screen. The design was later updated to a more futuristic appearance. The tricorder measures: 16.5 cm x 8.5 cm x 4 cm and included a removable panel on the bottom to access the electronics, which are powered by a 4LR61 6V battery.

The bansuri is a flute from India that is often heard in Indian classical music. However, modern western music can also be played well on it. You can see the bansuri flute on drawings, paintings and statues of Buddhist, Hindu and Jain temples. Especially, the Hindu god Krishna is often depicted with a bansuri flute. ff782bc1db

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